ROYAL WARRIORS is a pretty good 1986 Michelle Yeoh vehicle directed by David Chung (cinematographer of ONCE UPON A TIME IN CHINA) with action choreography by Hoi Mang (YES, MADAM!, NO RETREAT NO SURRENDER).
Michelle, called Michelle Khan at the time, plays Michelle Yip, who at the beginning is visiting Japan and enjoying one of those things where Japanese youths dress up rockabilly style and dance in the street. She happens to be in the way watching a guy play barrels as drums when some gangsters come by chasing a fleeing kid. So when she sees what’s happening she goes after them, stickfighting, climbing on statues and kung fu-ing them before she whips out her badge and we learn that she’s a Hong Kong cop. (read the rest of this shit…)
Yeah, SUNSHINE is still good. It’s kinda like ALIEN but with a (SPOILER) naked crazy dude instead of an alien. Like the alien the crazy naked dude is sneaking around unseen for most of the movie, but a naked dude is harder to pull off special effects-wise than an alien so you never do see him clearly. The camera and editing program start freaking out every time he shows up, like he’s giving off some kind of interference.
A crazy naked dude doesn’t have a projectile mouth, he doesn’t have acid blood. But he’s just as unexpected on a ship with only a few crew members. And he knows how to stab people. In a way he could be more dangerous than an alien because he knows how the ship works and intentionally tries to sabotage their mission. (read the rest of this shit…)
Michelle Yeoh jumping a motorcycle onto a moving train. Landing it. Skidding out, letting the bike fall off, staying on the train. This is what I remembered about SUPERCOP. She really fuckin did that stunt! She was a dancer that had turned to acting in kung fu movies, was good at learning the moves. She actually hadn’t made a movie for a while, but her old friend Stanley Tong was making his directorial debut, and she came out of retirement for him. He was actually her stunt double sometimes. I guess he was too busy directing this, so she had to do the stunt herself. (read the rest of this shit…)
This year’s TRUE LEGEND is Yuen Woo-Ping’s first directational work since IRON MONKEY 2 in 1996. During that break he’s done some classic fight choreography, including some of the best ever in American movies (the MATRIXes, the KILL BILLs), but just hasn’t put himself in charge of a whole movie. So this is fun because it’s great wushu mythmaking and the master’s trademark fights working with a new pack of stylistic and technological weapons that didn’t exist 14 years ago. (read the rest of this shit…)
7% on Rotten Tomatoes… that’s bad, right? I was kind of interested in this idea of Vin Diesel returning in a big sci-fi movie directed by the guy who did LA HAINE (you know, Kassovitz. Amelie’s boyfriend, later in MUNICH). But then there were all these stories about the studio cutting it to shreds, and then the reviews were CANNIBAL HOLOCAUST brutal, and even Kassovitz called it “pure violence and stupidity” before it was even released, pretty much signaling that he was so disappointed in the movie that he was willing to throw away any future chance at directing in Hollywood. I mean those are some pretty bad omens there in my opinion so I couldn’t work up the courage to pay money to see it in a theater. I remember even talking a buddy out of going to see it by describing how bad the buzz was. It was so bad it wasn’t even buzz, it was more of a whistle.
So I’m surprised to be sitting here telling you this, but this movie is actually kind of good. I mean, unlike Vin Diesel’s character, who does a flip on a snowmobile in one scene, the movie doesn’t stick the landing. The conclusion borders on silly, the storytelling becomes pretty muddled (possibly due in part to those studio cuts, I’m not sure) and I was not sure I really understood the point of how it ended up. But as a whole it’s so much better than I had been led to believe. Aside from some corny Riddick-style opening and closing narration Diesel is a cool action movie character inhabiting a fleshed out, believable world of chaos not too far in the future. (read the rest of this shit…)
PROLOGUE: Long ago, a brave warrior (Jet Li) and a graceful dancer turned actress (Michelle Yeoh) did the movie TAI CHI MASTER together. Then both went to Hollywood and did Lethal Weapon and James Bond and shit. But they had not forgotten each other. They were gonna star in CROUCHING TIGER, HIDDEN DRAGON together. But Jet backed out for the incredibly classy reason that he had promised his wife to take the year off from movies and be with her while she was pregnant. Years later, they had another chance to do a movie together in Ronny Yu’s FEARLESS – but Michelle’s scenes got cut out of the theatrical version. So it was this last summer, 15 years later, that the two were finally reunited on the big screen. BUT IT WAS IN THE FUCKING MUMMY 3! How’s that for a Tales From the Crypt type twist ending?
Okay, I should get a couple disclaimers out of the way. First of all, mummies are not one of my favorite monsters. Off the top of my head the only mummy movie I can think of that I like is BUBBA HO-TEP, but that didn’t really need to be a mummy to be good. It just needed to be a slow moving monster so an elderly Elvis could be a fair match for it. If it was about a giant space slug or mutant sloth it could also be good if it had the same characterization of a sad, lonely Elvis Presley. The Universal MUMMY with Boris Karloff is a great monster at the beginning, then he disappears and it’s just Karloff in a fez for the rest of the movie. It’s no DRACULA, I’ll tell you that. And as you can see above I didn’t think the Hammer version was that great either. (read the rest of this shit…)
With the release of this movie I’d say there’s now officially a subgenre of sci-fi movies about the angst of long distance space travel. Two of my favorite movies ever – 2001 and ALIEN – are in this category. There’s also DARK STAR, a predecessor to ALIEN and an inspiration to this movie (one of the characters is even named Pinback after Dan O’Bannon’s character in that movie). I also liked the remake of SOLARIS, but I still gotta see the original one. Rounding out the category now there’s Danny Boyle’s SUNSHINE.
This one takes place sometime in the future, but probaly not too long in the future. The main difference between then and now: the sun is dying. Pretty shitty. Humanity came up with a plan where they sent a spaceship called The Icarus which would set off a bomb that would reignite the sun. But that ship was a bunch of slackers or something so nobody heard from them again. This is the story of the Icarus II, where they decided to use up Earth’s resources to make the last possible bomb that they could use to try to relight that bitch. (read the rest of this shit…)
Hey, everyone. “Moriarty” here with some Rumblings From The Lab.
Vern rules. If you don’t know that by now, then here’s your chance to figure out why.
Fellas —
I know you ran a couple reviews of THE TOUCH starring Michelle Yeoh before, but I thought I’d throw in too. I mean look harry you and I go way back, just give me another chance to commune with those talkbackers you got. I’ve been practicing and I think I can win em over this time. The secret is not to mention that I’m an award winning Writer and then I really think those fuckers might take a shine to me. Don’t print that part harry, thanks bud. (read the rest of this shit…)
My friends, you may think I have been neglecting you. In the past month or two I have abandoned all my discipline and stopped doing the column weekly. I haven’t been reviewing all that many movies. I’ve been staying pretty much away from the computers of the internet except for Writing the occasional Ain’t It Cool News joke talk back message under the name “Darth Superman.”
The truth is I’m doing you a big fucking favor. I’m cutting down on my Writing. Focussing it. Putting my emphasis on what matters to me most, like honor, respect, and breaking a motherfuckers legs. I’m hoping less Writing = less crap, and therefore, better Writing. So you get to waste less time reading it, plus it’ll be better. That’s the theory, anyway. (read the rest of this shit…)
WAYS YOU CAN SUPPORT THE SHIT OUT OF VERN & OUTLAWVERN.COM
if that's your thing:
1. Patreon
Toss me a couple bucks a month, support the good shit, also get access to a bunch of exclusive writing. This is my primary source of writing money that has allowed me to cut down to part time at the day job. Thank you!
2. Buy my books from your local bookseller or somebody
(NOTE: My ten year contract has passed on the Titan books, so I don't get residuals on them like I do WORM ON A HOOK and NIKETOWN, but I would love for you to read them because I'm proud of them)
EXTRA CREDIT: Review them on Amazon! That would really help me out. Unless you didn't like them, in which case forget I said anything.
3. If you ever buy from Amazon, go through my links or search engines
(you pay the same amount you were gonna pay anyway they cut me a little slice)
I also have an Amazon UK one:
(I can't get the search box widget to work anymore, so click on MOONWALKER and then search for what you want.)
4. My exciting line of fashion and leisure products
(I get a couple bucks per item, you get a cool t-shirt, mug or lifestyle item)
5. Spread the word
Tell your friends about my reviews and my books and everything. Only cool people though please, we don't need a bunch of suckers and/or chumps around here.
THANKS EVERYBODY. YOUR FRIEND, VERN
* * * *
Recent commentary and jibber-jabber
VERN on Jackie Brown: “I awarded it “Best Picture – Comedy, Musical or Badass” in the 1999 Outlaw Awards, but I don’t believe I…” Oct 25, 00:10
Inspector Hammer Boudreaux on Other: “In one of those odd coincidences where two movies in the same year have a similar concept, GOOD BOY is…” Oct 24, 10:10
Bill Reed on Bring Her Back: “SPOILERS SPOILERS SPOILERS FOR REAL, SPOILERS Agreed with you on the ending, Skani. After all the pre-meditated, manipulative, and horrible…” Oct 24, 06:26
Skani on Bring Her Back: “SOME SPOILERS Everything I read told me that this movie was all wrong for me, but I watched it anyway,…” Oct 23, 20:04
M. Casey on Jackie Brown: “Yeah, this is a great one, I’ve been meaning to see it again and need to get around to it.…” Oct 23, 19:07
Mr. Majestyk on Other: “I thought the face thing was going to be a twist where everybody else has a disgusting monster face, indicating…” Oct 23, 15:40
BuzzFeedAldrin on Bring Her Back: “I did enjoy this, though not as much as Talk to the Hand mainly because I don’t enjoy characters in…” Oct 22, 08:40
Dreadguacamole on Bring Her Back: “There’s been other horror movies I enjoyed more this year, but put me against the wall and I’d say this…” Oct 22, 06:32
Skani on Black Phone 2: “Agreeing with the consensus on this one. I liked it. I though Bichir was the standout. I really like this…” Oct 21, 20:45
Ben C. on One Battle After Another: “I wish I was in the “movie of the year” camp on this one – there was a lot about…” Oct 21, 15:05
MaggieMayPie on Bring Her Back: “Bill – “What is in the water down under? (Oh, right, it’s spiders.)” startled a literal lol out of me.” Oct 21, 14:51
emteem on I Know What You Did Last Summer (2025): “A few random thoughts I had while reading the review of a movie I haven’t seen yet. 1. My wife…” Oct 21, 13:23
Bill Reed on Bring Her Back: “For me, this was the most uncomfortable horror movie since HEREDITARY. It’s not as fucked-up as that one, but it…” Oct 21, 12:53
Sarah Stegall on High Plains Drifter: “One explanation for the rape scene is that it’s a test of the town. Everyone knows what’s happening, and they…” Oct 21, 10:49
ROYAL WARRIORS is a pretty good 1986 Michelle Yeoh vehicle directed by David Chung (cinematographer of ONCE UPON A TIME IN CHINA) with action choreography by Hoi Mang (YES, MADAM!, NO RETREAT NO SURRENDER).
This year’s TRUE LEGEND is Yuen Woo-Ping’s first directational work since IRON MONKEY 2 in 1996. During that break he’s done some classic fight choreography, including some of the best ever in American movies (the MATRIXes, the KILL BILLs), but just hasn’t put himself in charge of a whole movie. So this is fun because it’s great wushu mythmaking and the master’s trademark fights working with a new pack of stylistic and technological weapons that didn’t exist 14 years ago. 
7% on Rotten Tomatoes… that’s bad, right? I was kind of interested in this idea of Vin Diesel returning in a big sci-fi movie directed by the guy who did LA HAINE (you know, Kassovitz. Amelie’s boyfriend, later in MUNICH). But then there were all these stories about the studio cutting it to shreds, and then the reviews were CANNIBAL HOLOCAUST brutal, and even Kassovitz called it “pure violence and stupidity” before it was even released, pretty much signaling that he was so disappointed in the movie that he was willing to throw away any future chance at directing in Hollywood. I mean those are some pretty bad omens there in my opinion so I couldn’t work up the courage to pay money to see it in a theater. I remember even talking a buddy out of going to see it by describing how bad the buzz was. It was so bad it wasn’t even buzz, it was more of a whistle.
PROLOGUE: Long ago, a brave warrior (Jet Li) and a graceful dancer turned actress (Michelle Yeoh) did the movie TAI CHI MASTER together. Then both went to Hollywood and did Lethal Weapon and James Bond and shit. But they had not forgotten each other. They were gonna star in CROUCHING TIGER, HIDDEN DRAGON together. But Jet backed out for the incredibly classy reason that he had promised his wife to take the year off from movies and be with her while she was pregnant. Years later, they had another chance to do a movie together in Ronny Yu’s FEARLESS – but Michelle’s scenes got cut out of the theatrical version. So it was this last summer, 15 years later, that the two were finally reunited on the big screen. BUT IT WAS IN THE FUCKING MUMMY 3! How’s that for a Tales From the Crypt type twist ending?
With the release of this movie I’d say there’s now officially a subgenre of sci-fi movies about the angst of long distance space travel. Two of my favorite movies ever – 2001 and ALIEN – are in this category. There’s also DARK STAR, a predecessor to ALIEN and an inspiration to this movie (one of the characters is even named Pinback after Dan O’Bannon’s character in that movie). I also liked the remake of SOLARIS, but I still gotta see the original one. Rounding out the category now there’s Danny Boyle’s SUNSHINE.
Hey, everyone. “Moriarty” here with some Rumblings From The Lab.
My friends, you may think I have been neglecting you. In the past month or two I have abandoned all my discipline and stopped doing the column weekly. I haven’t been reviewing all that many movies. I’ve been staying pretty much away from the computers of the internet except for Writing the occasional Ain’t It Cool News joke talk back message under the name “Darth Superman.”
