July 20, 1994
And now we come to a 1994 artifact that doesn’t seem that dated culturally, except it’s in a genre – the legal thriller – that doesn’t really exist on this level anymore. Not as a slick, shot on location, big time theatrical summer release.
THE CLIENT is the third movie adapted from a novel by John Grisham, after THE FIRM and THE PELICAN BRIEF (both released in 1993). The book was his fourth, also released in 1993. The movie had a $45 million budget (more than THE SHADOW, SPEED or CITY SLICKERS II, almost as much as THE FLINTSTONES!) and was a big hit, making $117 million worldwide. Movies like this were a big deal then! (read the rest of this shit…)
BATMAN & ROBIN is 20 years cold, and 
Joel Schumacher’s FALLING DOWN (1993) is a movie I’ve always hated for what I thought it was saying. Watching it again a couple decades later I think I was partly wrong. Maybe even mostly wrong. But I still can’t get all the way on board. I’ll try to explain why.
This is gonna be pretty short. It’s easy to think of Nic Cage movies in binary terms, like he does good movies and he does terrible ones. And you just hope whichever one it is he’s uncaged enough to make it interesting or funny. But just like there is grey area and overlap between evil Castor Troy and heroic Sean Archer there are various shades of good and bad Cage. For example I thought he was great in KICK ASS but the rest of the movie wasn’t necessarily on the same level. I thought NEXT was a funny-bad classic despite his restrained performance. I thought him being normal in DRIVE ANGRY seriously held the movie back. Even THE WICKER MAN, one of his all time top 5 mega-acting performances, has some pretty boring stretches between classroom rants and bee attacks. (I love it though.) 
