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Archive for the ‘Reviews’ Category

Mindhunters

Wednesday, January 25th, 2006

Some day I gotta come up with a name for this certain style of movie I like, a movie that is really fuckin dumb, but in a good way. It manages to be so spectacular, almost innovative in its level of stupidity that it is what the young people now and in the ’80s called “awesome.” I’m not talking a dumb comedy like HOW HIGH, I’m talking about a movie that as far as anyone knows is supposed to be serious. One really good example is DEEP BLUE SEA, Renny Harlin’s movie about super intelligent sharks. That takes the genre to its highest levels because there are so many things that play with the audience’s expectations that it is undeniably clever, almost brilliant. And at the same time, so fuckin dumb. A movie where a girl has to take her scuba suit off and stand on top of it so as not to get electrocuted. Because of the super intelligent sharks. That’s the best, when it’s so smart and so dumb that you can’t even tell which is which anymore.

Well this is not that good but it is another dumb movie by the same director. I think maybe the pressure of doing a sequel to DIE HARD was too much for Renny Harlin to take, it damaged his brain and he’s been mushy ever since. MINDHUNTERS isn’t as good as DEEP BLUE SEA but it’s worthwhile if you’re into that type of stupid shit, like I am. It has Val Kilmer, Christian Slater and of course DEEP BLUE SEA’s LL Cool J in the cast but it sat on the shelf for a couple years. It actually came out on DVD in Russia a long time before it came out in american theaters. So maybe the Russians could tell me what to call this genre. (read the rest of this shit…)

Crash (2005)

Tuesday, January 24th, 2006

Unfortunately this is not the pervy Cronenberg movie I’ve never gotten around to seeing about the people getting off on car crashes. This is the race relations movie directed by Paul Haggis, writer of Clint’s MILLION DOLLAR BABY. I gotta be honest, my reason for seeing this was not that I thought I would like it, but that I was just real damn curious. Because it got so many rave reviews, and Roger Ebert chose it as the best of the year, but every single person I knew who had seen it said it was corny, overwrought bullshit.

I hate to be a centrist but I think it falls somewhere in the middle. It seems well intentioned. It’s trying to point out different kinds of subconscious racism, it’s trying to show that people are complicated, racists maybe have a chance of being redeemed, people who don’t think they are racists might end up shooting a black dude, etc. It’s one of those movies where there’s a bunch of different characters tangentally connected by coincidence and you find out as the story unfolds what they have to do with each other, which can be fun. And there’s some good little moments and whatnot. One of the best scenes actually involves a cop trying to save somebody from a flipped car before it blows up. In other words, a scene you can see in every single episode of CHiPs. But this is better directed so it’s pretty intense. Also Tony Danza has a cameo. (read the rest of this shit…)

Hustle & Flow

Monday, January 23rd, 2006

I had a good feeling about this movie from right about the time the title came on the screen. It was a shot of a pimp (Terence Howard) and a ho (Taryn Manning) driving in a car, and it freeze frames to write the title in yellow ’70s style lettering.

I always like Terence Howard but I’ve never seen him in a lead role before. He’s always the supporting role that steals the movie. Here he has a lead role that steals the movie. I haven’t seen GET RICH OR DIE TRYIN but I would be surprised if Terence Howard’s performance in this movie doesn’t run a hundred circles around his co-star in that movie, both as an actor and as a rapper. True, he does mumble alot in this movie (you almost need subtitles) but I still feel his enunciation is better than Fifty Cents. (read the rest of this shit…)

Hostel

Wednesday, January 11th, 2006

No way in hell HOSTEL is the landmark horror movie that at least one of my online buddies will tell you it is. Also, it’s not the worthless piece of shit some other people will tell you it is. This may seem weird, you probaly have never heard an opinion like this on the internet before, but HOSTEL falls somewhere in between GREAT AMERICAN HORROR CLASSIC MASTERPIECE and COMPLETE SUCKING OF ANIMAL SEX ORGANS. I call this condition “okay.”

As the ads will tell you, HOSTEL is “FROM DIRECTOR ELI ROTH” – in other words, the guy whose only other movie is CABIN FEVER. I liked that one. The hero-victims were dumb teenagers, but they had funny dialogue that made you like them anyway. In HOSTEL we get a trio of dumbass pussy fiends straight out of an ’80s fraternity movie, and they’re not as funny as those cabin kids. The first half of the movie is mostly about trying to get laid, smoking pot and drinking at a dance club. If you like to watch stupid dipshits get all excited about hot chicks taking their shirts off, you will enjoy this. I can’t remember if they keep high-fiving each other or not, but that is the basic vibe we’re talking here. The high fives are implied. Also, there is not a wet t-shirt contest at any point, but maybe on the DVD. Of the three characters, one is so obnoxious as to be kind of humorous, one is halfway sympathetic in comparison to the other two, and the third one is just a completely bland frat boy with few distinguishing characteristics except that he is the guy who plays Carlito Brigante in the CARLITO’S WAY straight to video prequel that I haven’t watched yet. So of course they die in that order, leaving you trying to root for the least interesting of three unlikable pricks. (read the rest of this shit…)

Munich and Sword of Gideon

Wednesday, January 11th, 2006

You know, MUNICH is almost the movie I was hoping SYRIANA would be. SYRIANA has alot to say about the complicated way the world works, but it doesn’t get you excited about it. You’re probaly not gonna be sitting on the edge of your seat. More likely you’ll be scratching your chin saying, “Interesting, interesting.” I’d rather see a movie that can be complex and political without sacrificing in the awesome department. A good balance of substance and badass. And that’s what this is.

Okay so maybe MUNICH isn’t as true to life as SYRIANA (in fact, some people think the real guy it’s based on made up the whole story and never worked for Mossad) but it sure is a more entertaining movie. Eric Bana (winner of the secret, recently declassified 2001 lead badass outlaw award for CHOPPER) plays Avner, a small time Israeli agent personally chosen by the prime minister to lead a team of assassins to kill 11 people believed to be involved in the planning of the massacre of the Israeli athletes at the Munich Olympics. (read the rest of this shit…)

High Tension

Wednesday, January 4th, 2006

HIGH TENSION (aka HAUTE TENSION, aka SWITCHBLADE ROMANCE)

This is another one of those heavily buzzed foreign imports that I put off watching forever. The final deciding factor, I keep seeing the trailer for a remake of THE HILLS HAVE EYES which is made by these same frenchmen. So I figured I oughta investigate, see what these guys are about.

HIGH TENSION is a well made throwback kind of slasher movie, but not as good as WOLF CREEK. Similar subject matter though. Two young ladies, Marie and Alexia, go to visit Alexia’s parents out in the french boonies. While everybody’s in bed, some grunting redneck schlub (he looks like M. Emmett Walsh in an Ed Gein costume) drives up in a rusty truck, breaks in and starts killing everybody. Most of the movie – and the best part of the movie – involves Alexia being tied up and gagged in the back of the truck, while Marie chases the killer trying to save her. (read the rest of this shit…)

The Park Is Mine

Wednesday, January 4th, 2006

I never heard of this one before but the box caught my eye. It’s from ’86 and apparently made for TV. Tommy Lee Jones – after ROLLING THUNDER but before UNDER SIEGE – plays another angry veteran on a rampage. This one though is unusual because he basically inherits this rampage from a deceased friend. I mean can you imagine? A little bit of money, maybe some furniture or something. But inheriting a rampage? That’s rough.

The movie starts out with a guy jumping off a building. Tommy Lee is at the funeral and shortly after receives a letter, and a key, from his dead ‘Nam buddy. In the letter the dead guy explains that he’s been preparing an attack on Central Park for a long time. The key leads to a ridiculous stash of guns, bullets and bombs. There are also maps showing where this guy has already planted explosives around the park. (read the rest of this shit…)

Walk the Line

Saturday, December 31st, 2005

You can’t compare Johnny Cash to anybody, but you can’t help but compare WALK THE LINE to the movie RAY. There aren’t many truly great musician biopics, if any, and they all end up being about the same shit. If you’re a legendary musician it’s pretty much guaranteed that you struggled for a while, got a lucky break, became a superstar, cheated on your wife, then had a drug problem that fucked up your career and relatinships for a while. Then you either died tragically or kicked the drugs. (One exception: small plane crashes.) In the case of both Ray and Johnny they kicked the drugs. But just because they didn’t die young doesn’t mean they had it easy. According to the movies, both had a brother who died when they were kids and were haunted by it for the rest of their lives.

Both RAY and WALK THE LINE benefit from great performances by celebrities playing other celebrities, but in the case of RAY I think without that performance you’d just have a pretty good TV movie. WALK THE LINE is a better movie even if the imitation is not quite as uncanny. (These actors did go the extra mile though and record all the songs themselves. It’s weird because you know it’s not the real John and June but you do know it’s the same John and June you’ve heard talking to each other so it seems to work.) (read the rest of this shit…)

Wolf Creek

Saturday, December 31st, 2005

THIS REVIEW IS BASED ON ACTUAL EVENTS.

First off, I gotta address a couple points. Number one, regarding the reputation of this movie. I think it’s getting a bad rap. One Seattle critic wrote about walking out instead of reviewing it. Another one (“shout out” to Andrew Wright as the kids would say) mentioned the other critic walking out and said he didn’t blame her (his review was “a recommendation, I guess”). Roger Ebert gave WOLF CREEK zero stars and pretty much condemned it as a failure for the human race. Even some of the horror fans who liked it are talking about it like it peeled off their skin and made them eat it and despite the unpleasantness of the whole ordeal they begrudgingly had to admit that it did a good job of forcing them to eat it. (read the rest of this shit…)

Bad Santa

Monday, December 26th, 2005

Well I seen this picture a while back when it was in a theater. I remembered it was pretty good so I wanted to watch it again for Christmas. Because it’s about Christmas. It’s called Bad Santa. (I mentioned that above so you probaly know that already)

Well I watched it about a week too late so this review is not very timely. But since this review will still be here to read next christmas I feel this bad timing should not count against my 2005 New year’s Resolution, A Commitment To Excellence. If you disagree take it up with the magic new year baby.

Anyway what this BAD SANTA one is about is Billy Bob Thornton is a character called Willie, a self loathing alcoholic safecracker who every year gets a job as a department store Santa. His partner Marcus (Tony Cox from FRIDAY) is a dwarf who is his elf. Then after closing time on christmas eve Marcus will be disguised as a snowman decoration or something, he runs and turns the alarm off and they rob the place. (read the rest of this shit…)