SPOILER ALERT !!
Hi, everyone. “Moriarty” here with some Rumblings From The Lab…
Holy sheeee-it, I love IRMA VEP by Oliver Assayas. Meaning I guess I think he’s a damn fine filmmaker, and worth payin’ attention to. And double holy sheeee-it with a side order of gawDAMN, but I love reviews by Vern. Put these two things together, and this one just might be my favorite article of the day…
Hey boys,
It’s Vern again, just checking in to tell you HOW DARE you say that about movie piracy on the internet, blah blah blah complete 180, hypocrisy, blah blah blah etc. I have been reading this sight every day for 7 years just WAITING to catch you fuckers saying something I disagreed with. FINALLY I have achieved my goal and you will be QUITE unpleasantly surprised when you read what I have to say in the talkbacks. I will spare no expense when it comes to calling Harry fat AND making fun of Moriarty’s last name. I will be VERY offended and outraged and demand accountability as if you were a president who had manipulated intelligence, repeatedly lied and presented crudely forged documents to justify invading a country, thus creating a quagmire in which american soldiers continue to die every day. (read the rest of this shit…)

Hey folks, Harry here… Underground Comix are one of the great joys on this planet, one that unfortunately… many in the world have not experienced. Most folks that know of Harvey Pekar, probably know of him via either his Letterman appearances long ago or his radio show. However, they are missing the glory that is AMERICAN SPLENDOR. A comic with his brilliant narrative and the illustrative talents of gods like Robert Crumb (you know him), Paul Mavrides (co-artist with Gilbert Shelton on some of the genius that is THE FABULOUS FURRY FREAK BROS.) and Frank Stack (those wonderful NEW ADVENTURES OF JESUS!) While I’m dying to see this film, having been a reader of AMERICAN SPLENDOR – pretty much all my life… at least since STAR WARS entered the world, I have one thing that I’m dying to see more than this flick… Next year’s edition of AMERICAN SPLENDOR – which will deal with Pekar’s experiences at Sundance, Cannes and whatnot. Could be AMAZING stuff. His Blog at
Hey folks, Harry here… With reports beginning to leak online that Sean Connery is now the man overseeing the editing of LEAGUE OF EXTRAORDINARY GENTLEMEN and a bizarre belittling of Norrington in the Post process on that film, it just sounds like a nightmare. I’m still pulling for a fun movie, but I recognize that there has been quite a bit of chaos behind the scenes on this film, and frankly… I’m saddened about it because I saw THE LAST MINUTE last year at Sitges and the film was quite wonderful. Norrington’s most complete film so far, stylistically unique as well as being emotionally satisfying and challenging. This was sent to Moriarty, but right now, Moriarty is recovering from a tragic fatal computer malfunction that seems to be putting into danger the fate of about 5 years worth of writing. He’ll be working to recover this information and will be offline for a bit while doing this. Let’s all wish him the best of luck. Meanwhile, here’s Vern with a look at Norrington’s THE LAST MINUTE…
Hey folks, Harry here – Actually, while Vern kinda rags a bit on this, I’m curious to see this for the exact same reasons stated in his opening paragraph… I’ve seen 28 DAYS LATER, CABIN FEVER, DADDY DAY CARE – but I haven’t seen CITY OF SARS (I hear that’s shooting in Toronto currently) or SINCE THE END OF THE WORLD and thus far… the best one is CABIN FEVER, and I’m sure it’ll remain, though I still think the best virus/end of the world flick is NO BLADE OF GRASS, but since 10 people have seen that… I’m probably in the minority there. Here’s Vern at the Seattle International Film Festival…
Harry here – the idea that this film is reviewed the same day I review FINDING NEMO disturbs me. I don’t know why, but be afraid of Vern. He sees disturbing things. Perhaps, he is a disturbing thing.
Hey folks, Harry here… Vern sent in a review for a movie I’ve just plum never heard of? From the sound of it, I’m shocked we haven’t. I mean a Bruce Campbell movie left uncovered by AICN? Hey Zeus Morales! Ya know? And with Don Coscarelli, you’d think Quint might’ve reported in, but that lazy bastard’s been holding out on us! Well, no more. Vern here is breaking what can only be a conspiracy of silence at the very heights of the corporate whores at AICN, and he’s breaking that door down to tell you folks for the first time about BUBBA HO-TEP… A film that studios everywhere are conspiring to keep from you. The bastards! Here ya go… Thank Beezlebub for Vern!
This might bother some of you but I just want to say it up front: put me in the camp of people who say the original MATRIX really is “the shit” as the kids say when they mean that it is not shit but actually the opposite of shit, which is I guess in this case THE MATRIX. Because what these boys the Wachowski Brothers did was an extremely well executed twilight zone concept for the post William Gibson days which also happened to be the perfect vehicle to combine over the top Hong Kong martial arts traditions with american actors and computer effects AND an appropriate metaphor for our times.
Hey folks, Harry here… Vern here caught THE REVOLUTION WILL NOT BE TELEVISED up at the Seattle International Film Festival and… well it’s turned him into an obvious Commie Pinko Anti-American Burn-In-Hell Lily-livered Cock-Sucker, like it did me back when I saw it. So those of you that like to belittle someone with information that you haven’t seen, go right ahead. The problem is this, after you see this documentary, it’s really hard to trust anything any media tells you… Including this site. More than anything, political parties and affiliations aside… This is all about questioning authority and looking for more information, even from this documentary. Stories are never as cut and dried as a 2 hour Documentary, but at the same time… the complications of what happened after the events in this film aside, what DID HAPPEN and WAS CAPTURED here is an astonishing and powerful work that all should see.
both directed by Martin Bell
Dear Mystique,

















