"CATCH YOU FUCKERS AT A BAD TIME?"

Switching servers

computerThe outlawvern.com technical squad (Chris – not pictured) has determined that moving to a new server will help us in our goal of bringing unparalleled filmatistic analysis to the ladies and gentlemen of the internet. The switch is planned for 11:30 pm eastern time Friday night, so there will be some downtime then while it takes place.

No big deal, I just thought I would give a heads up so all the weird automated spammers will know to get their “this is a very insightful blog, I will be visiting again! cheap acne medication!” posts finished before then.

Thanks everybody.

Party in Rio

tn_partyinrioCITY OF GOD, CITY OF MEN and NEWS FROM A PERSONAL WAR got me interested in what’s going on in Brazil. For further research I decided to check out this video I’d always meant to see, an enlightening travel documentary about Arnold Schwarzenegger visiting Rio De Janeiro during Carnaval.

You young people probly think Schwarznegger is merely the governor of California who used to star in great movies like COMMANDO and TOTAL RECALL, but in fact he is also the former Mr. Universe and notorious horndog. This was 1983, after CONAN THE BARBARIAN but before THE TERMINATOR, and it’s the sort of video that probly mostly played after midnight on Cinemax.

(You young people probly think Cinemax was merely a channel that showed movies. In fact it was what kids used to see boobs before the invention of the internet if they couldn’t find their dad’s stash of Playboys.) (read the rest of this shit…)

City of God and News From a Personal War

tn_cityofgodSomehow I made it to the futuristic year of 2010 without ever seeing CITY OF GOD. I don’t know, just one of those things I never got around to, like skydiving or owning a house. But hey, the rest of the world: you were right! This is a good one.

You remember it: Crime in the slums of Rio De Janeiro, etc. The filmatism is frantic: alot of quick edits, handheld cameras, montages with lots of closeups, even some bullet time-esque rotating cameras. Occasionally it’s disorienting (especially since I’m trying to read the subtitles) but I think it’s closer to Scorsese energetic edits than, you know, that slapdash post Michael Bay shit we keep getting. And in contrast with many of that type it’s not slick or digital, it’s grungy and organic. It’s shot on location in the real favelas, with a cast mostly of real slum kids. So it looks like nothing you’ve seen before. (Except CITY OF GOD, since you all saw it a long time ago. Sorry, I’m catching up. Or SLUMDOG MILLIONAIRE, since they used pretty much the exact same approach, just in a different country.) (read the rest of this shit…)

Capitalism: A Love Story

tn_capitalismI think the end of the Bush era killed most of the demand for left wing documentaries. I think I heard Robert Greenwald is managing a food co-op or something.

Remember when FAHRENHEIT 9-11 came out? It was a phenomenon. I remember I tried to get tickets online and literally every show in Seattle was sold out. I had to go out of town to wait in a long line to see it. It seemed like such a huge deal then because it was like shit, finally. Finally somebody saying something.
(read the rest of this shit…)

Bonnie and Clyde

tn_bonnieandclydeIt is a time of economic turmoil. The gap between the haves and the have-nots keeps getting wider and wider, like a hippopotamus’s mouth when he yawns. Hard-working people hit some bad luck and they lose their homes, property and life savings to the banks. Anger rises, and in the face of cruel systems too complex for guys like me to understand, it’s easy to fall into simplistic stick-it-to-the-man sentiment. These faceless institutions seem to be crushing people under their boots, and we want revenge. If a company can have the rights of a human being, it ought to feel the pain of a human being. We want it to suffer.

Am I talking about today? No, I’m talking about the Great Depression, as depicted in the movie BONNIE AND CLYDE. Arthur Penn directs Warren Beatty and Faye Dunaway as the legendary armed-robber couple whose sex appeal and brazen outlaw lifestyle made them a media sensation in the early ’30s. You know come to think of it though I did say “we” a bunch of times, as if I was talking about us right here, the people alive now, that seems a little misleading if I was really talking about the movie. We’re not in the movie, we’re in today. Wait a minute, maybe I really was talking about today? I think maybe I was. Ah, shit. I can’t remember anymore. I get them mixed up. Man, I really fucked up this opening. Forget about this. Let’s start over. (read the rest of this shit…)

Pretty badass, as far as stickers go

I got some new reviews on the way, but I figure as in-between conversation material it couldn’t hurt to post links to some odd Badass Cinema related materials like that Clint Eastwood letter. Today’s item is these Japanese Charles Bronson stickers.

click to see the whole sheet
click to see the whole sheet

If anybody knows where to get ahold of some of these fuckers, let me know. I have not historically been a sticker-user but if it ever did come up I would want these to be the stickers I would use. These would be good for if you were committing a series of vigilante murders and a police officer who looked like a young Christopher Guest identified you but decided to let you go, then you would send him a thankĀ  you card and decorate the envelope with a few of these for flair. But be careful about fingerprints in my opinion.

The Young Eastwood Chronicles

This websight called Letters of Note recently posted a letter they got ahold of from 24-year-old Clint Eastwood to Billy Wilder. Eastwood was trying to get the role of Charles Lindbergh in THE SPIRIT OF ST. LOUIS and wanted to let him know that he wasn’t happy with the quality of his screen test. It’s cool because it’s so polite and modest and also shows a young man striving for the excellence that we always see him achieve seemingly so effortlessly. This was 1954, before he’d done anything, including that lab coat wearing bit part in REVENGE OF THE CREATURE.

eastwoodletter

Click on it to see the original post which is more legible and includes a transcript.

–thanks to Laird

Collision Course

tn_collisioncourseAs a Chris Tucker fan in a white-people-heavy part of the country I too often find myself defending the kind-of-funniness of RUSH HOUR. I don’t love the movie or anything (MONEY TALKS is the real classic) but I have to admit that every time I come across it on TV I find myself laughing at the shit Chris Tucker says and saying, “I forgot how funny this was.”

I realize that you all think I’m crazy for that, so I got a new argument in defense of RUSH HOUR, and it’s called COLLISION COURSE (1989). You think RUSH HOUR is such a terrible movie – well, what about the version where instead of Jackie Chan it’s Pat Morita, and instead of Chris Tucker it’s god damn Jay Leno? This is a generic mismatched buddy-cop picture only made novel by the rare hero role for the famous Tonight Show host/usurper. It’s funny – not in the sense that the jokes are funny, but in the sense that it’s sometimes interesting to look back at older movies and remember what was considered cool or funny at that time. (read the rest of this shit…)

“Shot Me In the Heart” video

I’ve mentioned before my love of Wax Poetics magazine. So when they email me and ask me to post the video they made for a song from their 45 series I do it. (Well, this is the first time it’s happened. But so far that’s how it’s worked.) The song is by Adrian Younge and the Black Dynamite Orchestra. You may recognize it from the original score album.

The video doesn’t have Black Dynamite in it or anything, but it continues the movie’s dedication to period authenticity and could be said to be a film that exists within the world of BLACK DYNAMITE. You may notice that it is sponsored by Converse, but in my opinion it is better than THE SPIRIT.

http://youtu.be/mZHgvCQU6G8

link

Justified

elmoreleonardshowsI know some of you were planning to watch that new FX show JUSTIFIED – what did you think? I thought it was a good first episode, taking advantage of that good side of Timothy Olyphant that we enjoyed in A PERFECT GETAWAY and other things, the opposite of the one that was in HITMAN. The pilot was adapted from an Elmore Leonard story that I haven’t read, and the moronic neo-nazi villains are definitely very Leonard. So we’ll have to see how much of that flavor they can retain with their original stories. But they’re definitely off to a good start with Olyphant’s character, a marshal who’s tougher and smarter than everyone around him, and who gets sent back to Kentucky after his Old West mentality causes trouble in Tampa.

Favorite conversation: when he tells the Jamaican priest about going to a Peter Tosh concert (he wasn’t into it). Favorite scene (easy): when he not only steals the neo-nazi’s shotgun and puts him back in his car, but suddenly bangs his head against the horn.

The pilot reminded me of KAREN SISCO, a surprisingly good Elmore Leonard based show they had on ABC in 2003. Sure enough both are by the same director, Michael Dinner (Mad Magazine’s hilarious parody character of DEATH WISH director Michael Winner). I thought they could never replace Jennifer Lopez as that character from OUT OF SIGHT (still my favorite Leonard movie I think, although JACKIE BROWN is a contender), but after watching a few episodes Carla Gugino became the definitive Karen Sisco for me. It helped that they had Bill Duke as her boss and Robert Forster as her dad. And they did a good job of supplying the criminal-of-the-week characters with personality.

Every time Carla Gugino has another TV show I think “hey, maybe it’ll be a hit and they’ll finally release KAREN SISCO on DVD.” But it didn’t work for THRESHOLD and whatever other shows she was on that got cancelled. So now we’ll just have to hope this one hits big and causes a demand for other Elmore Leonard TV shows. Rights holders please note that Academy Award winner Kathryn Bigelow directed one episode. Let’s see that DVD.

And while I’m at it I never saw that MAXIMUM BOB show either. That was supposed to be pretty good, wasn’t it?