“I’m Paul Barlow, and this is my daughter Jo.”

“Malone.”

“You got a first name?”

“Yeah.”

Posts Tagged ‘Liam Aiken’

Henry Fool

Wednesday, July 11th, 2018

June 19,1998

Here’s another last minute addition to the ’98 series in acknowledgment of the summer’s abundance of significant indie movies. I suddenly realized that HENRY FOOL being a Cannes-Film-Festival-best-screenplay-award-winning film from lauded (once lauded?) auteur Hal Hartley meant it fit right in with the other stuff I was writing about, and shouldn’t be skipped. All I really know about Hartley is my vague memories of liking THE UNBELIEVABLE TRUTH, TRUST and SIMPLE MEN when I saw them almost 30 years ago. I never saw this one until now, but I’ve read that it is his biggest box office success.

That’s surprising. HENRY FOOL is a very dry, often ponderous two hour seventeen minute sort-of-comedy that takes its sweet time getting to what it seems to be about before abruptly switching to something else for the last part. It’s raw, seems to be intentionally lacking in style or energy, at times slightly amateurish, even feeling in moments like a parody of indie movie pretension. Its two leads are an obnoxious prick with a sort of reverse charisma and a passive, inscrutable peon who barely talks, except to occasionally parrot some dumb bullshit that the other guy said that he should know better than to believe.

I kind of liked it though. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Frontier

Tuesday, November 14th, 2017

Hey look, here’s a minor gem that I found via video store browsing. I never heard of it and it seems to have gotten not-great reviews and little mileage for its rookie director (despite having the audacity to have “a film by Oren Shai” not only on the cover, but the DVD menu). But it’s a solid and great looking little neo-noir kind of in the vein of RED ROCK WEST, but smaller scale and more retro.

Like so many of these stories it follows a mysterious drifter who stops at a small diner/motel on a desert road somewhere, desperate, hiding a secret and then getting mixed up in some more trouble. An unusual twist is that this drifter is a woman, Laine, played by Jocelin Donahue from HOUSE OF THE DEVIL. And she’s not some BOUND style tough girl either, she wears nice sweaters and skirts and doesn’t intimidate anybody. But she has blood on her hands, both literally and figuratively.

Her backstory is implied and revealed through small things: stashing a money clip in the bathroom, examining a rope burn on her neck, reports of murder in another city, a cop (A.J. Bowen, YOU’RE NEXT, THE GUEST) having one of those conversations with her that could be honest friendliness but is more likely a veiled threat. We watch Laine navigate small talk questions she doesn’t want to answer, wind up with a room for the night and a job as a waitress, and practically give us a heart attack by sneaking into the rooms to look through guests’ luggage for something valuable enough to get her the fuck out of Dodge. This stuff is very reminiscent of Marion Crane trying to get away with the money in the first part of PSYCHO. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.