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Posts Tagged ‘Reb Brown’

Yor, the Hunter from the Future

Monday, September 2nd, 2019

No – you’re the hunter from the future.

It’s fair to say that YOR, THE HUNTER (spoiler) FROM THE FUTURE is a cheesy movie. And though its 89 minutes are whittled down from an Italian mini-series of four 50-minute episodes, I don’t need to see the other 111 minutes. But 89 of it is just right. I dug it.

Like CONQUEST for Lucio Fulci, YOR is director Antonio Margheriti (SEVEN DEATHS IN THE CAT’S EYE, CODE NAME: WILD GEESE, CANNIBAL APOCALYPSE) trying to ride the wave of savage shirtless musclemen left in the wake of CONAN THE BARBARIAN. But this story combines the ax-wielding stone age warriors with futuristic sci-fi elements. In that aspect – and in Reb Brown’s blond wig and furry shorts and boots – YOR reminds me of He-Man and the Masters of the Universe, which started the year before. (read the rest of this shit…)

Cage II

Thursday, August 15th, 2019

One of many underground fighting movies I took a look at in my action movies of summer ’89 retrospective was CAGE, a cheapie starring Lou Ferrigno and Reb Brown as Billy and Scott, two Vietnam buddies forced into a cage fighting circuit. It was enjoyable for its cast, its warm-hearted tribute to friendship, and even its naive-feeling sincerity about the uncomfortable premise that Billy acts like a child because of a brain injury. And I got even more entertainment reading about director Lang Elliott’s later business ventures, including taking over a smoothie chain in a failed attempt to produce a Dorf feature film and build a theme park.

In 1994 Elliott returned with a sequel, so far his final directorial work. CAGE II (subtitled THE ARENA OF DEATH on the VHS packaging) reintroduces Billy and Scott while they’re out grocery shopping. Their negotiations about whether or not Billy is allowed to buy a blue soft drink are intercut with ominous shots of a gang of long haired bad guys in sunglasses and black trenchcoats walking toward the store. And it lays it on thick how much innocence this evil is about to collide with. Billy and Scott smile at a little boy. Two women invite Scott to a party. Before that, while they’re giving him the eye, two smiling children skip by, holding hands! (read the rest of this shit…)

Cage

Wednesday, July 24th, 2019

“Wrestling? I like wrestling. But I don’t like fighting. But I like wrestling!”

Note: Box Office Mojo only lists “1988” as the release date, but IMDb says September 1, 1989. I’m going with the specific one.

The movie CAGE is alot like the character Lou Ferrigno plays in it: brain damaged, childlike, clumsy, well-meaning, and hard not to like. The opening definitely had me concerned, though. In “VIET NAM 1969,” a bunch of army dudes run around in a field screaming and firing machine guns while the keyboards of composer Michael Wetherwax (SORORITY HOUSE MASSACRE) sort of imitate the RAMBO theme. B-movies about the Vietnam War don’t tend to be watchable, in my opinion, so thank God our boys get out of there quick.

Escaping in a helicopter, Billy Thomas (Ferrigno, between his last two Incredible Hulk TV movies) heroically saves his friend Scott Monroe (Reb Brown, UNCOMMON VALOR, ten years after his last Captain America TV movie) by having the strength to one-arm-dangle him under the copter even after being shot in the head with what, judging from the leak it springs in his temple, appears to be an adorably tiny bullet.

(Good makeup effect, though.)

The opening credits are a comically corny rehabilitation montage set to a ballad called “Don’t Let Go” by Jennifer Green. Without sound, Ferrigno and Brown pantomime a series of struggles and minor triumphs, from getting a medal to being frustrated with a puzzle to making it up a few steps. (read the rest of this shit…)

Uncommon Valor

Monday, August 13th, 2007

I don’t remember this one, but it was in a book about action movies I’m reading (Action Speaks Louder by Erich Lichtenfeld) and sounded pretty good. It’s one of those “Vietnam vets go back to rescue POWs” movies, but according to the book it’s the first one. And the weirdest part is that it’s from Ted Kotcheff, director of FIRST BLOOD, and made two years before George P. Cosmatos’s RAMBO: FIRST BLOOD PART II. Maybe that’s why Kotcheff didn’t come back for part 2, he’d already done that movie.

Of course, the feel is pretty different from RAMBO. And there are three major differences in the type of story we’re dealing with here. Number one, it’s a team movie, it’s not focused on one dude. Number two, these are normal vets who have gone back to civilian life, they are not maniacs who have gone on a rampage and must get a pardon to go on the mission due to their skills with explosive tipped arrows. Number three, they are privately funded, they are not working for the government. In fact, the government is trying to stop them from doing it (you know how those fuckin bureaucrats are, with their red tape and what not. It makes you so mad BRING OUR BOYS HOME! etc.) (read the rest of this shit…)