I’ve spent a good portion of the last two weeks thinking, reading, writing and debating about Clint Eastwood’s AMERICAN SNIPER. It’s an interesting movie that has spurred alot of debate from different points-of-view. But the important perspective that isn’t in the movie or in the conversation as far as I’ve been able to see is that of the Iraqi people. Clint followed his WWII movie FLAGS OF OUR FATHERS with the way better companion piece LETTERS FROM IWO JIMA, from the perspective of doomed Japanese soldiers. I wish he could do that for the Iraq War too.
It’s too bad, I thought, that there’s not much of a film industry in Iraq, because that would be a great way for us to see the war and its effects through their eyes. Well, it turns out that a couple such movies do exist. One of them is AHLAAM (2004), based on a true story about the people in a psychiatric hospital in Baghdad during the 2003 “shock and awe” bombing a few days before the fall of Saddam Hussein.
(read the rest of this shit…)
AMERICAN SNIPER is a pretty good movie. I wouldn’t rank it too high in the pantheon of Clint Eastwood directorial works, and it’s definitely not one of the all time great war movies, or even the best movie about the Iraq war. It has some overlap with 
THE DEVIL’S DOUBLE, the new film from the director of ONCE WERE WARRIORS and THE EDGE, is the fascinating true story of a man forced to be a lookalike decoy version of Uday Hussein, the most depraved of Saddam Hussein’s two sons. But shit, I can’t lie to you – Lee Tamahori is also the director of xXx: STATE OF THE UNION and NEXT, and the story is mostly bullshit other than how the poor guy got mixed up in this business. In fact, on the DVD Tamahori talks about how he wasn’t interested in doing a true story, saying it with disgust as if we’re all on the same page and he doesn’t have to explain why it would be boring to tell an incredible truth-is-stranger-than-fiction story. But oh well. I still thought it was worth watching. 
