Okay, we were all horses pulling the Kathryn Bigelow bandwagon, right? We loved her for POINT BREAK and NEAR DARK, mostly. Also BLUE STEEL and STRANGE DAYS and all that. But did any of us ever predict Respectable Kathryn Bigelow would come about, and if so, did we guess how fuckin good that Bigelow would turn out to be? I sure didn’t.
The respect came for THE HURT LOCKER in 2008. It got the Oscar for best picture and she got best director, the only woman to receive that honor so far. It also had one of those career-exploding performances, the one that launched Jeremy Renner, at the time known mainly for playing Jeffrey Dahmer, into the guy who has two Oscar nominations and co-starred in big ass movies like THE AVENGERS and GHOST PROTOCOL and starred in THE BOURNE LEGACY and hosted Saturday Night Live and all this. I loved THE HURT LOCKER, which I saw as an ingeniously structured suspense thriller and character drama for its time that also worked as a deconstruction of many of our favorite action movie tropes. So I had high expectations for ZERO DARK THIRTY, and somehow it exceeded them.
(read the rest of this shit…)
Remember everybody, Sunday is Mother’s Day. If your old gal is still around and on speaking terms you might want to send her some flowers or a fruit basket or whatever. Or if you got one of these mothers who’s real big on SAW II-IV, REPO THE GENETIC OPERA and 11-11-11 then I definitely recommend surprising her with the DVD or blu-ray of this new sort-of-remake from director Darren Lynn Bousman.
Okay, the first thing you’re gonna have to do is completely forget the trailer for THE GREY. It deliberately tricks you into believing something cool is gonna happen in the movie that is not gonna happen in the movie, and it gives away most of the major events, including the very end. It’s a mean trailer. 
I don’t know if “good” is an adjective I would apply to Wes Craven’s little-seen latest horror movie (his first writing/directing joint since NEW NIGHTMARE). Other than the synonyms for “strange” there aren’t many adjectives that really do the job here. So it’s hard to explain what this movie is like, exactly, but I’ll try.
