PUSH – BASED ON THE SHORT STORY BUTTON, BUTTON BY RICHARD MATHESON
Late in THE BOX somebody asks, “Can I be forgiven?” The character is talking about a lapse in moral judgment that caused harm to others. But you kind of hope it’s also writer/director Richard Kelly talking about his last two movies, SOUTHLAND TALES and DOMINO. Both are more like drugged out brainstorming sessions than actual finished movies – a couple funny ideas wrapped in a thousand, uh… other ideas, then chewed up and spit onto the screen with no second thought given to concepts like planning, timing, restraint, coherence or entertainment value. To me those are two of the most tedious, headscratchingly ill-conceived disasters of modern film, and the motherfucker did them in a row. With only one pretty good movie under his belt to hang his hat on*.
No. Not if this is an era of accountability. You can’t be forgiven.
So it’s in the spirit of forgiveness and Christian redemption that I say I thought THE BOX was pretty good. His best, for what that’s worth. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.