As long as I rewatched URBAN LEGEND and URBAN LEGENDS: FINAL CUT I figured I should complete the trilogy. Maybe you weren’t aware that there was a DTV part 3 called URBAN LEGENDS: BLOODY MARY. Or maybe you were a reader of The Ain’t It Cool News in May of 2005 and read my review of it back then. While the other two came from new directors, the DTV sequel comes from a veteran: Mary Lambert (PET SEMATARY 1 & 2). I wonder if any dudes ever accused her of “stealing my genre” like happened to the young director heroine of URBAN LEGENDS: FINAL CUT? At the time I made a bigger deal about screenwriters Michael Dougherty & Dan Harris, because they’d written the then-upcoming SUPERMAN RETURNS, and in those days the internet seemed to attract people who were very opinionated about Superman movies. Hard to imagine it ever happening again.
While BLOODY MARY does briefly make reference to the events of the other films – murders on college campuses based on different urban legends – they mix up the premise quite a bit. It’s about high school kids in Salt Lake City who accidentally summon an evil spirit by saying “Bloody Mary” five times, and then (oddly) she kills people in methods based on urban legends. When they discuss the idea of saying “Bloody Mary” into a mirror somebody points out that it’s like CANDYMAN so that another character can point out that CANDYMAN got the idea from the urban legend. Actually kinda smart to address that right away just so people not familiar with the legend don’t think this is a rip-off a way better movie about urban legends than any in this series. (read the rest of this shit…)

Many horror movies, maybe even most, teach us that no matter what life throws at us, we can get through it. We can survive. Some of us. Hopefully. Most of the time.

Remember in the ’60s when Prince starred in that French romantic comedy? Well, I guess that didn’t happen per se, but it’s kind of what his 1986 directorial debut UNDER THE CHERRY MOON feels like. It’s not really a period piece, but it’s filmed in gorgeous black and white (grain perfectly preserved on the excellent new Blu-Ray transfer), has a goofy old fashioned tone and doesn’t have many contemporary styles or references outside of the amazing soundtrack by Prince and the Revolution. The many songs we know as the album
SPOILER ALERT !!

















