Well for a while now I have been saying that this young man DMX is gonna do some good movies. He started out in a flawed but very artful crime picture called BELLY, before buddying up with Jet Li and my man Seagal and then riding around on those go-carts and doing wheelies and shit. (I guess I better rent that one.) He is still not a very convincing actor but he just has such a presence and charisma that I have faith in the dude for some reason. Too bad it’s not panning out so far.
See, I really thought this was gonna be his breakthrough. It’s the first movie where he does not have a co-star of equal or greater “star power.” He is the main attraction. And at the same time it is not some Hollywood action vehicle that the Rock or somebody turned down, it is an independent crime movie based on a novel by the legendary black crime writer Donald Goines. Also it’s directed by the sometimes decent director Ernest Dickerson, who has some credibility because he used to be Spike Lee’s cinematographer. Also because I kind of liked BONES. (read the rest of this shit…)

Hey folks, Harry here… I’m so envious of Vern… he’s seen STARSHIP TROOPERS 2 – and while I know it was shot for 3 shiny canadian loons, I can’t help but hope it has more pretty people with vacant eyes being torn to shreds by big bugs! I can hope… right? Here he is…
SPOILER ALERT !!
Hey folks, Harry here with Vern… he’s our magical little friend from up in Seattle and he doesn’t like KRULL! What sort of soulless mutherfucker doesn’t dig on KRULL! KRULL is the film that introduced the GLAVE and THE GLAVE is the fucking weapon of choice in my D&D household! And the Spider sequence… the sand in the hand… Ancient bitter love… FIRESTEEDS! Oh absolutely it’s got levels of funk 4 feet deep all about, but I love all sorts of crazy shit in that movie, and would love to see it in 70mm. ENVY! Ok, here’s Vern, who I still like, even if he’s too backwoods to get KRULL!
Hi, everyone. “Moriarty” here with some Rumblings From The Lab…
Lately I’ve only been reviewing current movies, but as you know, the Hollywood Reporter had a story the other day that MGM has hired a first time director to do a “re-imagining” of 2001 with “modern pacing and music” that will “take full advantage of state-of-the-art digital effects.” The director is not someone I’m familiar with, but they say he is perfect for the job because he’s done alot of music videos and won a couple of Miss Clio awards for his commercials. So before they ruin it I thought I would revisit Kubrick’s masterpiece of space ballet and shit.
Did you ever see that skateboarding documentary DOGTOWN AND THE Z-BOYS? Well STOKED is like the depressing, fucked up David Fincher part 3 to that where all the main characters from part 2 (except the cat) get killed offscreen in the opening credits and Z-Boy shaves his head and gets infected and jumps into a pit of molten metal at the end and burns himself up. Except kind of worse. And metaphorical.
Hi, everyone. “Moriarty” here with some Rumblings From The Lab…

















