Posts Tagged ‘Charlie Kaufman’

Synechdoche, New York

Saturday, August 29th, 2009

tn_synechdocheSYNECHDOCHE, NEW YORK is the most complex and convoluted movie that worked that I’ve seen in a long time. I loved it and you might too. But there’s also a good chance you’re not on its wavelength, and in that case it will be torture, like me watching WAKING LIFE.

P.S. Hoffman plays Caden, a guy who directs plays. He’s fat, unhappy and uninteresting and his wife (Catherine Keener) is obviously miserable. The opening is so mundane it’s almost hard to translate as a movie: he has trouble getting out of bed, reads the newspaper, mumbles to his wife that Harold Pinter died, they have sort of a conversation but aren’t listening to each other. It’s kind of nice that it begins so uncinematically mired in normal life, because as it goes along it becomes more and more fantastical. (more…)

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Human Nature

Saturday, January 1st, 2005

This is a story about the dude who Wrote BEING JOHN MALKOVICH and how if that movie alone didn’t prove that he was some kind of demented genius, then this one does. HUMAN NATURE is the story of a woman with a hormonal problem causing her whole body to be covered with hair, who lives among the animals until she falls in love with a scientist whose life work involves teaching mice the difference between a salad fork and a regular fork. Together they try to civilize a feral man who grew up in the woods thinking he was an ape.

Sounds completely silly and random, right? But what surprised me, a film expert, was the amount of Substance in there. If this were just a regular, make you laugh kind of comedy it would still be the most original, and funniest, in a long time. There were less than ten people at the showing I went to and I was embarassed because I was laughing harder than anyone else. But believe me, I’m the one that’s right. This movie is fuckin hilarious.

At the same time it’s pretty fuckin sad. Like in BEING JOHN MALKOVICH the characters all think they know what they want, and where they belong, but when they get it it doesn’t make them happy, or it turns around to bite them on the ass. And they all play a sort of relationship musical chairs, switching partners in repeated acts of betrayal that never turn out well for anyone involved. And they all try to get what they want by pretending to be what they think the other person wants them to be, and then they get stuck pretending. Holy jesus this Charlie Kaufman dude must be fucked up, but I’m glad he is able to Write about it. Hey Charlie if you need somebody to talk to about it, I would talk for a little while a guess, if you tell me a couple jokes or something. (more…)

Confessions of a Dangerous Mind

Saturday, January 1st, 2005

Well geez, it’s not too often you get this with a movie writer, but apparently this Charlie Kaufman guy can do no wrong. Between the brilliant BEING JOHN MALKOVICH and ADAPTATION and the underrated HUMAN NATURE and now this… I mean really, what more could you ask for from a writer? There is no other non-director writer working who has been so consistently inventive and surprising and at the same time so personal. In fact there are few who have ever worked who could be in this same category. These are all movies made by skilled directors but it is always the writer’s voice that comes through.

You hear that, motherfuckers, the WRITER.

This is Kaufman’s most straight forward and normal picture so far, but that’s not saying all that much. It’s adapted from Chuck Barris’ autobiographical novel, and the gimmick of course is that in the novel he claims to have been a CIA hitman while he was hosting the Gong Show, which seems pretty dubious. Also he talks about the genesis of The Gong Show, the Dating Game, the Newlywed Game, etc.

What surprised me about the movie is that Kaufman and director George Clooney (the guy from OUT OF SIGHT) adapt as if they take the novel completely at face value. It tells the story of his CIA intrigue completely deadpan, to the point that there are scenes where his murders come back to haunt him and he sees the audience of the Gong Show as a bunch of corpses. It is really a pretty serious biopic of this guy, but also faithful to the spirit of his works. There are funny gimmicks like a love montage set to a Gong Show contestant very badly singing an Elvis song. You’d think that would come across as a funny joke but to me it just worked as drama. The relationship in the montage is actually pretty sweet and given that it’s Chuck Barris it’s only fitting that it would be set to the tune of this bad singing.

It goes back and forth from gaudy, artificial game show sets to gloomy eastern european locations where he sneaks around in a fedora and trench coat and shoots people with a silenced revolver. (more…)

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