ALWAYS is very cutesy and sentimental, it’s got some pretty weak comedic bits and it’s definitely the weakest full-length Spielberg I’ve watched in this marathon so far. But it’s still pretty good, and with some things nobody could’ve done as well as Spielberg.
This one’s about the pilots who dump the red stuff on forest fires, and the Tom Cruise of red-stuff-dumpers is former shark expert and Close Encounterer Richard Dreyfus. The Anthony Edwards is John Goodman and the Kelly McGillis is Holly Hunter. Actually, Dreyfus looks kinda like Paul Newman in this one, strutting around in aviators, leather jacket, baseball cap and grey mustache. The point is he thinks he’s awesome, and everybody else agrees. His girl seems to have when are we gonna settle down? type issues, but he makes her happy by buying her a nice dress, something you don’t see around the base much because she’s the only woman there. (read the rest of this shit…)
“Excuse me everyone – I surrender!”
Today in the U.S. we celebrate a national holiday for our great hero of the civil rights movement and pacifism, Dr. Martin Luther King, Jr. Of course, like most holidays, only about a third of employers give their workers a day off, so (ironically considering Dr. King’s activism) the working poor get kinda screwed.
THE ARTIST is an enjoyable, cleverly made tribute movie by the French director (Michel Hazanavicius) and star (Jean Dujardin) of those O.S.S. 117 movies, which from what I have heard are also enjoyable, cleverly made tribute movies. In this one the guy plays George Valentin, beloved silent film star, on top of the world right before the dawn of the sound era. And then he’s in trouble.
I haven’t read the Stieg Larsson DRAGON TATTOO books, but I liked the Swedish movies. Or at least the first two. Lisbeth Salander is a cool pulpy heroine, a unique type of badass with an interesting, complex relationship with this reporter dude she’s fucking/investigating with. I enjoyed (if you can call it that) her adventures and hoped things would turn out well for her and her dragon. 
For those keeping score, THE SCORPION KING 3: BATTLE FOR REDEMPTION is the sequel to the 
(KILLER ELITE is enjoyable if unspectacular. Luckily it’s more in the vein of the sort-of-classy studio action thrillers like THE BANK JOB than the gloomy Millennium Pictures joints I halfway expected it to be like. So it co-stars Robert DeNiro, the legendary actor, and not Robert DeNiro, that old man from the 50 Cent movies. But the star is definitely Jason Statham, looking exactly the same in 1980-81 as he does in any other time period (minus the track suit). 
BE ADVISED: The Spielberg series will resume by early next week with EMPIRE OF THE SUN. Before that I want to catch up with reviews of a few new DVD releases and one current theatrical release.
Well, this is depressing. I skipped over Spielberg’s stone cold masterpieces RAIDERS OF THE LOST ARK and E.T. OF THE EXTRA-TERRESTRIALS ’cause I’ve seen ’em a bunch before, but decided to watch TWILIGHT ZONE: THE MOVIE because I don’t think I’ve seen it since the ’80s. Turns out it’s Spielberg’s first bad movie, at least for his segment. And that’s small fish compared to John Landis’s, since it was an actual legitimate tragedy that ended lives and derailed a great filmatist. Bummer. Not worth it. 
This movie has a reputation as kind of a mess. Admittedly it is a 2 1/2 hour broad comedy about paranoia right after the bombing of Pearl Harbor. In my opinion a 2 1/2 hour broad comedy about paranoia right after the bombing of Pearl Harbor was not necessarily one of the top two or three things the world hoped for as Steven Spielberg’s followup to CLOSE ENCOUNTERS OF THE THIRD KIND. But fuck ’em. It’s what they got and they oughta fuckin appreciate it. 
