MIAMI VICE is the movie version of the old TV show from the ’80s about Crocket and Tubbs. It’s written and directed by Michael Mann, executive producer of the TV show, now known as the humorless, pretentious, talented jackass behind COLLATERAL, HEAT, etc.
Remember that show? We, as a nation, stopped wearing socks when that show came on. We stopped shaving. We started wearing pastel shirts under white Armani jackets. We drove Ferraris and had pet alligators. We listened to Phil Collins and Glenn Frey and all that shit. Our hearts pumped to the rhythm of Jan Hammer’s awesome electronic drum pads. It was who we were as Americans. At least that’s what I keep reading in reviews of this movie. Actually, it is partly true, everybody loved that show and people did try to dress up as the characters. Like you Star Wars freakos only it was considered legit. Everybody from little kids to old men in walkers was wearing those ridiculous white suits and sunglasses. Pretending to be an actor on TV pretending to be a cop pretending to be a drug dealer. It was a fun time and it might be fun to make a movie that transports us back to those days. (read the rest of this shit…)

Merrick here…
I COME IN PEACE aka DARK ANGEL
This is a pretty enjoyable, totally forgettable action movie directed by Dean Semler, a cinematographer who also directed Steven Seagal’s historic first DTV picture THE PATRIOT. The star is Howie Long, formerly of the Oakland Raiders, currently of the Radio Shack commercials. After a supporting role in BROKEN ARROW they tried to give him the football-star-to-action-star transition like they did to Brian Bosworth. The Boz never caught on big, but he was able to continue starring in DTV movies for several years after STONE COLD. Things didn’t work out that way for Howie, and this is his only starring role. I was gonna say he was more comparable to Lyle Alzado, but I just looked up Lyle and he’s starred in more than I realized. So I don’t know who he’s comparable to.
I enjoy a good pervy Larry Clark movie, but I don’t know many people who do. But never fear. I am here to tell you that this is his most accessible because it’s a whole movie based around how likable the characters are instead of how despicable they are. You actually root for these guys. It’s incredible.
M. NIGHT SHYAMALAN’S LADY IN THE WATER
and the rise of the American Furious Movement
Every once in a while I’ll get in a gentlemanly argument with a motherfucker about whether Michael Bay single-handedly ruined the future of action cinema forever, or whether he’s just an asshole. And invariably a Bay-defender will claim that although his movies are not fun to watch and you don’t know what’s going on while you watch them, Michael Bay “blows things up real good.” I think the idea is supposed to be that Regular Folk like to watch a big fiery explosion with no brains involved and if you got a problem with that you must be some kind of snob.
Two years ago, I saw and accidentally enjoyed the 2004 movie 

















