MATERIALISTS is a movie I missed in theaters, caught on blu-ray a while back, and this week it will start streaming on Home Box Office Maximum, if you want to catch it to. I really needed to see it because it’s the second movie from writer/director Celine Song. Her first was PAST LIVES (2023), which I didn’t review, but I loved it. It’s about an American woman (Greta Lee) reuniting with a guy (Teo Yoo) who she knew before her family left South Korea when she was little. He’s handsome and in love with her and reminds her of her roots, but also she loves her life and her boyfriend and oh man. It’s so good. Swooningly romantic, achingly beautiful, keenly observant, feels so true to people and to life, never like a formula. Why didn’t I write about it? Maybe I was afraid I couldn’t do it justice. I should watch it again.
Celine Song Joint #2 is pretty different. Another classy A24 production, but with beautiful movie stars* and a little bit of a satirical or social commentary aspect to it, in that it depicts a world of entitled people with superficial and unattainable demands for relationships. Madame Web herself Dakota Johnson (NEED FOR SPEED) stars as Lucy Mason, a top matchmaker for a New York City company called Adore. She has a great reputation for success, so her clients feel comfortable bluntly talking about people as lists of statistics: salary, net worth, race, age, weight, height. Most of it is very demeaning and presumptuous.
Everyone wants to marry rich, and Adore throws Lucy a party every time she hooks up a big wedding. At one of those (notch #9 on her belt) she tries to match the groom’s brother, Harry Castillo (Maxwell Lord himself, Pedro Pascal, THE GREAT WALL) with another client, but instead he begins pursuing her. (read the rest of this shit…)
