Chris Rock is kind of a weird dude in my opinion. Remember when he was first on Saturday Night Live? The guy didn’t seem funny at all, and they would just bring him out whenever they needed a black guy. It took a while but eventually he started to get better material and he really broke out, and when he left the show people really started to realize what a smart guy he was. His standup specials are great, his Chris Rock Show was great and he produced that movie POOTIE TANG which is one of the more madly brilliant cult hits of the past such and such period of time.
But despite all this his movie career is only a level or two above David Spade’s. His heart is in the right place but he ends up making corny shit like CB4. When he tries for more credibility he instead ends up in a god damn Kevin Smith movie. I guess NURSE BETTY was okay but still, the guy is obviously capable of so much more. (read the rest of this shit…)

Hey, everyone. “Moriarty” here with some Rumblings From The Lab.
Hey, everyone. “Moriarty” here with some Rumblings From The Lab.
You probaly haven’t heard of it but ALL THE REAL GIRLS is the new one from the young man who made GEORGE WASHINGTON. Maybe you never saw that one either, it was kinda weird because it wasn’t about President George Washington or peanut innovator George Washington Carver, it was about some kid. Maybe he grows up to be George Washington, I don’t know, I don’t get it. But it’s a unique and effective movie made by a young dude nobody ever heard of and somehow it got its own Criterion Collection dvd and many nominations for Independent Spirit Awards. Now the kid got the job of directing a movie of the book CONFEDERACY OF DUNCES, which people have wanted to do for years and years. We’ll see how that turns out, I think the kid can pull it off but who knows I only read half of the book.
Somehow this week I ended up seeing two independent movies starring Kieran Culkin as a troubled rebel kid in a private school uniform. That’s just the way life is sometimes, I guess.
Vinnie Jones was the highlight of LOCK, STOCK, AND ETC. ETC., playing the shotgun carrying thug who brings his son with him on the job (SEE: theory of badass juxtaposition; Vern, author). He had a very convincing tough guy, take no shit presence, and I’ve enjoyed seeing him in motion pictures since then, even though most of the british crime pictures that have come my way have been self conscious garbage trying to imitate that earlier picture. I know alot of you liked SNATCH but, I mean, jesus people. Let’s have some standards, is all I’m saying, in my opinion.
Well geez, it’s not too often you get this with a movie writer, but apparently this Charlie Kaufman guy can do no wrong. Between the brilliant BEING JOHN MALKOVICH and ADAPTATION and the underrated HUMAN NATURE and now this… I mean really, what more could you ask for from a writer? There is no other non-director writer working who has been so consistently inventive and surprising and at the same time so personal. In fact there are few who have ever worked who could be in this same category. These are all movies made by skilled directors but it is always the writer’s voice that comes through.

















