"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Drama’ Category

To Live and Die in L.A.

Wednesday, November 21st, 2007

I always knew the title to this one, because of that song by Wang Chung. But I never knew what exactly it was about. Turns out it’s loosely based on a novel by this guy Gerald Petievich. He was in the Secret Service, and the book was inspired by some of his experiences. So it’s supposed to be about the weirdness of that job, where one day you’re protecting the president of the United States and the next day you’re working for the treasury department so you’re just chasing some dude with counterfeit twenties.

This movie has the thumbprints of great filmatism smeared all over it. It has the kind of opening I’m a sucker for, the kind that throws you in the middle of something, sets the tone, then goes into the opening credits. Like a preamble or an overture. The main character Richard Chance (William Petersen) is on security detail for a Reagan speech (you just hear Reagan’s voice off screen, they don’t have Martin Sheen or anybody playing him). The guys are just kind of killing time when he notices something odd that leads him to the roof, where he finds an Islamic suicide bomber. (oh, shit.) He’s not able to talk him down but his partner climbs up the side of the roof and yanks the guy by the leg so that he explodes in mid-air, like a big balloon full of blood and chunks of meat. Then the two sit on the edge of the building to think about what has just happened. Chance says, “Let’s go get drunk and play cards” and it cuts into a stylish opening montage showing various images from the movie and that represent L.A. (read the rest of this shit…)

The Friends of Eddie Coyle

Thursday, November 1st, 2007

So there I was minding my own business, listening to an interview with Elmore Leonard. Suddenly out of the blue Elmore mentions this book I didn’t know about, The Friends of Eddie Coyle by George V. Higgins. He says it was a revelation to him, showed him that you could use profanity in a book and that you didn’t have to tell a straight forward story. And he calls it the best crime novel ever written.

So, through the miracle of opening another window, I ordered a used copy of the book before the interview was even over. Much later it arrived, then I read it, then I loaned it to somebody and his car was stolen with it inside and later they found his car and the car thieves didn’t take the book with them. Their loss, my gain, because Elmore Leonard was right, it’s a hell of a book. Pretty much the first half of the book is all conversations, almost no description. Later some robberies start happening and it turns more into a traditional book. But it doesn’t have your normal type of a story here. It’s more a portrait of these characters and it kind of shows the complexity of a network of criminals, snitches and cops. And it has a great ear for the dialogue. Higgins I guess was a lawyer before he became a writer, maybe he was around some of these guys. (read the rest of this shit…)

The Town That Dreaded Sundown

Wednesday, October 31st, 2007

This is the true story of a series of murders in Texarkana shortly after World War II. So it could also be called THE TOWN THAT COMBINED THE NAMES OF TEXAS AND ARKANSAS INTO ONE NAME AND THAT ALSO DREADED SUNDOWN. That doesn’t have the same rhythm to it though, I think they made the right decision.

This is a weird movie. It starts clunkily with corny narration about “the story you are about to see,” and the narrator pops up throughout the movie as if it’s an educational film. The actors in the small roles are obviously not actors, some of them are terrible. The filmatism is what you would call “crude and workmanlike” or maybe “serviceable” – although of course it’s a faded, full frame out of print VHS so maybe some day if they give it the Blue Underground or Dark Sky treatment it will turn out to be a fuckin masterpiece of photographical genius. (read the rest of this shit…)

Death Sentence

Sunday, September 30th, 2007

Kevin Bacon plays a regular ol’ businessman guy whose son is randomly murdered in a gang initiation killing/convenience story robbery by tattoo-having, muscle car-driving, meth-dealing fantasy skinhead gangsters. When it becomes clear that the killer will only get a few years in prison he decides not to testify so that the case will be dropped and then he hunts the guy down and murders him. That is why it is called DEATH SENTENCE. The end.

Wait, no. My mistake. There’s more. Even if it’s obvious, even if it’s corny, what makes this movie cool is the gimmick that the good guys and bad guys reflect each other. In the scene where Bacon’s son is murdered, the older gangsters call the killer “my boy,” like Bacon would’ve at his son’s hockey game. They’re proud of the little guy. You know what they say about gangs, even phony movie gangs like this: they’re like a family. Bacon has a family member murdered, so he gets revenge. But that means the gang has their family member murdered, they must get revenge on him, so they come after him and his other son and his wife, and then he has to get revenge on them for trying to get revenge on him for getting revenge on them. (read the rest of this shit…)

Uncommon Valor

Monday, August 13th, 2007

I don’t remember this one, but it was in a book about action movies I’m reading (Action Speaks Louder by Erich Lichtenfeld) and sounded pretty good. It’s one of those “Vietnam vets go back to rescue POWs” movies, but according to the book it’s the first one. And the weirdest part is that it’s from Ted Kotcheff, director of FIRST BLOOD, and made two years before George P. Cosmatos’s RAMBO: FIRST BLOOD PART II. Maybe that’s why Kotcheff didn’t come back for part 2, he’d already done that movie.

Of course, the feel is pretty different from RAMBO. And there are three major differences in the type of story we’re dealing with here. Number one, it’s a team movie, it’s not focused on one dude. Number two, these are normal vets who have gone back to civilian life, they are not maniacs who have gone on a rampage and must get a pardon to go on the mission due to their skills with explosive tipped arrows. Number three, they are privately funded, they are not working for the government. In fact, the government is trying to stop them from doing it (you know how those fuckin bureaucrats are, with their red tape and what not. It makes you so mad BRING OUR BOYS HOME! etc.) (read the rest of this shit…)

Piranha Part Two: The Spawning

Monday, July 23rd, 2007

After watching the TERMINATOR movies for the first time in years I was so excited about James Cameron I decided I should go back and re-watch the Cameron movies I didn’t like, see if maybe my perspective has changed. Maybe there was some magic there I just wasn’t picking up on.

So of course I had to go back to the beginning, the smash debut, the one that started it all for director James Cameron. Orson Welles started out with CITIZEN KANE, James Cameron started out with PIRANHA PART TWO THE SPAWNING. What can you say, man, it was a different era. (read the rest of this shit…)

Blue Steel

Thursday, July 12th, 2007

This is a suspense thriller from Kathryn Bigelow, the director of POINT BREAK and NEAR DARK, and one of the few women directors to get much of a chance in these types of movies. This one stars Jamie Lee Curtis as a just-graduated cop who, on her first ever patrol, has to shoot a guy holding up a grocery store.

Now first of all I gotta ask – why are there so many grocery store robberies in these movies? A reader named Jared pointed it out too because I recently reviewed STONE COLD and COBRA, both of which open with the hero going in to foil a grocery store robbery/shootout. Now this one too (and the last book I read, SIDESWIPE by Charles Willeford, also revolves around a grocery store robbery/shootout, although it’s at the end instead of the beginning, because it’s literature). The result here is the exact opposite of those other movies though: instead of a rebel cop who plays by his own rules she’s a straightlaced rookie who tries to do it by the book. Instead of having no consequences the incident could end her career. Talk about a double standard. (read the rest of this shit…)

Bad Day at Black Rock

Wednesday, July 11th, 2007

A reader named Stephen A., and probaly some other people in the past, have been reminding me to watch BAD DAY AT BLACK ROCK, a classic 1955 badass picture from director John Sturges (THE GREAT ESCAPE, McQ). So I finally did. Thanks guys.

In a weird way the opening kind of reminded me of a great late ’80s, early ’90s action movie, because it’s widescreen with this train coming and SPENCER TRACY and everybody else’s names are in huge letters that fill almost the whole screen. Just like it would say STEVEN SEAGAL if that train was from UNDER SIEGE 2 PART 2: DARKER TERRITORY. (read the rest of this shit…)

Vern returns to tell you all about the new Wesley Snipes DTV effort: THE CONTRACTOR!!!

Monday, July 2nd, 2007

SPOILER ALERT !!

THE CONTRACTOR, which comes out July 10th, is probaly the best DTV Wesley Snipes picture so far. Sure, it’s got that usual DTV vibe – Avid farts, cheesy electronical music, somber tone, not gonna make you smile or laugh too much, definitely not original in any way. But for this type of movie it’s pretty solid, and it takes advantage of Wesley’s talents. He runs alot, he gets in some shootouts, some car stunts, one quick but impressive fight. But most of all they let him act. He plays the sort of quiet, unfriendly-but-ultimately-kind badass he excels at. He gets to communicate what’s going on with facial expressions and posture more than with words, which is his thing. He gets some good bonding moments, including with his adversary after he mortally wounds him. In a DTV movie if there’s anything other than black and white/good and evil, any grey area at all, it deserves a shiny star on its sticker chart. I like that kind of shit.

When I got a screener for THE CONTRACTOR I got kind of nervous because I hadn’t seen his last one, THE MARKSMAN. And since the front cover for THE CONTRACTOR calls him “the world’s greatest marksman” I thought this might be an unadvertised sequel like Seagal’s BLACK DAWN was to THE FOREIGNER. (read the rest of this shit…)

The Glove

Saturday, June 23rd, 2007

Like I mentioned in my review of WHO CAN KILL A CHILD? that should be running on The Ain’t It Cool News soon, I’m on the mailing list for this Dark Sky DVD label. So I get all these nicely packaged Italian horror obscurities and what not, and to be honest I haven’t watched most of them yet. I loan them to my horror watcher friends and hope they’ll tell me I got a must-see there. But that doesn’t usually happen.

For the batch that comes out this week though I found time to watch them and I was impressed. The one I had the highest hopes for was WHO CAN KILL A CHILD? which is a creepy sun-drenched Spanish horror movie in the vein of VILLAGE OF THE DAMNED. But I already heard that one was good before, so a more impressive find is THE GLOVE, the b-picture in their latest “DRIVE-IN DOUBLE FEATURE” along with SEARCH AND DESTROY. (read the rest of this shit…)