"CATCH YOU FUCKERS AT A BAD TIME?"

Lara Croft: Tomb Raider

tn_laracroft
chapter 6

2001posterreleased June 15th, 2001

Lara Croft (Angelina Jolie)’s trade is a “tomb raider,” which is like an asskicking archaelogical adventurist. It’s just like whatsisdick, the guy with the hat from that other movie that also used the word “raider” in the title – but don’t worry, that’s a coincidence. Lara’s introduced in what looks like some sort of an ancient crypt. She’s wearing short shorts, a The Phantom belt, spinning two pistols. Her crotch and her large, pointy boobs are somewhat emphasized, in my opinion. Might just be me.

Wouldn’t you fuckin know it, her search for treasure is interrupted by a large robot. Cue the electronical music and the wire-assisted acrobatics (remember we’re just two years after THE MATRIX). The fight is too forced to be very exciting in my opinion, but it ends on a nice touch: after killing the robot Lara takes a breath, then laughs to herself.
(read the rest of this shit…)

Evolution

tn_evolution
chapter 5

2001posterreleased June 8th, 2001

I skipped EVOLUTION in the summer of 2001 because it didn’t look very good. Hey, what do you know, it turns out me-of-ten-years-ago knew what he was doing. But for this important scholarly work it was crucial that I not just view the 2001 movies people remember. To truly get a feel for the period I had to watch at least one movie that came out that summer and then nobody ever thought about it again. (read the rest of this shit…)

Kill the Irishman

tn_killtheirishmanFrom the director of PUNISHER #2 and the star of PUNISHER #3 comes a solid, entertaining period gangster movie. It’s a biopic of Danny Greene, an Irish American union president, gang enforcer and dodger of car bombs in Cleveland, Ohio circa early ’60s through late ’70s. If it had been done as two separate movies maybe it would’ve got an arthouse release and some critical respect, but they did it as one so it was barely released by Anchor Bay and nobody ever heard of it.
(read the rest of this shit…)

The Badass Cinema Rundown for June 15, 2011

tn_rundownSometimes in a man’s life a man’s gotta post brief snippets about different movie news stories so we can discuss them here.

Well, it was fun looking forward to it while it lasted

My buddy who told me this news looked like he was about to tell me somebody had died. Turns out everybody’s okay, but they hired Simon West to direct EXPENDABLES 2. The guy who broke it to me had actually predicted this back when I was talking up John Hyams and those guys.
(read the rest of this shit…)

Super 8

(intermission)
(intermission)

My Summer of 2001 10th Anniversary Retrospective will continue shortly, but as requested here’s a brief interlude in the present to deal with some pressing issues.

SUPER 8 is the new picture from writer/director Jay-Jay Abrams (‘Felicity’) that is produced by Steven Spielberg and done in a style that’s a slavish tribute to the classic Spielberg pictures of the ’70s and ’80s. It takes place in ’79 and it’s about a kid whose mom recently died (if it was a real Spielberg movie it would be about divorce), his dad doesn’t really understand him, his friends are making a zombie movie, and also there is a gigantic train crash that unleashes a monster that scares away the dogs, knocks over alot of shit and kidnaps his girl.

(read the rest of this shit…)

Pearl Harbor

chapter 4
chapter 4

2001posterreleased May 25th, 2001

WARNING: contains spoilers for PEARL HARBOR and World War II

After three financially successful action movies in a row (BAD BOYS, THE ROCK, ARMAGEDDON), Michael Bay got a once-in-his-career itch to make An Important Movie. He probly had SAVING PRIVATE RYAN on the brain, and definitely TITANIC.

Ever since James Cameron’s movie broke all box office records studios had been threatening to make asses of themselves by blatantly trying to catch more lightning in that same melodramatic-love-story-during-historic-disaster bottle. Jan de Bont almost did a love-story-on-the-Hindenburg movie, for example. PEARL HARBOR wasn’t as obvious of a copycat as that because 1) it was a love story set against a war movie as much as a disaster and 2) the love song on the end credits was by Faith Hill instead of Celine Dion. Totally different.
(read the rest of this shit…)

The Mummy Returns

tn_mummyreturns
chapter 3

2001posterreleased May 4th, 2001

Okay, now the summer is really starting. Crocodile Dundee, Stallone in a car, those were appetizers. This is the first bonafide Big Ass Summer Movie of ’01, with the advertising and the toys and what not. It opened huge, and eventually made more than $433 million worldwide. I don’t think I know anybody that likes it, though.

THE MUMMY RETURNS is the second one, the one where the mummy returns for a while, then leaves again. Like the first MUMMY it begins with a narrated prologue that’s better than the movie proper because it doesn’t have Brendan Fraser or a bunch of talking in it. This one tells a little bit about the legend of The Scorpion King (The Rock), a guy who led a bunch of warriors in trying to conquer the world, but they all died of heat stroke so he was bit by a scorpion or whatever, and magic. His part is less than 5 minutes, he speaks one line and it’s not in English, and his narrative purpose is to return as a shitty CGI bug monster at the end. Also to set up a prequel spin-off that’s way more entertaining than the mummy movies, in my opinion.
(read the rest of this shit…)

Driven

tn_driven
chapter 2

2001posterreleased April 27, 2001

DRIVEN is a weird footnote in the overlapping filmographies of Sylvester Stallone and Renny Harlin. It’s no CLIFFHANGER, and it’s not trying to be. If anything maybe it wants to be the ROCKY V of Formula 1 race car driving. Or whatever type of race cars they’re driving in this one. They’re not NASCAR I can tell.

Okay, stop the presses, I just looked it up (it turns out I’m on the internet right now). I guess Formula 1 is very secretive like the Masons so Stallone couldn’t get enough info on them and switched the movie to be about “ChampCar” racing. I guess that’s why they didn’t make a big deal of what type of racing it was in the movie, ’cause nobody was gonna get excited about something called “ChampCar.”
(read the rest of this shit…)

Crocodile Dundee in Los Angeles

tn_crocdundee3
chapter 1

2001posterreleased April 20th, 2001

This is gonna surprise the shit out of you when I tell you this, but CROCODILE DUNDEE IN LOS ANGELES is what they call a fish-out-of-water comedy. The fish is Crocodile Dundee, the water is Australia, the place outside of the water is Los Angeles. Actually Dundee might be more of an amphibian, he’s somewhat familiar with L.A. and is able to show his son and his pal around and teach them some things about the urban American way of life. But also he’s from the outback or whatever so he has lots of misunderstandings that lead to clotheslining people or stabbing things like they do constantly in Australia.
(read the rest of this shit…)

2001: A Summer Movie Odyssey

tn_2001summer
Introduction

I don’t know if you guys realize this, but this summer we are celebrating the 10th anniversary of the summer that happened ten years ago. Pretty crazy, huh? Seems impossible to even consider, but I did the math and it all checks out. So I knew I couldn’t just let that go by without acknowledging it.

As you know I have an ongoing fascination with the evolution of the Big Summer Popcorn Movie. I love watching this type of movie, even some of the bad ones, have my opinions about them, wonder if they’ve gotten worse over the years, how they’ve changed or how our standards for them have changed. Last summer my project for exploring that was my study of the movie that gave marine-mammal-style live aquatic birth to the Big Summer Popcorn Movie itself, JAWS. Well, actually I didn’t write about JAWS proper, just all its sequels and some of its rip-offs. (what do you want, people? I do this shit for free.)
(read the rest of this shit…)