I'm not trying to be a hero! I'M FIGHTING THE DRAGON!!

The Silent Partner

tn_silentpartnerTHE SILENT PARTNER is a Christmas-time bank robbery thriller directed by one Daryl Duke and written by Curtis Hanson (director of L.A. CONFIDENTIAL and 8 MILE, writer of WHITE DOG). Elliott Gould – who I wouldn’t think would be that into Christmas, go figure – plays Miles, a Toronto teller at a bank inside one of those indoor shopping malls. (This was 1978.)

I think Miles sees himself as pretty cool, not a loser, even though he’s not having the success he’d like in wooing his co-worker Julie (Susannah York), and is later revealed to own a Superman lunchbox. Maybe having a cool name like Miles balances that out, I’m not sure. He also has a passion for rare fish, which he keeps in his aquarium, that’s what he spends his extra money on.

Let me be clear on the theory of badass juxtaposition – you gotta first be clearly a badass, then have the juxtaposition, for it to be a thing. If this was Clint Eastwood collecting fish and using the lunchbox either of those things would increase the badass quotient. Since it’s Elliott Gould it only makes him further away from being badass. But that doesn’t make him a bad person. It takes all kinds, and this movie needs to have kind of a weiner in the lead so that he’s vulnerable and then surprises and inspires us with his capabilities.

mp_silentpartnerI guess I should get to the plot so you’ll understand that. Through luck and coincidence Miles figures out that the mall’s Santa (Christopher Plummer) is planning to stick the place up. But he doesn’t tell anybody or try to foil the plot. Instead he plans ahead to use the robbery as an excuse to skim some money for himself. When the robbery finally goes off he’s ready, he gives Santa some of the money, delays long enough to help him get away, but has some of his till money set aside for himself. It’s very suspenseful and interesting because none of this is explained beforehand, it’s very procedural. You just gotta watch what he’s up to and see how it unfolds.

Now, Santa sees the reports on the news, hears the figure of how much was stolen, and figures out what happened. At this point most thieves would smile and say, “That crafty sonofabitch!” and take the hit. But this guy’s a total psychopath. We see how he takes it out on a teenage prostitute and we know this guy is gonna come after the money no matter what.

So the movie is basically a showdown between these two. There are a few other characters (including John Candy in a small not-really-comedic role as one of his co-workers), but it still feels almost like a two-man play. Can Miles outsmart Santa before Santa out-crazies Miles? Caught in between are two women: Julie, who he finally gets a shot with and blows it because of robbery-related anxiety, and Elaine (Celine Lomez), the 22 year old nurse who (SPOILER) obviously is some sort of Santa’s Little Helper, but then falls for Miles and switches sides. I don’t know, man. I don’t really believe in Gould’s power of pussy magnetism here. I bet Hanson was picturing Robert Redford or somebody.

On the other hand I definitely believe in the evil of Christopher Plummer. He’s truly fuckin scary here, and he does it mostly with his eyes. Even when he’s in the mall being Santa his eyes look pretty spooky. Even if they never found out he was a bank robber Santa I’m sure those pictures still creeped out Canadian families for years to come.

mp_silentpartnerBAt one point he shows up at Miles’s apartment to scare him into giving up the money, and he flips the mail slot open and looks inside. Even he knows how scary his eyes are. And the marketing people too, ’cause they made a poster of that scene.

And without giving away any details I will report that he most certainly delivers on the threats his eyes make. This isn’t a horror movie, but some horrific shit does happen. So Miles earns our respect with his unexpected skill in handling this fuckin maniac. He’s clever, he’s bold, he takes advantage of his access to the bank, he goes to lengths we wouldn’t have expected.

I’m not sure what he plans to do with the money. He seems to do all right, but that’s how it is, isn’t it? You always wish you had more. I’m sure he could buy some good fish with that money, but probly not an Ice-T-on-MTV’S-CRIBS style shark tank or nothin like that.

I have to say though, for me personally there was a point where I couldn’t side with him anymore. (SPOILERS from here on.) Once Santa Claus has decapitated your girlfriend I think you gotta go okay man, you win. Go to the cops, etc. If you do what Miles does – dispose of the body and figure out an ingenious plan to make off with the loot – you may have some emotional issues, in my opinion.

You know what else threw me off was the way the other gal figures out what happened and immediately falls for him and becomes his accomplice. Wait, what? You were stealing money from the bank we both work at? That’s why you were being such a dick to me? I love you then! Let’s go spend the money!

Come to think of it, in the end the bank manager is less trustworthy than the 22-year-old double agent. I wonder if this is a statement about white collar crime? These bankers are as crazy and cold as the street punks. And they collect fish.

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

This entry was posted on Thursday, December 23rd, 2010 at 2:47 pm and is filed under Crime, Reviews, Thriller. You can follow any responses to this entry through the RSS 2.0 feed. You can skip to the end and leave a response. Pinging is currently not allowed.

15 Responses to “The Silent Partner”

  1. “It takes all kinds, and this movie needs to have kind of a weiner in the lead so that he’s vulnerable and then surprises and inspires us with his capabilities.”
    Couldn’t you say that this is an example of…Lameass Juxtaposition? A not very cool or tough character who had surprising aspects of badassness, which further highlight his lameness by the fact he clearly has the potential to be more badass, yet somehow fails to be, making the lameness even worse?

  2. I’m real glad you reviewed this one, Vern. Long time favorite. It’s huge in Canada: won Best Picture and Best Director at the Canadian version of the Oscars (which I believe are called the Mooscars) but has only recently started to get recognition in the States. Thanks for contributing to that.

    You should write up this other film by Darryl Duke, PAY DAY. Rip Torn plays a Rip Torn-esque country singer on his last legs. And it’s better than CRAZY HEART.

  3. Fucking love this movie.

  4. Vern – And the thing was, Gould in the 70s was seen as a chick magnet. No irony intended.

  5. I wonder if the makers of Reindeer Games were aware of this film. Interesting.

  6. RRA: Are you telling me that OCEAN’S 11-era Gould isn’t a chick magnet? Shit, I totally misinterpreted that film.

  7. I remember the Simpsons episode about how Homer and Marge met in highschool, and when Homer asks another girl to go the prom with him, she says “I wouldn’t go out with you if you were Elliot Gould!”

  8. Jareth – Just refering to what I understand of that period, back before Gould apparently pissed away his stardom by picking scripts like MATILDA, the kangaroo boxing epic.

    Gould is now relegated to doing 3-D DTV releases starring Hulk Hogan. Sad.

  9. Also I might add, I saw the director’s cut of REINDEER GAMES some years back and I kinda enjoyed it. Basically a 40s/50s type of crime movie story mixed with high tech action pyrotechnics. OK not that good, but still its watchable. Not enough to recommend it to general audiences, but maybe some OutlawVernians might want to give it a shot?

  10. RRA: Somewhere between 1973 and 1981 Gould went from starring in acclaimed films like THE LONG GOODBYE and NASHVILLE to crap like THE DEVL AND MAX DEVLIN.

    That would be like if Brad Pitt went from SEVEN and FIGHT CLUB to CAT IN THE HAT and DICKIE ROBERTS FORMER CHILD STAR.

    Like you said, it was a pissing away of monumental proportions.

  11. I remember seeing part of this movie a few years back but didn’t get to finish it. I’m going to go back and check it out again.

    Got a thing for Plummer too. He is always a bad boy. You know that Captain von Trapp was doing kinky things to Maria at night.

  12. When a movie has a secret villain, there are a couple a questions you need to ask to determine who it is:

    1. Is there a character who otherwise seems to have no point to the plot?

    2. Is Christopher Plummer in the movie?

    Actually, you should probably ask the second one first because if the answer is yes, it kind of makes the first one superfluous.

  13. Oh Majestyk, Majestyk, Majestyk. Don’t even tempt me to go into the question of “how to spot the secret villain”. Otherwise I guarantee we’ll be here all night. You can start with the only character in the film who wears glasses, and if that one doesn’t work, look for the slightly ineffective, friendly character who has an abortive romance with the lead but appears to be “just good friends” with them; especially if there’s another actual romantic interest hanging about who’s in genuine conflict with them. Also look for professional as well as romantic rivals. And of course the boyfriend is ALWAYS a main suspect.

    Back on topic, I’ve seen this one, albeit ages ago, and it is a very good little thriller. Quite tense, with some great characterisation of the two main players. One of the female characters (can’t remember which one now, it’s a while ago) I remember irritating me quite a bit, but other than that I’d definitely recommend it from what I remember of it.

  14. One Guy From Andromeda

    December 24th, 2010 at 5:02 pm

    Merry Christmas by the way. I take use of a slight pause in the celebration to appreciate Elliot Gould’s contribution to the world of cinema. MORE POWER TO 70s Elliot GOULD!

  15. RIP Curtis Hanson. This is one I’m seeing cited by people on Twitter as good. I really just know him for L.A. CONFIDENTIAL, WONDER BOYS and appearing on the AMERICAN MASTERS episode about Eastwood talking about his partnership with Don Siegel.

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