A sequel to BEETLEJUICE was first announced when part 1 was still in theaters. Director Tim Burton started developing it in earnest, went through a couple different ideas, it seemed like it was really gonna happen in the early ‘90s until he and Michael Keaton shifted their focus to BATMAN RETURNS. In my opinion that’s one of Burton’s best movies and one of the great sequels – it’s a continuation but reinvents so much of the first movie’s approach that it feels completely fresh and even more potent.
A bit of the song “Macarthur Park” echoes hauntingly over the production logos of the BEETLEJUICE sequel we finally got 36 (!) years later: “I don’t think that I can take it / ‘cause it took so long to bake it.” But after all that time in the oven, BEETLEJUICE BEETLEJUICE is no BATMAN RETURNS. It’s more of a getting-the-gang-back-together type of sequel, not as much of a shift as it probly would’ve been back then, or that it would need to be to be a new classic. To me it feels less aggressive about nostalgia than most of these types of things, but I gotta admit it’s built more on “remember this?” than “hey, check THIS out!” It returns to the afterlife but mostly just the same bureaucracy/waiting room stuff as the first movie. We get another sandworm, another non-consensual lip synch, another wedding. All fun stuff, but wouldn’t all-new stuff be better? I bet younger, hungrier Burton would’ve brought us somewhere totally different. (read the rest of this shit…)
When I first heard about PRIDE & PREJUDICE & ZOMBIES – the book where Seth Grahame-Smith inserted the undead into Jane Austen’s original text – it sounded like a clever public domain art project, something I could respect without wanting to actually read it. When I heard that they were making it into a movie it sounded like kind of a bad idea, but since David O. Russell was doing it I thought maybe it would be interesting. By the time Russell left and it was finally made by 17 AGAIN director Burr Steers I had written it off.
