"We're still at war, Plissken. We need him alive."

"I don't give a fuck about your war... or your president."

Posts Tagged ‘Carlos Gallardo’

Carlos Gallardo is… BRAVO and SINGLE ACTION

Wednesday, August 26th, 2015

tn_singleactionThere’s a precedent for people who star in low budget movies just to help a buddy out but then keep acting and end up with big careers almost by accident. Bruce Campbell in THE EVIL DEAD, for example. Or Owen and Luke Wilson in BOTTLE ROCKET. You could even say Sharlto Copley, a filmmaker who Neil Blomkamp wanted to put in DISTRICT 9, and the next thing you know he’s a member of the A-Team!

So it’s not surprising that Robert Rodriguez’s buddy and co-producer Carlos Gallardo’s starring role in EL MARIACHI wasn’t his last. Sure, he was replaced by Antonio Banderas in the sequel (and knocked down to a smaller role), but in 1998 he got to play another title character in the mostly-English-language Mexican production BRAVO. This time he’s not a regular guy, he’s “best of the best” Mexican Secret Service agent Carlos Bravo, who’s secretly in love with the president’s daughter. (Don’t worry, she’s an adult.) Rather than guitar he plays pretty violin music for her (badass juxtaposition).

But when the daughter is spotted sneaking out of Bravo’s room he gets fired. Luckily he has his leather jacket there and his hog parked at the front door, so he’s able to drive off into a new life. (read the rest of this shit…)

El Mariachi

Monday, August 24th, 2015

tn_mariachiWhen Robert Rodriguez made EL MARIACHI in 1992 he was just some regular 23-year-old dude from Texas. He didn’t think he was ready to make a grab for his Hollywood dreams yet. He had no idea he would catch the attention of the Weinsteins, ride the wave of mainstream indie movies of the ’90s and eventually have his own cable channel and a mini-studio where he makes wide release movies without having to get out of bed.

Though most anyone would consider EL MARIACHI superior to most or all of Rodriguez’s modern output, at the time he didn’t even consider it a real movie. He only set out to make the first in a trilogy of practice movies to get him ready to make his first for real one. His original plan was to sell it to the Mexican DTV action market to get enough to make the next one. It wasn’t a cynical Asylum-type “this crap should be good enough for them” attitude, though, it was more like youthful bluster. I can’t compete with JURASSIC PARK, but I can compete with these movies. I can do better!

He came to L.A. to sell it to a Spanish-language video company, but they took too long sealing the deal and meanwhile he got signed to a major talent agency who sent it around to real studios and got him a deal at Columbia. His hope was to get a real budget to do a remake. When he realized they wanted to release it pretty much as-is he tried to stop them, thinking it would kill his career before it started. (read the rest of this shit…)