Here’s a not-perfect but surprisingly enjoyable family sports robots drama from the visionary director of, to be frankly honest, CHEAPER BY THE DOZEN (remake) and THE PINK PANTHER (remake) and a bunch of other shit like that. Obviously the title is a cheap stunt, they’re trying to make you think Shaquille O’Neal is in it, so please spread the word that that’s not the case. It’s also not officially based on the beloved intellectual property Rock ‘Em Sock ‘Em Robots, even though it’s about boxing robots. It’s credited as being partly based on a Richard Matheson short story called “Steel” (also turned into a Twilight Zone episode starring Lee Marvin), but I say it’s suspiciously similar to Menahem Golan’s OVER THE TOP. (read the rest of this shit…)
Real Steel
Ghost Rider Presents Spirit of Vengeance
Almost exactly 5 years ago when they released the first GHOST RIDER picture (directed by the writer of the GRUMPY OLD MEN pictures) I thought it looked so hilarious that I couldn’t help going to the first showing. I remember it was before noon at an AMC theater on a Friday, which I discovered was their window for what counts as a matinee, so it cost 5 bucks. Good deal, but small consolation for the unfortunately boring movie and the guilt of having participated in making it a surprise hit even though nobody liked it.
So on Friday I found myself facing down part 2, this time from Nevildine/Taylor, the giggling-camera-wigglers-on-rollerblades legally and morally responsible for CRANK and GAMER. Against 22 different styles and colors of better judgment I found myself compelled to the first showing of this one too. The matinee costs 6 bucks now. But that’s fair – it’s at least a dollar more enjoyable than part 1. Probly $1.50 even. (read the rest of this shit…)
Abduction
In the summer of 1991 a 23-year-old director named John Singleton made a hell of a debut with BOYZ N THE HOOD. It was a preachy, of-the-moment anti-violence tale inspired by his (recent) youth in South Central Los Angeles, tempted by the machismo of gang life but smart enough to avoid getting tangled in its endless cycle of retaliation. The movie had breakthrough roles for Cuba Gooding Jr. before “Show me the money,” and for Larry Fishburne before Ike Turner or Morpheus. He was so memorable as Furious Styles that he turned into a Laurence 2 years later. (read the rest of this shit…)
Hey everybody: explain to me what I’m missing about KILL LIST
I’ve been hearing about this genre-smooshing British crime thriller for a while now. Mostly from Paul, but it’s gotten great reviews all over the place. I did the right thing and didn’t read anything about it or watch a trailer or even know what the other movie by the same director is about. I just waited until I could rent an import DVD of it and check it out. (read the rest of this shit…)
Valentine
Released in February of 2001, VALENTINE was one of the last of (the last of?) the post-SCREAM studio slasher movies. Its low box office totals, combined with the success of THE RING the next year, might’ve sealed the deal on that particular horror cycle. It’s directed by Jamie Blanks, who debuted with the similarly crappy URBAN LEGEND and later returned to his native Australia, where the spirit of the Tasmanian tiger or something blows in the wind, into his lungs, inspiring him to make much better movies (STORM WARNING, NATURE’S GRAVE). (read the rest of this shit…)
Vern’s Valentine’s Day Special. One night only.
I have already officially over-celebrated this holiday that I don’t even believe in, but I have this CLINT EASTWOOD: 35 FILMS DVD box set and it happens to have the movie THE BRIDGES OF MADISON COUNTY in it and I can think of nothing better to do tomorrow night than eat a sandwich and watch it for the first time with my friends, The Internet.
So tomorrow night, Tuesday February 14th, at approximately 8 pm West Coast time (depending on how fast I get home from work) I will be watching the movie and “live tweeting” it using the “Twitter” websight. I have set up a new account called @OutlawVernLive so don’t worry, I won’t be flooding your screen with my comments unless you “follow” that specific “twitter” using your computer machine. Also I cannot guarantee I will have anything worthwhile to say, or that I will not just be sobbing the whole time.
Sorry for the short notice, but if you also have this box set I trust your loved one will understand that you are cancelling the reservations and the 2-3 of you will be having the most romantic evening of all time with Clint, Meryl, one or more bridges, The Internet, and yours truly. (in a non-sexual way)
thanks
Lovers Lane
aka I’m Still Waiting For You
I didn’t even realize it until I started watching it, but LOVERS LANE is a cheapass slasher movie shot in the Seattle area. Mostly Issaquah, I think. Anna Faris, who grew up in nearby Edmonds, is in the movie (not her first, but Wikipedia calls it “her first significant role”). It was filmed in 1999, but seems more like an ’80s slasher. (read the rest of this shit…)
Hospital Massacre
aka X-Ray
In 1982, a year after MY BLOODY VALENTINE, we got this Golan and Globus production which also begins with a murderous incident on Valentine’s Day, 1961. It looks like the ’80s and the kids even say “Omigod!”, but it says it’s 1961 so I’m taking their word for it. In this one a little boy named Harold leaves a valentine for a little girl named Susan and watches through her window as she reads it. When she sees it’s from Harold she laughs and her (brother? boyfriend?) crumples it up and throws it on the ground.
While Susan goes into the other room to cut two giant pieces of cake for her and the boy, Harold comes in and breaks the kid’s neck and hangs him from a coatrack. (read the rest of this shit…)
My Bloody Valentine (1981)
I know Valentine’s Day is one of those holidays that’s sort of made up to sell greeting cards, like Ziggy Day in May or Rehearsal Christmas in September. It’s based on an actual Christian martyr but the traditions got nothing to do that, it’s all a scam by Hallmark, the chocolatier lobby and Big Flower. Still, it’s enough of a real holiday to have a handful of slasher movies based on it, and therefore I am willing to acknowledge it. (read the rest of this shit…)
Nerd Shit Special Edition: Phantom Menace 3D
I went and saw a revival movie at the local cinema, it’s called STAR WARS EPISODE I: DARTH MAUL (formerly The Phantom Menace) 3D. I’m not sure if you guys are familar with that movie from the dvd and blu-ray, but check it out, you’d probly like it. Anyway they have it re-released in theaters in 3D.
The reason I bring it up is because I think this is more proof of the wrong-headedness of modern 3D. Not because it’s 3D, as is the conventional wisdom, but because it’s not 3D enough. This is a special case because obviously it’s not a movie shot in 3D, it’s one of these postconversions that I decided to stop seeing, but (like TITANIC) it’s one that they spent more time and money on and it was done by technicians who seem to give a shit, so I was hoping it would be done well. (read the rest of this shit…)
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