MIDSOMMAR is the new one from HEREDITARY writer/director Ari Aster. It’s about a group of drugged out (and in some cases horny) young people running into some craziness during a summer vacation, so hopefully nobody will pretend it’s not a horror movie.
It’s very much in the vein of Aster’s first one, because it has weird and ridiculously detailed cult rituals, meticulously designed sets and camera moves, slow ominous dread building to big/crazy/gory payoffs uncharacteristic of modern arthouse horror, superb acting performances, an emphasis on tense relationships and heavy emotions, and an undercurrent of dark, uncomfortable humor that got a bunch of big laughs in the audience I saw it with (though, if HEREDITARY is any indication, people will tell me I imagined that). So it’s a similar template, but a very different palette, because there’s nothing supernatural and there’s not much darkness. It takes place in an old-timey village in Sweden where everyone wears white, it’s sunny all day, and the nights are short and never get all the way dark. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.