I reviewed THE LAST BOY SCOUT (1991) once already, 15 years ago. Though I think I described some things about it pretty well, I was at somewhat of a snooty wiseass stage in my critic’s journey, and I was more dismissive of it than I should’ve been. Despite that I remembered it being a pretty good movie, and I’d been wanting to rewatch it for a while, so this last November, when BWolfe asked in the comments, “Can you re-review this? I feel like you’d give it a much better shake now,” I knew he was right.
(Bruce)
This Joel Silver production is a collaboration/clash between director Tony Scott (coming off of DAYS OF THUNDER) and screenwriter Shane Black (after being replaced on LETHAL WEAPON 2). Those guys making a Bruce Willis movie is about as all-star action as it got in 1991, and had Bruce and Silver known how the release of HUDSON HAWK was gonna go earlier in that year they would’ve been even more eager to sow they could still blow people through the back walls of theaters. (read the rest of this shit…)
A STAR IS BORN, from director Bradley Cooper, is a very good adaptation of the trailer that played before every single movie I saw in a theater for the last three months. I saw that trailer so many times I would try to act it out and could sing the two songs (one with correct lyrics, even). I would get just those song fragments stuck in my head for days. So it’s exciting to discover that they have second verses.
I don’t know if it’s as good as an adaptation of the 1937 film starring Janet Gaynor and Fredric March, or the 1954 one starring Judy Garland and James Mason, or the 1976 one starring Barbra Streisand and Kris Kristofferson, or the 1998 made-for-cable one starring Brandy and Casper Van Dien, because I haven’t seen any of them and made up the last one. I have to assume it’s closest to the ’76 because actor Bradley Cooper (THE MIDNIGHT MEAT TRAIN) definitely seems to be channeling Kristofferson’s rugged country poet vibe. I even contemplated whether or not he should be allowed to play Whistler if they ever do a new BLADE. Then I realized that really the voice he’s doing is Sam Elliott, so I was delighted when the actual Sam Elliott (ROAD HOUSE) showed up, playing his older brother/road manager. I wondered if that was awkward between the two actors, and then I found a Good Morning America interview where Elliott says Cooper (THE MIDNIGHT MEAT TRAIN) warned him “this is gonna be a little weird” before playing him a tape of the voice he was working on. “And it was a little weird.”
What if Elliott hadn’t been available? If they ended up casting, like, Don Johnson or Willem Dafoe or somebody, would they have to imitate Sam Elliott too? (read the rest of this shit…)
a survey of summer movies that just didn’t catch on
August 6, 1993
We got a few super heroes in this series, but THE METEOR MAN is the first original one. I mean “original” as in appearing here for the first time, not as in distinctive and unique. This is a comedy(ish) by Robert Townsend, so it’s basically “what if a regular guy became a super hero?,” which means intentionally generic super power/vigilante tropes, sometimes setting up jokes, but not always. In fact the opening credits have no comedy at all. It starts with Cliff Eidelman’s STAR WARS-esque scoring and a special effects sequence of a meteor exploding as the title flies at us ala SUPERMAN: THE MOVIE.
After that it pretty much looks and feels like a comedy, but it’s mostly serious in its story about a guy wanting to protect his neighborhood from a gang.
The guy is Jefferson Reed, wimpy Washington DC substitute teacher and, because this is a couple years after MO’ BETTER BLUES, member of “the baddest jazz trio in DC.” So they mention Wynton Marsalis a couple times, he has white suits, musical note pajamas and jazz memorabilia, and he tries to trade records with his neighbor Mr. Moses (James Earl Jones, BEST OF THE BEST), but we never actually see him play his bass (rip off).
Nice character detail: he has one of those car stereos that you pull out and carry around with you. (read the rest of this shit…)
Kid, you look different since Part 2. Did you lose weight or something?
Okay, I’m not saying it’s very good, but I gotta admit, HOUSE PARTY 3 wasn’t as bad as I expected. Actually I was kinda impressed that each installment covers a different part of Kid’s life. Part 1 he’s (improbably) in high school maintaining friendships, bonding with his dad, starting his first serious relationship. Part 2 he’s going to college, learning about his heritage, facing challenges in keeping his girlfriend, dealing with loss. Now, for part 3, he says goodbye to childish things. He’s lost the fade and is thinking about cutting his hair altogether. He must decide how much he believes in his future as a rapper, accept that his parts 1-2 girlfriend Sidney wasn’t who he was meant to be with, and trust that his woman Veda (Angela Means) loves him even when she’s around naked dudes. All this because he’s about to get married. In HOUSE PARTY 3, Kid becomes Man.
Harry here with Vern’s uncovering of the greatest America has to offer. This time it is BLAST starring… ah hell, I’ll just hand it over to Vern – he’s who you come to AICN desperate for something new to read…
Boys –
You know how it is with me, every time I get a screener for some shitty straight to video movie I get this idea somewhere in my brain… what if this is it? What if this is THE ONE? The one I’ve been looking for all these years? Well today we’re here to discuss BLAST, which is not the one. But it is one of those rare surprisingly competent ones. Destined for a Not As Bad As You Would Think award from the Direct to Video Academy of Well Who Are We Kidding There Is No Art Or Science In These Things.
Basically BLAST is DIE HARD on an oil rig. Or maybe UNDER SIEGE on an oil rig, but not ON DEADLY GROUND. Anyway the important thing is instead of Bruce or Seagal, we got wisecrackin Eddie Griffin. You know, from MY BABY’S DADDY. Now look, I wouldn’t watch 99% of the shit this guy has made. But I do think he can be funny. I’m more of a POOTIE TANG man, but I liked him in UNDERCOVER BROTHER. And his standup movie/family documentary DYSFUNKTIONAL FAMILY was funny. Here, he has a couple good smartass lines, but mostly plays the action hero. (read the rest of this shit…)
I’ve always been a man who enjoys this one kind of movie hero, let’s call it the counter-hero. The counter-hero is the type of hero who fits the usual mold of the action hero or super hero or what not, but who represents a set of values closer to yours or mine than of the assholes you usually see in movies.
For example you got Snake Plissken or Roddy Piper in THEY LIVE, who are sort of an anti-Rambo. They go around by themselves and take on armies and blow shit up but they aren’t doing it in the name of the american government or military conquest or nothing. Snake is the anarchist Rambo, Roddy is the anti-alien-republican Rambo. John Carpenter pictures are full of these type of characters. (read the rest of this shit…)
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Recent commentary and jibber-jabber
Steven E on Sinners: “I left the cinema thinking this was a really good film but one that was probably and frustratingly a slight…” Apr 25, 16:41
Skani on Sinners: “Very much looking forward to this one and the surely much crappier UNTIL DAWN. Gonna avoid this review to stay…” Apr 25, 13:44
Ben C. on Sinners: “I had a great time with this movie. Man, it’s a real rollercoaster – beautiful to look at, emotional, super…” Apr 25, 13:17
MaggieMayPie on Sinners: “I came out of this movie buzzing. The scene you talk about everyone bringing up first thing – absolutely. Everything…” Apr 25, 12:37
Chase on Sinners: “When its all kicking off in the bar one of the Jordans is wearing a waistcoat which was surely a…” Apr 25, 11:58
VERN on Sinners: “For me it’s gonna be hard for him to ever top CREED (a perfect, miracle movie in my mind) but…” Apr 25, 11:57
Ben Railton on Sinners: “I asked (in a random comment on a different review, and obviously after Vern had already seen this one, but…” Apr 25, 11:32
DEKE RIVERS on Cabo Blanco: “The movie is better than I thought. It’s not that much like Casablanca, but it does look like something Bogart…” Apr 25, 08:17
Franchise Fred on Urban Vengeance: “And his name is Jack Urban? Sold!” Apr 24, 19:42
Miguel Hombre on Urban Vengeance: “Can’t fault a filmmaker who gives the stunt crew a screen credit at the start of the film (after his…” Apr 24, 10:49
Andrew on Dark Skies: “I knew a bullying asshole who was, unfortunately, webmaster of a forum I was a member of, and insistently mocking…” Apr 24, 10:37
John_Matrix on Ninja Scroll: “Easily one of the best anime/ninja films ever. The line “…..Genma! Burn in your golden hell” lives rent free in…” Apr 24, 02:48
John_Matrix on Dark Skies: “The only finishes Vern offers are “Unvarnished”, and occasionally “Teal Sparkle”……but that’s usually out stock. Not glazing, but Priest had…” Apr 23, 23:28
VERN on O’Dessa: “Justin – Well when you put it that way yeah, I would definitely take HIGHLANDER: SEARCH FOR VENGEANCE over O’DESSA.…” Apr 23, 22:40
I reviewed THE LAST BOY SCOUT (1991) once already, 15 years ago. Though I think I described some things about it pretty well, I was at somewhat of a snooty wiseass stage in my critic’s journey, and I was more dismissive of it than I should’ve been. Despite that I remembered it being a pretty good movie, and I’d been wanting to rewatch it for a while, so this last November, when BWolfe asked in the comments, “Can you re-review this? I feel like you’d give it a much better shake now,” I knew he was right.
A STAR IS BORN, from director Bradley Cooper, is a very good adaptation of the trailer that played before every single movie I saw in a theater for the last three months. I saw that trailer so many times I would try to act it out and could sing the two songs (one with correct lyrics, even). I would get just those song fragments stuck in my head for days. So it’s exciting to discover that they have second verses.
Okay, I’m not saying it’s very good, but I gotta admit, HOUSE PARTY 3 wasn’t as bad as I expected. Actually I was kinda impressed that each installment covers a different part of Kid’s life. Part 1 he’s (improbably) in high school maintaining friendships, bonding with his dad, starting his first serious relationship. Part 2 he’s going to college, learning about his heritage, facing challenges in keeping his girlfriend, dealing with loss. Now, for part 3, he says goodbye to childish things. He’s lost the fade and is thinking about cutting his hair altogether. He must decide how much he believes in his future as a rapper, accept that his parts 1-2 girlfriend Sidney wasn’t who he was meant to be with, and trust that his woman Veda (Angela Means) loves him even when she’s around naked dudes. All this because he’s about to get married. In HOUSE PARTY 3, Kid becomes Man.
Harry here with Vern’s uncovering of the greatest America has to offer. This time it is BLAST starring… ah hell, I’ll just hand it over to Vern – he’s who you come to AICN desperate for something new to read…
I’ve always been a man who enjoys this one kind of movie hero, let’s call it the counter-hero. The counter-hero is the type of hero who fits the usual mold of the action hero or super hero or what not, but who represents a set of values closer to yours or mine than of the assholes you usually see in movies.
