June 10, 1983
As I’ve demonstrated a few times in the past, I’m not a Bond guy. So believe it or not OCTOPUSSY is a first time viewing for me. I come to it with incomplete context, zero nostalgia, but also no preconceived notions of what a Bond movie or actor needs to be like. I can view it casually as-is and report that it’s pleasingly silly and mildly amusing.
Some of its qualities that some would consider shortcomings barely need to be stated. Roger Moore (THE CANNONBALL RUN) as James Bond is a horndog who hits on and beds multiple women 15-20 years his junior, and without having to put in any effort, since every woman is charmed on sight, no matter which side they’re on. And he makes several intentionally bad jokes. He also gets himself out of ridiculous situations with far-fetched plans, abilities and gadgets. It’s all part of the deal, and the last part is what I most look for. (read the rest of this shit…)
In 1992, several similarly themed movies sailed the ocean blue. It was the 500th anniversary of the voyage of Christopher Columbus, and it goes without saying that mainstream audiences go absolutely fuckin ape shit for any movie commemorating a quincentenary. So who could blame producers for knowing for sure there was gonna be some intense Columbus Fever infecting the indigenous population of movie theaters, and wanting to hop aboard that ship? For example, Gaumont put together 1492: THE CONQUEST OF PARADISE, which was directed by the great Ridley Scott, with cinematography by Adrian Biddle (
But that one didn’t come out until October. The one that came out August 21, 1992, causing me to have to watch it, was CHRISTOPHER COLUMBUS: THE DISCOVERY. That’s the one produced by the father and son team of Alexander and Ilya Salkind, best known for producing the SUPERMAN movies. And then 
May 24, 1985
Last year I reviewed 
One summer of ’89 joint that seems older than most of the others is Timothy Dalton 007 movie #2 of 2, LICENCE TO KILL. It’s got a definite ’80s action influence in that James Bond is supposed to turn in his proverbial badge and actual gun (he keeps the gun though) and goes rogue to get revenge on a Colombian drug lord named Sanchez (Robert Davi, 
