"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Miguel Pinero’

Alphabet City

Wednesday, February 9th, 2022

ALPHABET CITY is a unique, stylish little 1984 crime drama directed by Amos Poe, a New York City legend best known for co-directing the 1976 punk documentary THE BLANK GENERATION. This one’s only about 70% story and 30% ambience, but I kind of loved that about it.

It stars Vincent Spano (already in OVER THE EDGE, THE BLACK STALLION RETURNS and RUMBLE FISH, but still very young) as Johnny, a hot shot drug dealer who zooms around in a white Trans-Am (25th Anniversary Daytona 500 Edition according to Wikipedia) lording over the small area of the East Village named after its Avenues A through D. His license plate says “CHUNGA,” and I don’t know what it means, but it’s also his password when he knocks on the door at the crackhouse. (read the rest of this shit…)

The Jericho Mile

Monday, March 9th, 2015

tn_jerichomilerookiesIf you count TV movies – and I do – JERICHO MILE is Michael Mann’s directivational debut. It’s not as cinematic as his later big, wide movies, but it’s from the days when TV movies were legit enough to play theatrically overseas. It also stood out from other TV at the time, winning Emmies for writing, lead actor (over Kurt Russell in ELVIS!) and film editing for a limited series or special, and a Director’s Guild Award for “Outstanding Directorial Achievement in Special/Movies for TV/Actuality.” (?)

It’s a prison movie, and you know Mann isn’t gonna want to soften that up. I mean, it’s TV so we don’t get any profanity, racial slurs or rape, but it’s still got a gritty feel because it was filmed in Folsom with the real inmates all around, and plenty of establishing montages that are clearly just documentary footage. You can definitely tell that some of the supporting players are real cons. I wasn’t surprised when I read that Mann had to negotiate for each of the race gangs (white, black and Latin) to have representatives on screen and vow to prevent any race wars or riots during filming so the production wouldn’t be kicked out. I mean obviously it’s an unwritten rule on pretty much all movie sets that the actors should not be involved in any race wars. But I still give them credit for not having one. Apparently there were a bunch of stabbings, one fatal, but those were allowed. (read the rest of this shit…)