June 1, 2005
I wasn’t sure if I should watch THE SISTERHOOD OF THE TRAVELING PANTS for this series, wasn’t sure if I’d get anything out of it, and certainly I don’t know how to go into as much detail about a movie like this as I do the ones about some sort of punching or slashing. But, you know, it’s a drama aimed at young women, based on a popular young adult novel, not the sort of thing I pay attention to, and yet it was enough of a phenomenon that we’ve all heard of it. It got a sequel, its cast went on to bigger things, it is notable. Now, I won’t go into detail about questions like did I find myself producing tears at certain parts, or did I not do that… I mean, who’s to say, really? There are many different perspectives, and what relevance does that have anyway. We don’t need to get into that. Let’s stick to the movie. Come on guys stop clowning around.
If you’re like me and didn’t really know exactly what this was, here’s the deal. Four girls in Bethesda, Maryland have been best friends since birth (because their mothers met in an aerobics class for pregnant women). As teenagers Lena (Alexis Bledel, SIN CITY), Bridget (Blake Lively in her first major role), Carmen (America Ferrera, REAL WOMEN HAVE CURVES) and Tibby (Amber Tamblyn, THE RING) are about to spend their first ever summer apart, due to various vacation plans. On their last shopping trip together before parting ways they find a pair of used jeans that have the magical quality of fitting perfectly on each of them despite their very different body sizes. Then they break into the abandoned studio where their moms had that class (just go with it) and do a little ritual where they come up with rules for how to share and respect the pants. (read the rest of this shit…)
Of all the stories we tell over and over, “coming of age” might be the most universal. I don’t care who you are, as long as you live to be a certain age, at some point you’re gonna come of some of that age. And when you see some fictional (or, let’s be honest, usually semi-autobiographical) character’s age coming of you can compare and contrast to your experiences. You see echoes of your own life, revive emotions that were so potent at the time, now faded, learn about other people who had it different. So I have not specifically experienced being a girl in a private school in Sacramento in the oughts, and I definitely have no personal understanding of how it feels to be someone who could identify a song as Dave Mathews and have an emotional response to it that involves embarrassment, nostalgia and personal meaning*, but I can also see those things on screen and have them feel familiar and real and relatable.
Before he did PHANTASM, a 22 year old Don Coscarelli wasn’t even looking to be a horror director. He got together the people he knew and filmed in his neighborhood and made this sweet coming-of-age type comedy about growing up in the California suburbs of the ’70s. Kenny (Dan McCann) is a kid about 12 or 13, his company is Doug (PHANTASM star A. Michael Baldwin) and Sherman (Jeff Roth), a goofy younger kid from across the street who they pick on but start becoming real friends with when they see him getting beat up by Johnny Hoffman (Willy Masterson), the same neighborhood bully they live in terror of.
THE KINGS OF SUMMER is a real good indie movie about teenagers, around 15 years old I believe, an emotional age. Joe (Nick Robinson) and Patrick (Gabriel Basso from SUPER 8) don’t seem to be the popular kids, but they’re not “geeks” either. Their parents aren’t bad people, but they can’t get along with them. They’re old enough to sneak out and go to keggers, to get embarrassed talking to girls, but also they can’t drive, they gotta ride bikes. They’ve got a little bit of kid still in them, enough that it seems like a good idea when Joe convinces Patrick (and Biaggio [Moises Arias], a weird kid that just starts following them around) that they should ditch their parents and build themselves a house out in the woods.
