"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Drama’ Category

Funny Games

Wednesday, November 28th, 2007

Not funny ha-ha, though. This is a very simple, solid, unsettling Austrian picture from 1997. The director is Michael Haneke, who has since become real respected due to movies like CACHE. In this one a couple and their son arrive at their vacation home. We know they’re well-to-do not only because of the vacation home, but because they listen to opera music in the car and have a boat. Right after they get there father and son are putting the boat in the water, mom is talking on the phone, cooking some steaks, and a young man shows up at the door to borrow some eggs. He dicks around for a bit but before too long there are two young visitors, eight broken eggs, one broken leg and the family held hostage.

So most of the movie is spent in the house with the family sitting helplessly as their smug home invaders talk about games and bets and pretend that they’re being friendly. It is not graphically violent or shock value oriented like CHAOS or something. The cruelty to the characters and audience is mostly psychological. The most horrible stuff happens off camera. One scene focuses on one of the tormentors walking into the kitchen and calmly making a sandwich while the horror goes on in the other room. (read the rest of this shit…)

No Country for Old Men

Saturday, November 24th, 2007

A guide for enthusiasts of Badass Cinema

NO COUNTRY FOR OLD MEN is one of those movies that’s so quiet it can be uncomfortable to watch with an audience. Alot of scenes all you hear is the wind blowing lightly over the wide open Texas plains, or the cars driving past outside a motel room, along with every squirm, every sigh, every shoulder crack in the theater. At the end when I saw the music credit for Carter Burwell I honestly couldn’t for the life of me remember any point in the movie where there was music.

So it’s clearly a little arty, it’s not like anybody’s gonna mistake this for THE MUMMY RETURNS. Or for THE FRENCH CONNECTION for that matter. It requires a little patience. But there’s so much about it that’s so fuckin good that it will win over all kinds of people from all walks of life. At first. (read the rest of this shit…)

92 in the Shade

Wednesday, November 21st, 2007

This guy Don’s been bugging me to review 92 IN THE SHADE since he nominated it for the BADASS 100 update and nobody else had seen it. And it clearly sounded worth seeing but I think the title had bad associations for me because it reminded me of a porno this dude I used to work with liked to watch. That one was called 92 AND STILL BANGIN’. Don’s movie is alot better, in my personal opinion. Your mileage may vary.

The title probaly could describe the heat in Key West where it takes place, but the movie never really shows or mentions it being that hot. So it could also describe the tensions between the young man (Pete Fonda) back in town resuming his job as a fishing guide and his main rival (Warren God Damn Oates). That’s a hell of a ’70s cast already, and then you also got Harry Dean Stanton as another rival, Margot Kidder as Fonda’s girlfriend, William Hickey as his dad, Burgess Meredith as some other dude, even Joe “MANIAC” Spinell as a client. (read the rest of this shit…)

To Live and Die in L.A.

Wednesday, November 21st, 2007

I always knew the title to this one, because of that song by Wang Chung. But I never knew what exactly it was about. Turns out it’s loosely based on a novel by this guy Gerald Petievich. He was in the Secret Service, and the book was inspired by some of his experiences. So it’s supposed to be about the weirdness of that job, where one day you’re protecting the president of the United States and the next day you’re working for the treasury department so you’re just chasing some dude with counterfeit twenties.

This movie has the thumbprints of great filmatism smeared all over it. It has the kind of opening I’m a sucker for, the kind that throws you in the middle of something, sets the tone, then goes into the opening credits. Like a preamble or an overture. The main character Richard Chance (William Petersen) is on security detail for a Reagan speech (you just hear Reagan’s voice off screen, they don’t have Martin Sheen or anybody playing him). The guys are just kind of killing time when he notices something odd that leads him to the roof, where he finds an Islamic suicide bomber. (oh, shit.) He’s not able to talk him down but his partner climbs up the side of the roof and yanks the guy by the leg so that he explodes in mid-air, like a big balloon full of blood and chunks of meat. Then the two sit on the edge of the building to think about what has just happened. Chance says, “Let’s go get drunk and play cards” and it cuts into a stylish opening montage showing various images from the movie and that represent L.A. (read the rest of this shit…)

The Friends of Eddie Coyle

Thursday, November 1st, 2007

So there I was minding my own business, listening to an interview with Elmore Leonard. Suddenly out of the blue Elmore mentions this book I didn’t know about, The Friends of Eddie Coyle by George V. Higgins. He says it was a revelation to him, showed him that you could use profanity in a book and that you didn’t have to tell a straight forward story. And he calls it the best crime novel ever written.

So, through the miracle of opening another window, I ordered a used copy of the book before the interview was even over. Much later it arrived, then I read it, then I loaned it to somebody and his car was stolen with it inside and later they found his car and the car thieves didn’t take the book with them. Their loss, my gain, because Elmore Leonard was right, it’s a hell of a book. Pretty much the first half of the book is all conversations, almost no description. Later some robberies start happening and it turns more into a traditional book. But it doesn’t have your normal type of a story here. It’s more a portrait of these characters and it kind of shows the complexity of a network of criminals, snitches and cops. And it has a great ear for the dialogue. Higgins I guess was a lawyer before he became a writer, maybe he was around some of these guys. (read the rest of this shit…)

The Town That Dreaded Sundown

Wednesday, October 31st, 2007

This is the true story of a series of murders in Texarkana shortly after World War II. So it could also be called THE TOWN THAT COMBINED THE NAMES OF TEXAS AND ARKANSAS INTO ONE NAME AND THAT ALSO DREADED SUNDOWN. That doesn’t have the same rhythm to it though, I think they made the right decision.

This is a weird movie. It starts clunkily with corny narration about “the story you are about to see,” and the narrator pops up throughout the movie as if it’s an educational film. The actors in the small roles are obviously not actors, some of them are terrible. The filmatism is what you would call “crude and workmanlike” or maybe “serviceable” – although of course it’s a faded, full frame out of print VHS so maybe some day if they give it the Blue Underground or Dark Sky treatment it will turn out to be a fuckin masterpiece of photographical genius. (read the rest of this shit…)

Death Sentence

Sunday, September 30th, 2007

Kevin Bacon plays a regular ol’ businessman guy whose son is randomly murdered in a gang initiation killing/convenience story robbery by tattoo-having, muscle car-driving, meth-dealing fantasy skinhead gangsters. When it becomes clear that the killer will only get a few years in prison he decides not to testify so that the case will be dropped and then he hunts the guy down and murders him. That is why it is called DEATH SENTENCE. The end.

Wait, no. My mistake. There’s more. Even if it’s obvious, even if it’s corny, what makes this movie cool is the gimmick that the good guys and bad guys reflect each other. In the scene where Bacon’s son is murdered, the older gangsters call the killer “my boy,” like Bacon would’ve at his son’s hockey game. They’re proud of the little guy. You know what they say about gangs, even phony movie gangs like this: they’re like a family. Bacon has a family member murdered, so he gets revenge. But that means the gang has their family member murdered, they must get revenge on him, so they come after him and his other son and his wife, and then he has to get revenge on them for trying to get revenge on him for getting revenge on them. (read the rest of this shit…)

Uncommon Valor

Monday, August 13th, 2007

I don’t remember this one, but it was in a book about action movies I’m reading (Action Speaks Louder by Erich Lichtenfeld) and sounded pretty good. It’s one of those “Vietnam vets go back to rescue POWs” movies, but according to the book it’s the first one. And the weirdest part is that it’s from Ted Kotcheff, director of FIRST BLOOD, and made two years before George P. Cosmatos’s RAMBO: FIRST BLOOD PART II. Maybe that’s why Kotcheff didn’t come back for part 2, he’d already done that movie.

Of course, the feel is pretty different from RAMBO. And there are three major differences in the type of story we’re dealing with here. Number one, it’s a team movie, it’s not focused on one dude. Number two, these are normal vets who have gone back to civilian life, they are not maniacs who have gone on a rampage and must get a pardon to go on the mission due to their skills with explosive tipped arrows. Number three, they are privately funded, they are not working for the government. In fact, the government is trying to stop them from doing it (you know how those fuckin bureaucrats are, with their red tape and what not. It makes you so mad BRING OUR BOYS HOME! etc.) (read the rest of this shit…)

Piranha Part Two: The Spawning

Monday, July 23rd, 2007

After watching the TERMINATOR movies for the first time in years I was so excited about James Cameron I decided I should go back and re-watch the Cameron movies I didn’t like, see if maybe my perspective has changed. Maybe there was some magic there I just wasn’t picking up on.

So of course I had to go back to the beginning, the smash debut, the one that started it all for director James Cameron. Orson Welles started out with CITIZEN KANE, James Cameron started out with PIRANHA PART TWO THE SPAWNING. What can you say, man, it was a different era. (read the rest of this shit…)

Blue Steel

Thursday, July 12th, 2007

This is a suspense thriller from Kathryn Bigelow, the director of POINT BREAK and NEAR DARK, and one of the few women directors to get much of a chance in these types of movies. This one stars Jamie Lee Curtis as a just-graduated cop who, on her first ever patrol, has to shoot a guy holding up a grocery store.

Now first of all I gotta ask – why are there so many grocery store robberies in these movies? A reader named Jared pointed it out too because I recently reviewed STONE COLD and COBRA, both of which open with the hero going in to foil a grocery store robbery/shootout. Now this one too (and the last book I read, SIDESWIPE by Charles Willeford, also revolves around a grocery store robbery/shootout, although it’s at the end instead of the beginning, because it’s literature). The result here is the exact opposite of those other movies though: instead of a rebel cop who plays by his own rules she’s a straightlaced rookie who tries to do it by the book. Instead of having no consequences the incident could end her career. Talk about a double standard. (read the rest of this shit…)