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Posts Tagged ‘Danny Trejo’

Script review (on video): MACHETE

Monday, April 27th, 2009

I don’t do script reviews very often, partly because I don’t usually want to read the scripts before they’re movies. But somebody sent me Robert Rodriguez’s script for MACHETE and at the time I wasn’t sure I believed it would actually be made, so I couldn’t resist taking a look.

And then it gets messy. You know I tried out Twitter, and I don’t think it’s really for me. Here I’m testing out another technology the kids use today, the video. They got it on all the websights, etc. Anyway that’s why I haven’t had many reviews lately, I was working on this thing. So please watch and let me know what you think.

UPDATE: For those who complained that they can’t understand what the hell the robot is talking about you can click through for the text version. (read the rest of this shit…)

Vern Reviews SNOOP DOGG’S HOOD OF HORROR!!

Wednesday, January 17th, 2007

SPOILER ALERT !!

Hey, everyone. ”Moriarty” here.

Vern, you magnificent beast, only you would review this one for us.

No, no. Only you could review this one for us.

Heaps of fun as always, sir. Thanks.

First there was BRAM STOKER’S DRACULA. Then there was MARY SHELLY’S FRANKENSTEIN. Now, finally, we have SNOOP DOGG’S HOOD OF HORROR. In this case though the man in the title is not the author of the work, but the host, a duty he first mastered in that other great film with his name in the title, SNOOP DOGG’S DOGGYSTYLE. (read the rest of this shit…)

Desert Heat

Thursday, March 23rd, 2006

DESERT HEAT aka COYOTE MOON or INFERNO

When I reviewed Jean-Claude Van Damme’s SECOND IN COMMAND on The Ain’t It Cool News recently I made a shocking admission: I haven’t seen a whole Van Damme movie since 1998’s KNOCK OFF. I understand if that means I lose credibility in some of your eyes, but I gotta be open and honest with you people. I’m one of them straight shooters, in my opinion. So I gotta admit it: I learn more and more about Steven Seagal every day, but when it comes to Van Damme I’m a straight up amateur. And I want to become a more well rounded person so I asked for some advice on the best movies from Van Damme’s post-theatrical days. Two people made convincing cases for COYOTE MOON, or DESERT HEAT as it’s called here in the states, so that was my first stop. (one guy described the plot, the other guy a threesome scene.) (read the rest of this shit…)

The Devil’s Rejects

Tuesday, July 26th, 2005

If you ever saw THE HOUSE OF 1,000 CORPSES, there’s one thing you probaly remember. It’s this montage set to “I Remember You” by Slim Whitman. It’s got lots of slow motion and you can’t hear anything but the music as the cops discover a couple of the house’s thousand corpses unexpectedly, then get gunned down by the Firefly family. The montage ends with Otis (Bill Texas Chain Saw Massacre 2 Moseley) holding a gun to a cop’s head and it sits there with 20 full seconds of complete silence and stillness before he executes him.

That movie was pretty good, I liked it overall for it’s spunk and what not, but it was real sloppy and uneven. And that “I Remember You” scene was the one part where the director, a guy named Rob Zombie (yeah I know, I think it’s Hungarian or something), seemed like a real filmatist. Well good news, Mr. Zombie’s new one THE DEVIL’S REJECTS is not as much a sequel to HOUSE OF 1,000 CORPSES as it’s a sequel to that scene. It’s about the brother of the first cop killed in the montage hunting down the Fireflies for revenge. And all the sudden the Zombie guy knows what the fuck he’s doing: real good framing, way better acting, expert use of slow motion and effective montagings edited to old country music, blues and classic rock. Very dirty and raw, lots of ’70s techniques like Peckinpah slo-mo and fancy wipes. Kind of what Jim Van Bebber was going for with THE MANSON FAMILY. Maybe not quite as authentic but way better thought out and more involving. It’s almost changed genres – now it’s less straight up horror and more of one of those sicko ’70s serial killer/crime/road pictures, or a revenge picture like LAST HOUSE ON THE LEFT. It’s just as sick and inexcusable but more fun. (read the rest of this shit…)

Once Upon a Time in Mexico

Friday, September 12th, 2003

When last we saw the Mariachi, he had killed his drug dealer brother to avenge his lover’s death and the career-ending injury of his hand. He had found a new love (Carolina) and had indirectly caused the shooting of a little boy he had given guitar lessons to. He decided to give up violence, but only a little bit, so he kept his guitar case full of weapons “just in case.”

When we see him again in ONCE UPON A TIME IN MEXICO he has become even more mythical than before. Instead of having to send Steve Buscemi to bars to make up stories about him, the bartenders themselves tell the stories. His hand has healed so he can play guitar better than ever, in fact he likes to just walk around playing guitar even when people are trying to kill him. Robert Rodriguez knows how to make a hand made guitar look like the most beautiful thing in the world, so it’s good that the Mariachi is hiding out in a town of guitar makers who like him to test their creations. (read the rest of this shit…)