SUITABLE FLESH is the latest from Joe Lynch, a director who has a certain credibility in my book because his debut was a DTV sequel. I was mixed-positive on WRONG TURN 2: DEAD END (2007) and wrote some things in the review that I now consider out of line, but I definitely respect its joyful spirit toward sequelizing and in many ways outdoing a studio movie I really wasn’t that into. Since then Lynch has directed a comedy that got taken away from him, the Salma Hayek action vehicle EVERLY, the gory outbreak-in-an-office-building movie MAYHEM (which I liked but apparently didn’t review) and the Frank Grillo/Anthony Mackie car chase buddy movie POINT BLANK. But now he’s returned to horror with a sacred task: to manifest an unfinished project of the late great Stuart Gordon.
I didn’t realize it from the name, but it’s one of those unfulfilled ambitions we read about for years – here’s an example of Gordon talking it up while promoting STUCK in 2008, but using the title of the H.P. Lovecraft story it’s based on, “The Thing on the Doorstep.” The script is by Gordon’s regular collaborator Dennis Paoli (RE-ANIMATOR, FROM BEYOND, THE PIT AND THE PENDULUM, CASTLE FREAK, DAGON) and it’s produced by RE-ANIMATOR/FROM BEYOND/CASTLE FREAK star Barbara Crampton. (read the rest of this shit…)
This year I celebrated Halloween by taking the day off of work and watching a witch-themed triple feature. This is not something I ever thought I’d do, because I’ve always had that issue with historical witch movies where it kinda bothers me to pretend there’s a such thing as witches, since that’s the superstitious bullshit that real life tyrants used as an excuse to torture and murder many innocent people in this country and elsewhere. But there were a couple witch-related movies I’d been thinking I’d like to rewatch, and at the same time I’d been thinking about my late mother, who loved to dress as a witch every Halloween. She painted her face green and glued on a warty latex nose with spirit gum. Some of the younger kids in the neighborhood were terrified of her, but she got a kick out of it. So I dedicate this witch-a-thon to her.
I chose to view them in order of when they take place: first Rob Eggers’ THE WITCH (1630s), then George A. Romero’s SEASON OF THE WITCH (1970s), and finally Robert Zombie’s THE LORDS OF SALEM (twenty-teens). (read the rest of this shit…)
I didn’t even realize THE LORDS OF SALEM was coming out this week until somebody told me. I never saw an ad or saw the trailer play before another movie. When I saw the Anchor Bay logo at the beginning I thought, “That’s weird, why is the new Rob Zombie movie being distributed by the company that only does barely-released-or-advertised horror like HATCHET or BEHIND THE MASK?” After the movie was over it kinda made more sense.
There are many things I liked about this one. Oddly enough I like that it stars Zombie’s wife, Sheri Moon Zombie. She was a major character in all his other movies, but in this one she’s the center of the whole story and often alone on screen. I like that because it’s unusual to see an adult, tattooed, dreadlocked white lady as a lead. You see ’em around but they don’t usually make movies about them. Nice to have something different sometimes. (read the rest of this shit…)
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Recent commentary and jibber-jabber
CJ Holden on Army of Darkness: “For years I was complaining that we don’t get these theatrical showings of classics and cult classics here in Germany,…” Oct 29, 04:17
Curt on Army of Darkness: “ARMY OF DARKNESS had a showing this month at my local indie/arthouse theater as part of their annual Halloween series.…” Oct 29, 02:00
Muh on Weapons: “I’m with Dread, the ending was amazing. Everyone I know who’s seen it has loved that sheyit. I simply threw…” Oct 28, 21:10
Skani on Weapons: “SPOILERS……………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………… Amy Madigan’s death fell flat for me. I appreciated the symmetry and karma of it all, but I thought…” Oct 28, 19:13
Dreadguacamole on Weapons: ““I didn’t care for it. It’s a lot of buildup for not a whole lot of payoff” I dunno. There…” Oct 28, 17:58
Skani on Weapons: “SPOILERS The mystery and general world-building in GET OUT are both much better. WEAPONS sets itself up as a sort…” Oct 28, 15:55
BuzzFeedAldrin on It Chapter Two: “For all of you turtle freaks out there, the miniseries Welcome to Derry seemingly goes out of its way to…” Oct 28, 09:07
Muh on Bring Her Back: “I had REALLY thought she was going to suceed and the daughter was going to turn away from the mother…” Oct 28, 08:33
Muh on Weapons: “I’m sure the cops DID triangulate, but they had already done a search of the house in question and found…” Oct 28, 08:30
Mr. Majestyk on Weapons: “Having slept on it, I’ve decided to leaven my criticism a little. It is watchable. I did not feel like…” Oct 28, 08:20
MaggieMayPie on It Chapter Two: “CJ it’s funny that you mention the tv miniseries alongside Twin Peaks because those are the two things that after…” Oct 28, 06:45
CJ Holden on It Chapter Two: “BTW, I do think that the TV version still holds up. Well, “holds up”. When it came out, it seemed…” Oct 28, 01:45
Adam C aka TaumpyTearrs on Skinned Deep: “I read this review last year, filed it away on my watchlist, and forgot as much as possible in the…” Oct 28, 00:53
Mr. Majestyk on Other: “Filming a zombie outbreak in one shot is a lot easier when said outbreak consists of one person at a…” Oct 27, 20:19
Mr. Majestyk on Weapons: “I’d almost convinced myself I was going to like this one, but sadly, I didn’t care for it. It’s a…” Oct 27, 19:37