"CATCH YOU FUCKERS AT A BAD TIME?"

Le cercle rouge

Right now a thing is going on where alot of Americans hate the French. I’m not talking about any Americans I ever met or saw in person, even from a distance, but I am talking about people I saw on TV. They can do alot with computers now but I think these were real people. It’s hard to explain this feud, it’s like you know, why did Andre the Giant turn evil against Hulk Hogan? I don’t fuckin remember, man. But this one can be traced back to an incident where those fuckin French, man, they were telling us we shouldn’t invade Iraq, that they didn’t pose a threat to us and it would be illegal to invade, etc.

So we were like oh yeah well what about those weapons of mass destruction that they have stockpiled over there, what about that Mr. auteur theory with the beret and all that? And they were like I’m not wearing a beret. And we were like okay, Mr. I love Jerry Lewis. And they were like, what are you talking about, that’s an urban legend, plus Jerry Lewis is an American who had a long and fruitful career in America, and still lives there. Not to mention Carrot Top, Jeff Foxworthy, Gallagher, Sinbad, Jay Leno, the Police Academy series, the traditional american sitcom, etc. And we were like fuck you man. And they were like seriously though guys I don’t think they pose a threat to you, and you will be stuck in this shit for years to come. And we were like yeah right Frenchie, we’ll get back to you in a couple years and you better fucking apologize then. (read the rest of this shit…)

Unleashed

(or DANNY THE DOG if you’re in Europe)

This is just your typical martial arts vehicle where the star (in this case Jet Li) has been raised like an animal in a cage and wears a collar and he’s trained by Bob Hoskins so that when the collar comes off he goes ape shit and beats the holy living fuck out of people that owe Bob Hoskins money. But then obviously he meets a blind piano tuner played by a respected Oscar winning actor (in this case Morgan Freeman) who teaches him about music and then the piano tuner’s stepdaughter teaches him to eat ice cream and then she gets her braces taken off so he becomes non-violent and refuses to fight in high stakes death matches.

Actually come to think of it this is not a typical martial arts movie at all, it’s pretty fuckin weird and that’s what I liked about it. Despite HERO I’m still pretty skeptical of new Jet Li movies, especially when he’s speaking the english type language. This is a good not great movie, but it’s a great move for Mr. Li because he plays a distinct character, he really gets to act, he fights in a different style and he even gets to put a sincere anti-violence message in there. (read the rest of this shit…)

Vern returns to deliver the good word on Wesley Snipes direct-to-video flick 7 SECONDS!

Ahoy, squirts! Quint here with everybody’s favorite outlaw, Vern, a bloke that has a certain way about him… a certain quality in his written adoration of action stars and their direct-to-video adventures. I can’t get enough of this guy. You tell me Steven Seagal or Van Damme or now Snipes has a new direct-to-video actioneer out I don’t think I’d bother to read the whole title, but damned if I wouldn’t read a 2,000 word review on it if it were written by Vern. I have a feeling that Vern’s reviews (negative or positive) are better than most movies he’s reviewing. Anyway, here’s the man himself. Enjoy!

Dear Quint –

Or whoever’s home. I got an important dispatch for you from direct-to-video land. This one is regarding one called 7 SECONDS which I only care about because it stars Wesley God Damn Snipes.

That’s right, Wesley’s gone DTV. This is actually his second. The first one was called UNSTOPPABLE which is a good title for a Wesley Snipes film, except in that one his character really was pretty stoppable. Or at least nobody was really trying to stop him from doing anything, as far as I could tell.

[Before I go any further, I want to say upfront that this is gonna be an essay about Wesley Snipes as much as a review of 7 SECONDS. So I don’t want to see any wiseasses asking where the review is. But I probaly will.] (read the rest of this shit…)

Rififi

You wanna see a BADASS fuckin movie, you see RIFIFI. That’s what I wish somebody woulda told me a long time ago. Instead all they told me was how excellent it was. Now look, you know how much I care about excellence. But there’s alot of excellence in this world. I think Criterion is on number 300 or something now. How’m I supposed to watch every one of them? It won’t happen.

Unfortunately no matter how many movies a guy watches, there’s still ten thousand you’re never gonna get to watch in your lifetime. So you hear the name of these classic movies over and over again and sometimes you think “yeah yeah yeah, great movie, I know” but it doesn’t even occur to you maybe you should watch it. Look man, I don’t mind black and white, I don’t mind subtitles, I know this is Criterion Collection. But I need a hook. Nobody told me “it’s about four ex-cons planning a jewel heist.” That’s all you had to say, man. (read the rest of this shit…)

Vern spanks Seagal with his lips and then reviews his newest direct-to-video title SUBMERGED!

Ahoy, squirts! Quint here with Vern, at his hilarious best when picking apart Steven Seagal’s hilarious worst… Below, Vern pitches a new Seagal masterpiece to the studios, shames New Line for changing the title of SNAKES ON A PLANE and coins the term “Avid fart” which is brilliant. Enjoy!

Boys–

I wish I could review a new Steve Seagal picture for you fellas every day, but unfortunately he only comes out with them every 5 months. Looks like you ran my review of INTO THE SUN (click to read Vern’s comments on that particular movie) last New Year’s Eve, and now after nearly half a year of stumbling through life an empty shell, going through the motions, a movie called SUBMERGED will end the drought later this month. Harry, I assume we’ll be seeing this one on your DVD preview. You got fuckin SPLASH and NATIONAL TREASURE on there man I don’t see how you can justify dismissing this one. Not that I’m recommending this piece of shit, except to the most dedicated Seagalogists. (read the rest of this shit…)

xXx: State of the Union

When Rob Cohen, the director of the original XXX first talked about a sequel, it was still gonna star Vin Diesel. And I read some interview where he said one of the ideas he had took place in Washington DC, and it would have a scene where Vin rode a mountain bike up the capital dome.

Well it’s a low down shame we didn’t get to see that but otherwise XXX2 (which ended up being made with Ice Cube instead of Diesel and Lee Tamahori instead of Cohen) is more fun than the first one in almost every way. I’m not saying it’s a good action movie or even a great bad movie, but as an honest individual who tells it like it is I gotta cop to enjoying the fuckin thing. (read the rest of this shit…)

Overnight

(or DUFFY: A PRICK AND HIS DREAM)

A few years back I used to always hear about this movie THE BOONDOCK SAINTS. Some kid told me his brother saw it in Boston and it was the shit, he was trying to find it on video but it wasn’t out yet. People kept mentioning it, and after it came out pretty much straight to video (it played in 5 theaters apparently) a couple people e-mailed me and recommended it.

I felt bad though because here these people are trying to be nice and recommend this movie they think I will like, and I hated the fuckin thing. Maybe there was one or two clever sequences, I can’t remember much, but my main impression was that it was another corny showoff movie with no heart or soul, just a bunch of unconvincing tough guy bullshit and show-offy camera moves. Looks like the general consensus was it was a Tarantino wannabe but I remember I was definitely leaning toward Guy Ritchie. More of that hollow and forced nonsense that wafted off the ass of LOCK, STOCK AND TWO SMOKING BARRELS during its short window of popularity. (read the rest of this shit…)

Scarface

Shit man, there’s no other movie like SCARFACE, is there? Even the original SCARFACE, I bet, is nothing like SCARFACE. We got several high quality American gangster epics, but they’re always about gangsters of the Italian American persuasion and usually in New York, New Jersey or Las Vegas or somewhere. This one feels so unique because it’s about Cuban-Americans and it takes place in Miami. It has a real strong sense of place. Its wicked heart pumps the tainted blood of that godforsaken Floridian peninsula, even though they got chased out of there and had to film most of the movie on neutral territory in L.A.

This is the perfect exaggerated painting of the 1980s and the cocaine wars. The good old days. And it even makes you root for this psychotic egomaniac shithead, Tony Montana (Al Pacino [Scarface]). ‘Cause first you see him as an immigrant getting hassled by the man, working as a dishwasher and tough talking his way into bigger work, dropping off some money for some cocaine. His higher ups (small time hoods themselves) don’t believe in him. But when the dealers pull a cross on Tony and his friends and it turns into an insane bloodbath (literally, come to think of it, because alot of the mayhem takes place in the shower), all involved must admit that he handles it with, uh, flair. He leaves with the money and the yayo (a term now popular because of the movie), tells the middlemen to fuck off and brings it all straight to the area boss, who is very impressed. This is typical of his quick rise up the totem pole. Initiative, elbow grease, bootstraps, etc. (read the rest of this shit…)

Vanishing Point

Under the opening credits you got these beautiful shots of small town life. Some tractors moving around. Some people working. Interesting looking old dudes watching suspiciously out screen doors.

I figured it was just a regular day in farm country until the end of the sequence when the two huge bulldozers lowered their shovels right next to each other, making a giant, shallow v-shape right in the middle of the highway. A roadblock.

I guess that explains all these media people and cops showing up right in the middle of nowhere. The natives stand around and watch. This might be the end of a long journey, at the beginning of the movie. (read the rest of this shit…)

Made in U.S.A.

How’s this for a weird eight-legged-pig-fetus-in-a-jar of a movie: Jean-Luc Godard experimental noodling based on a Richard Stark novel! I knew it existed thanks to our friends at the Movie Database of the Internet, but I never figured I’d see it. Then I discovered a PAL CODE 2 triple feature Godard set that includes it along with PRENOM CARMEN (First Name: Carmen) and PIERROT LE FOU (Parrot Kung Fu I guess).

Now first of all I gotta admit upfront, I couldn’t make ass or tits of this picture. I didn’t get it. I know about that wave the french had over there. As in, I know they had it. I seen a couple of your Truffauts and I saw SEVEN DEADLY SINS once but that’s about it. So if you want to talk to somebody who knows what the fuck they’re talkin about when it comes to Monsieur Godard, I ain’t the one. Ask the cinemasters. There’s a couple good reviews of this on IMDb by people who know their Godards, so you can go to them for a perspective if that’s what you need. (read the rest of this shit…)