The Unborn

tn_unborn“From one of the writers of THE DARK KNIGHT” is David S. Goyer’s credit these days, but to me he’s still the guy who wrote the BLADE movies. Sure, he fumbled the ball as director of part 3, but it’s not as bad as everybody makes it out to be and definitely not bad enough to cancel his previous accomplishments. The first two BLADE movies are perfect badass storytelling. And he helped with those Batman movies, and with DARK CITY. I liked his BLADE tv show. I even liked his cheesy NICKY FURY tv movie starring David Hasselhoff. So I expect more good things out of him. I think he’s gonna do some good shit.

Hey, how about a PG-13 possession movie from Michael Bay’s remake outfit Platinum Dunes? What better way to show he means business? Hooray!

mp_unborn1Actually, despite all indications, this isn’t that bad. I think it has moments of greatness and that it has more thrills and imagination than most modern horror movies. As a director Goyer’s much improved. He’s got atmosphere and suspense and organically works in some really inventive digital (and sometimes rubber) monstrosities. I think he must’ve been working real hard on the directing though and didn’t get a chance to read over the script after he got to the end.

The idea’s not bad. It’s a Jewish version of THE EXORCIST. The lead (who looks too much like a model, but does fine anyway) has a weird experience with a goofy looking 4-year old she’s babysitting. He tells her “Jumby’s ready to be born” and hits her. After much hallucination and medical, paranormal and historical research she unravels a convoluted backstory involving her unborn twin, her secret grandma’s unborn twin, The Holocaust, and demonic possession. The script relies way too much on the grandma doing spooky narration to explain all the history and rules of the demonic business, and the more she gets into the story the more laughable it gets. It’s just too corny and convenient for her to explain everything, and I challenge you to still be taking it seriously by the time she gets to the part about Nazis doing experiments to turn brown eyes blue. It’s just too much and it’s not like DRAG ME TO HELL where it has a straight face but won’t mind if you laugh. This one invokes Auschwitz. It’s serious.

Plus, she learns that her parents never told her she was a twin, and that they would’ve named her unborn brother Jumby. And she doesn’t ask what the hell kind of name “Jumby” is other than a name out of some kid’s campfire ghost story. Who names their kid that? And then her is name is Casey. You know, the Beldon twins. Casey and Jumby Beldon. The poor kid goes to school, everybody’s saying “Mecca lecca hi mecca hiney ho,” asking him to grant their wishes.

(I talked to someone else who saw the movie and he said that Jumby was not their name for the kid but their nickname for the fetus. I can’t figure that one out either if that’s true.)

Okay, the more I think about it the more I think most people will hate this, and I can’t blame you. But let me just say this in its favor: it satisfies in the Crazy Fucked Up Shit department, a department ignored by many of today’s bland horror movies. I watched the unrated DVD cut but if it’s anything like most unrated cuts it’s probaly not too much more extreme than what they showed in theaters. If I’m right about that it shows that they’re really finding ways to work around the PG-13 rating, same way they work around any form of organized censorship. They’re not gonna get away with saying fuck two times or showing any pubic hair, but they can give your kids night terrors until they’re old enough to vote. They’ve really pushed the PG-13 rating in THE DARK KNIGHT, DRAG ME TO HELL, and I think WAR OF THE WORLDS might be the one that started this, that was pretty god damn harsh for your thirteen year olds. That’s kinda funny too because they created the PG-13 rating because they thought Spielberg was going too far with PG. Maybe they’re gonna have to create PG-15 for him and David Goyer.

Anyway, THE UNBORN starts with a great dream sequence: she’s out for a jog or walk or something, and she sees a kid’s glove abandoned on the concrete. Then she notices a ghoulish kid standing in the street, missing a glove. She looks at him, creeped out, afraid to say anything. Next thing you know he’s not a kid, he’s a dog standing there wearing a mask of a kid. (maybe she wasn’t looking closely enough at first.) She follows the dog into some woods, finds the mask abandoned in some wet leaves, so naturally she starts digging a hole with her bare hands and finds a monstrous dead-looking fetus. And then its eyes open.

It’s a great scene, like something out of the first NIGHTMARE ON ELM STREET, when the dreams were still surreal and not gimmicks. And the dog reminded me of that human-faced dog from part 2 that I forgot about until last time I watched it. My favorite part. We see other things throughout the movie, sometimes hallucinations, sometimes real: swarms of bugs, bugs crawling out of eggs (ooh, birth symbolism), a pitbull with an upside down head, an old man who contorts his body into a weird bug shape, a face that’s mostly teeth. Lots of new ideas for disturbing imagery, not just the old standbys. They got Gary Oldman and Idris Elba to play exorcists for credibility, but it’s these weird images that actually do the trick.

I’m not saying it’s a good movie, because I don’t think it is. But for the Platinum Dunes crime syndicate it represents a small step toward clean living. As far as I know it is not only their first non-remake but also for the first time employing the use of the human imagination. You (and especially they) could do worse than THE UNBORN.

This entry was posted on Thursday, July 9th, 2009 at 12:08 am and is filed under Horror, Reviews. You can follow any responses to this entry through the RSS 2.0 feed. You can skip to the end and leave a response. Pinging is currently not allowed.

15 Responses to “The Unborn”

  1. Apparently the Unrated version is only 52 seconds longer. But most of the changes are just a few frames longer. Of course the biggest changes are dialogue scenes, like it’s most of the time in Unrated cuts these days.

  2. “Platinum Dunes crime syndicate.” God bless you Vern.

  3. I think this movie is just okay but it dosent have the vibe of some recent remakes where it seems nobody gave a shit. I’m not sure if this is a writers strike movie but it may be. Still, it has interesting ideas and some nice imagery so I think it’s worthwhile.

  4. Hi Vern,

    your reviews are seriously, seriously the best.

  5. Take it back, Vern. BLADE 3 is every bit as bad as everyone says. Not only does it cancel out his previous accomplishments, it cancels out DARK KNIGHT too (for him).

  6. Vern, stop it! You liked Mirrors, Knowing and now THIS?! (Padme style) “You’re breaking my HEART!” Nah, just fucking with you. I seriously disliked all those three movies, but I could also see your points on why you kinda liked them. In this case the weirdness and imagination put into some of the images didn’t make up for the dumb shit the rest of the movie had. Plus, I hated the amount of jump scares and “oh it was a hallucination so the build up wasn’t going anywhere, let’s start again” crap.I did like the contorsionist grandpa, though. Cheers.

  7. Hey, I said it was a bad movie and why I thought that. But I wanted to point out the parts I liked too.

  8. I found The Unborn to be a saddening waste…

    of Remar.

  9. You gotta hand it to that poster though, you know with the mirror and her ass, also there was a ghost I think?

  10. I don’t get what’s so bad about Blade 3 either. Sure, Drake is pretty corny, but I liked the addition of the Nightstalkers and such. I actually seem to recall that Blade 2 was slated a lot when it came out, to the point that Del Toro had to defend himself for the film’s story by saying he may have directed it, but didn’t WRITE it. Did people retroactively like it because they liked Hellboy and Pan’s Labyrinth or something?

    Anyway, the Unborn: not interested in it at all, BUT couldn’t they make a Bubba Ho-Tep prequel based on a similar concept, Elvis fighting his stillborn twin brother’s ghost? That’d be good.

  11. People get pissy about Blade 3 because it is basically exactly what you would expect a sequel to Blade to be, except they had already made a sequel to Blade and it was pretty fucking great. It’s just a lousy movie that has a couple good moments but there almost all knock offs of the iconic moments from the first two.

  12. Christian Brimo

    July 9th, 2009 at 4:48 pm

    “Anyway, the Unborn: not interested in it at all, BUT couldn’t they make a Bubba Ho-Tep prequel based on a similar concept, Elvis fighting his stillborn twin brother’s ghost? That’d be good.”

    Oh hell yes! I think i read a sci-fi novel (Elvissy) where people from the future had to go back and time and stop Elvis’ evil twin (Aaron, duh) from fucking up time
    and i’m reading Stephen King’s The Dark Half, which i’m pretty sure involves Stephen King as Donald Westlake’s absorbed twin brother fetus manifesting as ‘George Stark’ (whoever Westlake wrote the Parker books under) as fake Parker and killing people
    I realize none of that made sense but I feel like I’m on Vern’s wavelenght

  13. CrustaceanHate

    July 9th, 2009 at 5:16 pm

    A big thing I liked about BLADE and BLADE 2 was the stoicism and cynical humour of Blade and the father/son relationship between him and Whistler. The Nightstalkers in BLADE 3 were okay but they didn’t have any of that, and the fact that they were so obvious in setting them up as a spin-off/heir to the BLADE series kind of annoyed me. I mean, Blade is way cooler than those turkeys.

  14. Why couldn’t Jumby just shut the fuck up and wait to be born? Seems stupid to alert the person whose womb you’re staying in that you’re evil.

  15. Vern, what do you think about this proposed prequel to BLADE that Norrington & Dorff are supposedly developing? I mean, why would we want to watch the “early days” of the villain from BLADE, but without BLADE?!!!! How can there be interest in a prequel but NOT another BLADE? If Snipes is the problem (as reports claimed during the making of part 3) then recast him. I don’t know, man, but it pisses me off that they think a movie about Deacon Frost [nice soap opera character name, by the way] would be a good idea.

    That first action sequence in BLADE (at the dance club with the blood fire extinguisher sprinklers) is probably the greatest, most heroic, most energized action scene in movie history. So there.

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