I’m not 110% sure but I think there may be a new movement poking its head out from over the Hollywood hills. Only a few years ago it was unimaginable that a Hollywood studio would make an entertainment-oriented movie with recognizable stars but also with a premise so weird and convoluted that it is hard to even explain. Then all the sudden there was this movie starring John Cusack and Cameron Diaz and it was about how there’s a door hidden inside an office building that you can go through and you will be able to control John Malkovich and make him quit acting to become a puppeteer. Then also there was the movie by the same director and writer where Nicolas Cage played twin brothers who try to write a movie based on a non-fiction book about collecting rare orchids but they can’t do it and instead write the movie that you are actually watching about twin brothers who try to write a movie based on a non-fiction book about collecting rare orchids but they can’t do it so instead they write the movie that you are actually watching.
Usually Hollywood is all about what they call “high concept” where the movie can be explained in one sentence or less. For example, Martin Lawrence has to go under cover so he dresses up as a fat old lady. Or, the Wayans brothers have to go undercover so they dress up as creepy blonde zombies. Or, Robin Williams is a bad father and husband so he dresses up as an old lady and lights his fake tits on fire.
But now all the sudden we got this different category of film that cannot be summed up so easy. And I’m not talking about some experimental arthouse type deal, I’m talking about movies that are intended to entertain the audience, etc. I don’t know what to call this movement other than Kaufmania in honor of its founder, Charles Kaufman. Or Kaufman Fever. Or Kaufmandomonium. (more…)
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THE FIGHTER is another movie about the working class struggle of the underdog boxer, this one based on a true story, developed for years by Darren Aranofsky, finally directed by David O. Russell when Mark Wahlberg realized he’d been in boxing training for 3 or 4 years now and it would be good to start filming at some point. Those are both kinda weird directors for a normal boxing movie, but this is pretty normal, it’s not some radical reinvention of the genre. What makes it fresh though is the focus on the whole family. It’s equally about the fighter, Micky Ward (Wahlberg, BOOGIE NIGHTS) and his half- brother Dickie Eklund (Christian Bale, AMERICAN PSYCHO) and their place in the town of Lowell, Massachusetts.
