Part 5 is one of the less popular Freddy pictures, maybe because it made an admirable attempt to get beyond high school. It continues the story of Dream Master Alice and her boyfriend Dan (still played by the same actors, Lisa Wilcox and Danny Hassel) and their new circle of friends who replaced the dead ones. They are just graduating from high school, Alice and Dan are planning a trip to Paris over the summer, and early on Alice finds out that she’s pregnant. So they’re still teens but they’re dealing with some growing up type shit here.
The gimmick this time is that because she has a baby inside her, and because babies (according to the movie) dream all the time, she suddenly starts having Freddy dreams while awake. In the dream world the baby is a kid named Jacob and he does not have a positive male role model in his dream life so unfortunately Freddy comes in and takes advantage of that. You know how a bad uncle lets his little nieces and nephews drink beer, or helps them score pot? Freddy’s like that, he feeds Jacob the souls of Alice’s dead friends. I’m actually not sure what he’s trying to do – will this make the baby grow up into Freddy? Is he just trying to make the baby a killer like him? Or is he just pushing Alice’s buttons by messing with her kid? I don’t really know. (read the rest of this shit…)
People are always talking about “jumping the shark,” making fun of tv shows or movie sequels for trying to come up with new gimmicks to mix it up so they don’t just keep repeating themselves. In a horror series you’re gonna start shaking things up pretty quick. In HALLOWEEN they tried getting rid of Michael Meyers by part 3, though they brought him back for part 4. In ELM STREET 3 they added this idea of a group of kids who can dream together and all have different super powers in their dreams, and people liked that so they stuck with it. For FRIDAY THE 13th 4 they added a little kid (Corey Feldman), not to mention they changed who the killer was in part 2. The Chucky series turned into absurdist comedy by part 4.
“Montani semper liberi (Latin, “Mountaineers are Always Free”)”
THE SCORPION KING 2 RISE OF A WARRIOR is the story of a warrior who rises. In movies we’ve seen many people and things rise, including The Machines, Carlito’s Way, The Silver Surfer, Leslie Vernon, Taj, Cobra, the Lycans, Gator, Jack Johnson, and Fred A. Leuchter, Jr. But never before have we seen the RISE OF A WARRIOR.
Well, I gave up on Stephen Sommers after the rhythmless THE MUMMY so I never watched THE MUMMY RETURNS. But I have since learned to enjoy The Rock so today I finally got around to watching the prequel/spin-off THE SCORPION KING. It’s directed by Charles NIGHTMARE ON ELM STREET 3 Russell, so I didn’t have to break my Sommers boycott. And I’m glad I finally watched it. This is probaly the best riff on the CONAN THE BARBARIAN type of movie I’ve seen. Not as stylish or violent as 300 but a little more fun. And a hell of alot better than KULL THE CONQUEROR.
Well, shit. I’ve had this review done, but I was letting it sit and simmer or something. Or being too lazy to send it in. But now poor Isaac Hayes has died, so I better address that. Black Moses isn’t shown on the cover or in the trailer for this upcoming Steven Seagal DTV event, and that’s fair because he’s barely in it. But Hayes does in fact appear in a few scenes as “Coroner.” Seagal’s homicide detective character is buddies with Isaac, so Isaac is pretty liberal with letting him check the dead bodies for clues. I call him Isaac because that appears to be his name – Seagal’s character refers to him as “Is” (or “Eyes”). My theory was that Hayes was playing himself and that this is what he’s been doing in Memphis since quitting that snot-nosed cartoon you guys are so fanatic about. But maybe not.
THE DEAD POOL is the fifth, last, and worst of the DIRTY HARRY series. It’s still watchable because it’s Dirty Fuckin Harry, but it completes the pattern of each entry being not as good as the last.
I’m not sure what the title means on this one, but if it were up to me it would be called A DIRTY HARRY SALUTE TO DEATH WISH II. The three before this all felt like “DIRTY HARRY” but in this one he goes to San Paolo and all the sudden he’s in Charles Bronson’s jurisdiction.
Racially questionable double feature:
I’ve been sort of looking forward to this new STARSHIP TROOPERS, and if you got a problem with that too bad because I’ve gotten enough “are you gonna review Starship Troopers 3?” emails to know that we can take you. Ed Neumeier takes over as director this time, which means the satirical tone remains since this is the guy who wrote all three STARSHIP TROOPERS as well as ROBOCOP. And, uh, ANACONDAS: THE HUNT FOR THE BLOOD ORCHID. I didn’t know that, I just found that out on IMDB. Hmmm. I had not considered watching that one. This changes everything. This could be the big one.
