Posts Tagged ‘Cyril Raffaelli’

Kiss of the Dragon

Tuesday, April 26th, 2011

tn_kissofthedragonAs successful as they may be in their own countries, global superstars always seem to have their eye on the juicy, low-hanging grape of Hollywood. It doesn’t matter how many soldiers have fallen before them, stumbling on a new language, style and approach to filmmaking and bleeding away everything that made them great in the first place. It’s still hard to resist the temptation. They’re still gonna jump and try to bite it.

And so it was that in the late ’90s and early 2000s Jet Li left Hong Kong to make some Hollywood-produced, English language movies. Of course if you have a guy who’s a legendary martial arts champion and iconic star of many of his generation’s most popular movies (the SHAOLIN TEMPLE series, the ONCE UPON A TIME IN CHINA series, the FONG SAI YUK series, and FIST OF LEGEND) what you do in the U.S. is put him in a movie with DMX and Anthony Anderson that’s billed as “an urban Romeo and Juliet.” I mean, what else would you do with him? That’s just obvious.
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Banlieue 13 – Ultimatum

Wednesday, February 3rd, 2010

tn_b13uSo I watched this poorly subtitled Chinese import of BANLIEUE 13 – ULTIMATUM, which I think is about to be released dubbed in the US as DISTRICT 13: ULTIMATUM, the sequel to what we call DISTRICT B13, which pretty much translates to “District District 13.” This one reunites Cyril Rafaelli (last seen tossed into a fan by John McClane) and David Belle for more near-future parkour and martial arts action.

It’s 3 years later and the government has made good on its promise for regime change, but nothing else. The district is still walled in, and the cops still treat everybody like shit. Leito (Belle) doesn’t want to let it go so he has a hobby of strolling around casually attaching bombs to walls and blowing shit up. Then he gets chased by cops and the gangs, or “clans,” get pissed at him because they sort of like their lives behind the walls and don’t want him fucking it up. (more…)

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The Incredible Hulk

Monday, June 16th, 2008

Listen up Hulkamaniacs -

This new Hulk remake/sequel/do-over/all new adventure starts out with an opening credits montage of flashbacks and headlines to explain his Incredible origin. It’s like the opening to a TV show, setting up what you need to know. So I’m gonna do a TV show opening for this review to: I don’t know the comic strips, vaguely remember the TV show, still love the Ang Lee movie no matter what you say, but was open to and kind of excited about the notion of the goofball director of fucking TRANSPORTER 2 taking over to do the flip side of that coin.

But I got a little worried when I read that Edward Norton had rewritten the script. Uh oh. That means he thinks he’s making the serious Hulk movie. Did he not know about the Ang Lee one? I think he did, because I read that he turned it down. I guess he regretted that maybe. It’s true, Louis Letterier is not in TRANSPORTER 2 mode here. He’s more in DANNY THE DOG aka UNLEASHED mode: a movie with elements of crazy action fun, but that is trying really hard to be a serious drama.

And I didn’t see this coming, but it actually has the same weird story problem that UNLEASHED had: what the hero wants is diametrically opposed to what the audience wants. In UNLEASHED Jet Li played a martial arts expert who was raised as a dog by Bob Hoskins (long story). He wore a collar but whenever it came off him he was mentally programmed to go ape shit and beat the holy living fuck out of anybody in his path. (again, long story.) And then the movie is about how he sort of finds a new family and changes his life and learns to not beat the shit out of everybody when the collar comes off. And it’s kind of sweet and Jet Li gets to do way more acting than almost any other movie he’s been in. (more…)

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Posted in Action, Comic strips/Super heroes, Reviews | 5 Comments »

Live Free or Die Hard (Unrated)

Monday, November 19th, 2007

LIVE FREE OR DIE HARD: 2-DISC ALLOWED TO SAY ‘MOTHERFUCKER’ EDITION

“YIPPEE KI YAY, MOVIE FANS!” That’s what some dipshit wrote on the back of the new LIVE FREE OR DIE HARD dvd. But in the new unrated cut of the movie itself John McClane is allowed to live free and say the whole legendary, maybe-shouldn’t-have-become-part-of-the-DIE-HARD-formula catch phrase. Say goodbye to “Yippee ki yay mother(gunshot).” It’s out the window like Hans Gruber.

The new cut is not drastically, hugely or monumentally different. If you hated the theatrical version you’ll still hate this one. The story is the same, I didn’t notice any scenes removed or added, there’s no new narration or a corny shot of a unicorn that’s supposed to make you see the whole movie in a new light. McClane still doesn’t make good on his threat to beat Kevin Smith’s character to death – not even in a deleted scene, unless it’s one a them “easter eggs” and I just didn’t find it. I’ll keep looking.

But what it does have is a whole bunch of little touches they never should’ve had to cut in the first place. Things most people wouldn’t notice but that add up to more of a DIE HARD tone overall. Like, for example, the hemoglobin. It sprays sometimes when people get shot. It squirts when the guy from DISTRICT B13 gets shredded (but it’s subtle, it’s not the Johnny Depp in NIGHTMARE ON ELM STREET geyser I imagined). After Maggie Q shoots the technician at the power plant she squeakily wipes blood off his screen with her hand. That was my favorite little addition. After McClane throws this character Russo down the stairs and then steals his walkie talkie they show his whole bloody face instead of the tamer profile of the PG-13. When McClane finally takes out Gabriel there is a bloodspray this time, so it’s a little more clear what’s going on, although I still think they should’ve shown it from the side so you see both parties getting shot (the one part where I thought Len Wiseman blew it with his staging). (more…)

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Live Free or Die Hard

Wednesday, June 27th, 2007

“No one has that power. There is a much more powerful guy in Hollywood, and his name is Rupert Murdoch. It’s his corporation. I only work there.” –Bruce Willis to Vanity Fair, on not being able to do an R-rated DIE HARD

“This city is like a big CHICKEN, waiting to get PLUCKED.” –SCARFACE, edited for TV version

Fellas–

DIE HARD, the motion picture, characters and their likenesses, are the copyrighted intellectual property of the Twentieth Century Fox Corporation. To them DIE HARD is a franchise, a license, a property, a brand, a tentpole, a consumer product, an opportunity for cross promotion with Arby’s and whichever candy bar it was. To them DIE HARD is a dollar amount for an opening weekend, a domestic gross balanced against a marketing budget. But to the rest of the world, to the people with beating hearts, DIE HARD is something more.

There’s alot of ways you can interpret those two words. I used to think it had something to do with the saying “old habits die hard.” But it sounds more like a command, like it’s telling you to DIE HARD. If you believe in something, die standing up, die with your boots on. Or in this case with your shoes off. Die hard.

I never really thought of it as a noun, like “John McClane is such a die hard,” but that might make the most sense. If you look up “die hard” on dictionary.com (this new one’s about computers so why not) it tells you it’s “a person who vigorously maintains or defends a seemingly hopeless position, outdated attitude, lost cause, or the like.” Obviously that describes McClane to a T. He’s a die hard who dies hard. (more…)

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District B13

Wednesday, April 4th, 2007

(originally BANLIEUE 13)

I’m way behind on this movie. I remember a couple years ago I went to see some movie at the film festival here, and this one was just getting out on the same screen. I saw some people I knew coming out and I asked them how it was. They said it was ESCAPE FROM NEW YORK except in France, and with some weird martial art where they run up walls and shit. I knew it was a Luc Besson joint so I thought wait a minute, is this related to that YAMAKASI movie I saw? The art of climbing and flipping?

Now it’s years later and the movie has long since played American theaters and DVD players in a dubbed version called DISTRICT B13. The advertising campaign has tried to convince us we know what the word “parkour” means. Another practicioner of the art has battled (and lost) the new, badass James Bond. Now it’s old news, the excitement has worn off, so I saw it now. That’s just how I roll.

Well, it really is an ESCAPE FROM NEW YORK ripoff – the poor neighborhood District B13 has been walled off just like New York was, and our hero is a badass released from prison to go into B13 and do a mission for the man. Only instead of saving the president he has to find a nuclear bomb that’s in the hands of his enemy, and instead of Ernest Borgnine he’s teamed up with a cop, and instead of having an eyepatch he doesn’t have an eyepatch.

But despite the similarity, the whole look, tone, spirit and poetry of the movie is nothing like ESCAPE. What it’s more like is exactly what it is: an action movie produced and written by Luc Besson. Fun and energetic if not entirely memorable. I liked it though. (more…)

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