Recently some joker spread a phony story on the internet about how Kurt Russell had tricked Paramount into greenlighting ESCAPE FROM EARTH, a third Snake Plissken movie, as part of a three picture deal. I knew it was too good to be true, but I also know that Russell always says Snake is his favorite character he’s ever played, and he clearly loves working with John Carpenter. Carpenter could use a return to the big screen, and I wouldn’t be surprised if after Tarantino’s DEATH PROOF comes out next year (starring Kurt Russell as a killer stuntman and scored by Carpenter) there is a rise in popularity and nostalgia for the classic Kurt Russell badass roles. I think it would actually be smart to make a new Plissken movie right now as long as it wasn’t a huge budget and it wasn’t a rehash of the other two. So, their loss I guess. And the world’s.
Of course, reading this horse shit got ME nostalgic for the old John Carpenter badass movies, so I watched THEY LIVE again, because that’s my favorite (sorry Kurt). And then I did something I never did before, I watched ESCAPE FROM NEW YORK and ESCAPE FROM L.A. in a row, to get a better comparison. It’s sort of like one of those puzzles where there’s two similar drawings and you have to pick out what’s different. Hey, wait a minute, that baseball player is holding an ear of corn instead of a bat and shit like that. I don’t know if you’ve ever been to a doctor’s office, but they have Highlights there sometimes. (read the rest of this shit…)
After watching PREDATOR for the first time since the ’80s and realizing that it’s actually a good movie, I decided to watch PREDATOR 2. I never seen this one before and I knew the reputation wasn’t too good. More ominous, instead of John McDIEHARDTiernan the director is Stephen LOST IN SPACE Hopkins. Not lookin good.
or Max Von Sydow’s Badass Revenge
I SPIT ON YOUR GRAVE is one of the most notorious of the revenge pictures. Why? I bet it’s mostly because the title is so good. LAST HOUSE ON THE LEFT is a great title too, because it sounds cool but it doesn’t actually mean anything. It’s enigmatic. I SPIT ON YOUR GRAVE is the opposite approach, it’s blunt and harsh and to the point. Whoever this is that’s speaking the title, he or she DOES NOT like you. That much is clear.
Hi, everyone. “Moriarty” here with some Rumblings From The Lab…
If you read my LADY IN THE WATER review you might remember my tangent about a thing I saw on TV called “To Catch a Predator.” Well, HARD CANDY I guess must be the big screen adaptation of that show, but it also works as a prequel to X-MEN PART 3. Ellen Page, the girl who made a bitch out of Juggernaut, does the same thing here with a guy she believes is a pedophile. But instead of “Shadowcat” she’s called “Thong-Girl” and instead of walking through walls her power is tying up a guy and threatening to cut off his balls.
THEY LIVE is one of my favorite movies ever. It is probaly the very best version of a rare type of movie I love: the badass action movie that also works as a political statement. BILLY JACK may be more political, but it seems so self important and it has no sense of humor. THEY LIVE is kind of saying the same thing THE MATRIX is saying about a society brainwashed by media and advertising, but it’s saying more than that. It’s about the America of the Reagan years, when everything was geared to help the rich at the expense of the working class. Which for some reason seems awfully familiar today. Huh. Weird.
For me SNAKES ON A PLANE is like an ex-girlfriend: my feelings toward it are complicated. There is alot to say about my relationship with this movie, and I’m gonna try to say it all. But it all boils down to this: I used to think I loved SNAKES ON A PLANE, but now I just want to be friends.
PREDATOR starts out with a shot of an alien spacecraft jettisoning a shuttle towards earth. We just see it from the distance, there’s not alot of detail visible, but we don’t live under a rock, so we know what’s going on here. The extra-terrestrial hunting enthusiast known only as “Predator” is arriving on Earth. The human characters in the movie get all the screen time, but Predator gets the first shot, so we know this is really his story.
Hey folks, Harry here – with the latest from Vern. This time, Vern tackles the ever evolving career of one, Wesley Snipes. I miss Wesley Snipes. He was never just the muscle action guy and I kinda hate that THAT is what he’s becoming in these cheap straight to DVD flicks. Snipes is a dramatic actor of an immense amount of range. He just needs to calm down and begin straightening out a lot of the bad press he’s had – and just do the work. Put himself in some independent films – showing his range and humility and getting back to where filmmaker’s won’t be taking a “chance” directing him, but taking the OPPORTUNITY to use him. He’s incredibly talented, I just want to see that back on screen again. Here’s Vern to tell us if we see any of that talent in HARD LUCK…
