I swear I almost watched KPOP DEMON HUNTERS before it was a big deal. Some of the guys in the Action For Everyone circle were talking it up when it first hit Netflix last summer. During the time I put it off it became a cult phenomenon, then just a mainstream hugely popular thing that all children know about and that honestly I’m sick of hearing about. I’m very aware of how uncool it is for me to watch and/or review it at this late date, but I’m the type that is so cool that it doesn’t faze me to be uncool. So I will admit that my mother-in-law watched it before I did. That’s how cool I am.
I’m sure most of you know this, but in case you don’t, this was a movie made by Sony Pictures Animation (makers of the SPIDER-VERSE and HOTEL TRANSYLVANIA series), but I guess they got cold feet about releasing it and just sold it to Netflix, where luckily it somehow became the rare streaming movie to actually make a mark. It got so popular by word-of-mouth that two months later they did theatrical screenings of a sing-along version and it was the #1 movie for the week. The soundtrack is certified platinum and nominated for five Grammies, and I think the movie is basically guaranteed to win the best animated feature and best original song Oscars, even with SINNERS competing for the latter.
I don’t really get why it’s that big of a deal, but I liked it. A couple minutes into the prologue I was definitely sold on the premise: the human world has always been at war with the demon world, who steal our souls to empower their king Gwi-Ma (Lee Byung-hun, I SAW THE DEVIL). But every generation there is a trio of warriors “born with voices that could drive back the darkness.” They’re not only trained to fight, but to use the power of singing to create a protective barrier called the Honmoon. Their music “ignites the soul and brings the world together,” generating powerful magic, with the ultimate goal of creating an impenetrable “Golden Honmoon” that would block out demons forever. (read the rest of this shit…)
I don’t know much about Oakland, but FREAKY TALES seems designed to be the Oakland-est movie of all time. So Oakland that Too $hort is the narrator and one of the producers and has a cameo as a cop and is a character in the movie played by rapper Demario “Symba” Driver. Also they have a cool retro synth type score but they got Raphael Saadiq to do it.
