"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Drama’ Category

Black Snake Moan

Monday, March 5th, 2007

Some people might say, just because Christina Ricci spends a good third of BLACK SNAKE MOAN wearing only panties and a half shirt, chained up like a dog to control her bestial urge to fuck anything with a dick, that it’s degrading to women. Well, okay, if I put it that way. But as cool as Samuel L. Jackson’s backsliding bluesman Lazarus is, it’s Ricci’s coughing town slut Rae that you sympathize with most. The weird thing is this ends up being a sweet movie, a cute movie. Like a really subdued KILL BILL, BLACK SNAKE takes ridiculous notions that don’t have to make sense in an exploitation* picture (a man chaining up a young girl to cure her nymphomania, her forgiving him for it) but then treats the characters’ emotions so seriously that I actually start to care about them.

I’m not gonna complain about seeing Ricci half naked or the lurid pulpy advertising campaign revolving around Lazarus having her on a chain like a pet, or something worse. But honestly, swear to God, cross my eye with a needle, etc., I was excited for this movie because it’s from the writer-director of HUSTLE & FLOW. If you have to compare the two I’d say this one isn’t quite as compelling, although some would disagree due to the panties and boobs. (read the rest of this shit…)

Zodiac

Monday, March 5th, 2007

David Fincher’s movie SEVEN (no, I’m not gonna do that cute shit where you type the number seven instead of a v, do I look like the type of dude that would try to pull that sort of typographic horseshit, I don’t think so) is the deadbeat dad of the modern serial killer thriller. Or the killer that inspired all the copycats. Ever since then, hacks have been trying to cop that thick atmosphere, that dark-as-tar nihilistic tone, that sicko mix of religion and violence, that serious treatment of the type of gimmicky murder sprees that used to be fun when Vincent Price did ’em, and especially those fonts used on the opening credits. Simply put, without SEVEN there would be none of those other movies where Morgan Freeman tries to catch a serial killer, nor would there be a GLIMMER MAN. And then where would we be as a society?

When you take away the artfulness of Fincher’s direction (and add a side order of Seagal/Wayans bickering) you can see how morbid and ugly that type of subject matter is. So the fact that Fincher took the time to do such a good job of it makes you question his mental health a little. Didn’t they say he personally splattered the fake blood on some of those victims? (read the rest of this shit…)

Babel

Thursday, February 22nd, 2007

It turns out we’re all connected.

The end.

Nah, just fuckin with you. So last year, 2006, some people said was the Year of the Mexican Director because of the so-called Three Amigos, named hopefully not after the Chevy Chase movie but after a half English, half Spanish phrase that literally translates as “Tres Friends”:

AMIGO #1, Alfonso Cuaron, broke through to the V.I.P. Director’s Lounge with CHILDREN OF MEN, which alot of us consider the best or one of the best movies of 2006.

AMIGO #2, Guillermo Del Toro, finally got some respect from the fancypants establishment critics and Oscar voters with arguably his best Blade-less movie to date, PAN’S LABYRINTH.

But it was #3, Alejandro González Iñárritu, who got his new one BABEL somehow nominated for best picture, with some people (comparing it to CRASH because of its multi-cultural ensemble cast, goofy coincidences and themes of different cultures interacting) thinking it’s gonna win. (read the rest of this shit…)

The Holy Mountain

Friday, February 16th, 2007

PLOT SUMMARY: When a dwarf with no hands or feet and some little kids try to stone a naked dude they found passed out, pissing himself with his face covered in flies, the naked dude and the little guy smoke a joint, hug and become fast friends. So they go into town, where tourists laugh and take pictures of the troops executing school children, and they watch the frogs and chameleons re-enact the conquest of Mexico in a model city. Also the naked dude looks like Jesus and these guys drug him and make a cast of him and he wakes up surrounded by hundreds of duplicates of himself so he screams and smashes them but takes one and carries it around for a while and later he eats its face off and ties it to a bunch of helium balloons and sets it free. He hangs out with 12 hookers in matching see-through black outfits. One of them is an old lady, one is a little girl and they also have a chimpanzee. Some people might call it 13 hookers I guess, but I’m old fashioned so I’m gonna assume the chimpanzee is just an associate and not a professional. (read the rest of this shit…)

Black Caesar

Monday, February 12th, 2007

In my opinion BLACK CAESAR is one of my favorite blaxploitation movies. It’s got a good story and direction (by Larry Cohen), a badass soundtrack (by James Brown) and a super badass lead (Fred Williamson). Fred plays a cruel motherfucker, sort of a Scarface type anti-hero, but makes him mostly sympathetic.

You already know the movie is good at the beginning because it has such a good and unusual opening. Fred’s character Tommy Gibbs is a kid (played by some young guy, don’t worry it’s not Fred wearing a beanie or nothin) working as a shoe shine boy.

There’s a nervous white man in a suit, looking over his shoulder, but Tommy convinces him to get a quick shine. Suddenly a scary mafia dude comes out with a gun and the whitey tries to run. But Tommy holds onto his shoe. After the dude is dead, Tommy meets up with the mafia dude in an alley. He gets his payment and also gets to hold the murder weapon and check it out. This kid may have some problems, is the idea. (read the rest of this shit…)

Letters from Iwo Jima

Friday, February 2nd, 2007

Dear Friends,

Last year we all heard Clint Eastwood, who I still consider the greatest living human, was directing this World War II movie produced by Steven Spielberg. Not really my genre, but with Clint directing obviously I was looking forward to it. Things got more interesting during filming when he announced that he realized the story of Iwo Jima needed to be told from the Japanese perspective too, so he was doing another movie straight after FLAGS OF OUR FATHERS, originally titled RED SUN, BLACK SAND. And that sounded more interesting to me. Way to be ambitious, Clint.

But when FLAGS OF OUR FATHERS came out it was underwhelming enough that, to be honest, I lost some of my interest in LETTERS FROM IWO JIMA. That first movie’s not terrible, and I really like what it was about – the complicated feelings of some guys who are declared war heroes for bullshit reasons and have to go along with it in order to raise war bonds and help out their fellow soldiers who are still fighting. But the way the story was told was just not Clint enough. Usually when he directs the stories are pretty spare, pretty bare, and the emotions are raw. The score of FLAGS was about the only thing that was the usual laid back Clint. He had to jump between the present day with the son of one of the flag raisers interviewing the survivors, the actual battle of Iwo Jima, and the war bonds tour after the battle, and then all of those are jumbled up so they’re in even less order than it sounds like. (read the rest of this shit…)

Crazed Cop

Friday, February 2nd, 2007

I don’t know if you ever do this, maybe this means I had a bad childhood or somethin, but every once in a while I see a weird old VHS box in the action section at the video store and I say “what the fuck is THIS?” and even though it looks like shit I have to rent it just to take a peek at some weird corner of the action cinema universe that I had not previously charted. I’m an explorer, is what I’m saying. The latest example of this is CRAZED COP starring a guy named Ivan Rogers. I will be impressed if any of you know who this guy is, because I asked around and only got blank looks.

First a visual of Ivan Rogers: an African-American gentleman of slightly above average build, with a mustache, likes to wear light colored suit and tie with dark shirt. If there was a movie about his life he could be played by Steve Harvey. But he doesn’t make any jokes in this movie, and doesn’t talk unless he has to. He has a dead-eyed stare and frown. His face betrays no emotion so, to show how depressed he is throughout this movie (or how crazed he is, I guess) he drinks lots of scotch and points a gun at his head 3 different times. (read the rest of this shit…)

Vern’s Best Review Ever! Vern Vs BOBBY (The Movie, Not The Guy)!!

Wednesday, November 8th, 2006

SPOILER ALERT !!

Hey, “Moriarty” here. Just wanted to drop in to present a review that made me stand up and applaud. I am not a mean man when I write about film. I don’t think I take cheap shots at people. At least, I try not to. I think we all bubble over on occasion and… well…

… you remember when Vern fought and conquered the CHAOS DVD back in August?

Well, this is a better review.

Unless you are Paul Haggis. Or Emilio Estevez. Or pretty much the entire cast of BOBBY. In which case, you might want to go enjoy something over in Coax for a while, cause this… this gets ugly:

Question for you fellas:

Why is Emilio Estevez famous again? I can’t think of many legitimately good movies he’s in besides REPO MAN. People love their BREAKFAST CLUB, I think I liked STAKEOUT at the time, can’t remember. I think now he mostly just directs TV shows, but that’s not enough Gatorade to quench the artistic thirst for this guy. With his new all star ensemble BOBBY he’s going serious. He’s wearing two hearts, one on each sleeve, maybe even has his targets set on the Academy’s notorious weakness for actors turned directors. Who knows what those chumps will fall for these days? (read the rest of this shit…)

Marie Antoinette and The Prestige

Tuesday, October 24th, 2006

THE PRESTIGE and MARIE ANTOINETTE double feature

This week was one of those ones that start coming up toward the end of the year where there’s just too many movies you want to see all coming out on the same day. And me being an obsessive motherfucker I try to tackle them all at once. We got three reliable directors all hitting the same day here. #1 priority for me was Clint’s FLAGS OF OUR FATHERS, but I already saw that at an early screening. So that left Chris Nolan’s THE PRESTIGE and Sofia Coppola’s MARIE ANTOINETTE. So I watched them both in a row, liked both, also fell asleep during both. (You gotta go to sleep the night before one of these double-headers, it turns out.)

To be honest I wasn’t even gonna review MARIE because, let’s face it, I am not a girl. This is not only a girl movie but a long, arty, low on plot girl movie. I think some of you cinemasters are gonna love the shit out of it but alot of my readers would probaly never be able to sit through it. Still, I’ve read so many reviews that clearly didn’t fucking GET this movie that I decided I had to comment. (read the rest of this shit…)

Running Scared (2006)

Tuesday, October 24th, 2006

I really don’t have a problem with America’s team captain, Paul Walker. Alot of people seem to hate this guy, but I think he’s pretty good at playing these straight laced hunky characters in movies like THE FAST AND THE FURIOUS and EIGHT BELOW. But I gotta admit, when I saw the trailer for RUNNING SCARED I thought it looked like the worst shit ever. Paul Walker doing an accent, playing a mob guy? I wasn’t buying it. It didn’t help that the trailer ended with mobsters trying to hit a glowing hockey puck into Walker’s mouth. Like it’s not enough to hit the guy in the face, they gotta make it visually appealing and EXTREME.

But there are two things that the trailer didn’t get across. One, that Paul Walker actually does a pretty good job playing this type of character. I was hoping that Clint’s FLAGS OF OUR FATHERS would be the movie that shows Walker is a little better than people thought, but his part in that one turned out to be minimal. Instead it was this one that makes you think huh, maybe he could play other types of characters. Hard to say. The second thing the trailer didn’t get across about RUNNING SCARED is that it’s a crazed, ridiculous movie where the day-glo hockey rink fits right in. And I guess the third thing is that Billy Crystal and Gregory Hines are not in this one, it’s Paul Walker. (read the rest of this shit…)