No, this is not the one where Adam Sandler has a magic remote control that he uses to conquer the world, that’s CLICK. This is CRANK, this is the one where Jason Statham (the Transporter himself) is a hitman who gets injected by high concept poison. It’s gonna kill him, but he figures out that it won’t finish until his adrenaline rate goes down. So he tries to run around, have sex, do coke and get in shootouts until he is able to get revenge on the poisoner. So it’s SPEED in a guy, with a side order of revenge.
An inventive thrill ride full of imagination and wit that keeps you constantly involved as it builds to an unbelievable climax… would be a good way to do this movie. Instead they went the DOMINO route of “if you throw every stupid show-offy technique you ever saw in a commercial at the screen, technically it counts as entertainment.” I think I know what they were thinking: he has to keep his adrenaline up, so the movie has to keep its adrenaline up too. But it’s flawed logic. THE JERK is about a moron, but the movie doesn’t have to be moronic. I don’t think SPEED had cameras flying around constantly to convince you that it’s about speed. If you show a guy in hospital gown zooming around on a motorcycle pursued by police, that is by definition somewhat exciting. But when you throw in unnecessary zooms and split screen and do a jokey flashback on one side and then freeze on a guy’s goofy expression and then switch it to black and white and then zoom into Statham’s chest to show an x-ray of his heart beating (a nod to the Furious Movement) AND you gotta throw in “exciting” guitar music made by a guy who used to be in Tangerine Dream who is now trying to rock out, it seems like you’re overcompensating. It isn’t exciting anymore, it’s just annoying. To me it’s another movie that has no build or rhythm at all, just the same frantic shit for 87 minutes straight. (read the rest of this shit…)

This is a movie that’s not on video as far as I know. In order to see it you either gotta travel through time, or you gotta deal with those seemy individuals who sail the seven seas putting the stuntmen out of work. Or at least the non-copyright holding movie transferers at 5minutestolive.com.
Ahoy, squirts! Quint here to quickly introduce Vern’s review of CASINO ROYALE… and his admission of the huge mancrush he has for Daniel Craig. I saw the movie last night myself and you can add my name onto the “loved it” lists… Eva Green is the pretty and Daniel Craig could kill Cancer. Good stuff… but you didn’t click on this headline to hear me talk. Here’s the main man, Vern!
SPOILER ALERT !!
THE PRESTIGE and MARIE ANTOINETTE double feature
I really don’t have a problem with America’s team captain, Paul Walker. Alot of people seem to hate this guy, but I think he’s pretty good at playing these straight laced hunky characters in movies like THE FAST AND THE FURIOUS and EIGHT BELOW. But I gotta admit, when I saw the trailer for RUNNING SCARED I thought it looked like the worst shit ever. Paul Walker doing an accent, playing a mob guy? I wasn’t buying it. It didn’t help that the trailer ended with mobsters trying to hit a glowing hockey puck into Walker’s mouth. Like it’s not enough to hit the guy in the face, they gotta make it visually appealing and EXTREME.
If you know your horror you know about Dario Argento, the crazy Italian fuck responsible for
The second ever film under the prestigious WWE Films banner is sort of a half-assed COMMANDO rip-off starring John Cena. Yeah, I never heard of him either but apparently he is or was the heavyweight champion, he has a rap album and his championship belt has a rotating thing on it like those asinine spinning rims that rappers use to dispose of some of their disposable income. But he doesn’t do anything that cool/asinine in this movie. Basically, imagine a bland clean cut muscleman with no personality, and the PG-13 action movie that would be built around him.
During my recent two-week TEXAS CHAINSAW binge I learned of the existence of this movie I’d never heard of before. It was written by Kim Henkel (co-writer of the original 

















