"We're still at war, Plissken. We need him alive."

"I don't give a fuck about your war... or your president."

Posts Tagged ‘Sarah Paulson’

Glass

Monday, January 21st, 2019

Like many of you I was a pretty big fan of M. Night Shyamalan’s UNBREAKABLE when it came out in 2000. It was a different time. One year after THE SIXTH SENSE, the idea of Shyamalan as a master of suspense was not a punchline, and quiet, sad Bruce Willis characters were fairly new territory. It had only been about a month since the very first X-MEN movie came out, and would be years before Batman began and the Marvel Cinematic Universe followed, so when we were blindsided by the opening title card of oddly useless comic book statistics, and Samuel L. Jackson (THE SPIRIT)’s character proceeded to make grandiose generalized proclamations about the comic book mythology, it was semi-forgivable. The ads gave no hint of this, but the movie took the idea of super powers and put them in a grounded suspense thriller context that felt like a pretty new combination of flavors at the time.

Sixteen years later Shyamalan had been a laughing stock far longer than he’d been a respected auteur, and the popularity of SPLIT counted as a comeback. Though I found the “oh, this was actually a super villain origin story” ending a little anti-climactic, I thought most of the movie was effectively creepy and I was really impressed by James McAvoy’s playful turn as the many personalities of “The Horde.” And of course I enjoyed the wacko reveal at the end that it was I DON’T THINK THIS IS A SPOILER ANYMORE taking place in the same universe as UNBREAKABLE.

Now, finally, Samuel L. Jackson is… GLASS. Except he gets a “with” credit. McAvoy gets top billing, because he does the most acting, by many different meanings. (read the rest of this shit…)

The Post

Monday, February 12th, 2018

THE POST is Spielberg’s newspaper movie. Specifically it’s about the Washington Post in 1971 struggling for relevance, banned from a first daughter wedding, in the process of taking an inherited family business public, when suddenly their more exalted rivals the New York Times get a court injunction for breaking the story of the Pentagon Papers (a secret study proving that the government had known for years that the war in Vietnam was unwinnable and stayed in just to put off the humiliation of a loss). Can The Post’s reporters get ahold of these Papers for themselves, will they have the balls to print a story about them, and will they get away with it? I think you know the answers, but tune in to find out how it goes down.

Like LINCOLN or MUNICH, this is one of Spielberg’s very good grown up movies that doesn’t necessarily light the world on fire, seems destined to be buried in his catalog of iconic classics, but gets some nice reviews and an “it’s an honor just to be nominated” slot in the best picture category at the Oscars. Another movie like that was BRIDGE OF SPIES, the year SPOTLIGHT won best picture. SPOTLIGHT was a good movie with a big cast doing great work in a story about the importance of journalists uncovering dangerous secrets and standing up to powerful institutions that have covered up their own complicity in atrocities. THE POST is all those things with the added bonus of being thrilling and cinematic. Spielberg might be doing a smart-people-talking-and-figuring-things-out movie, but he’s gonna do that with an eye for imagery, period detail, and visual explanations of processes: stealing and reproducing a massive document, puzzling together the order of said document when the pages get mixed up, delivering a message across town, creating the plates to actually print a newspaper, running the printing press, the list goes on.

(read the rest of this shit…)