THE WOLF OF WALL STREET is the incredibly entertaining new movie from director Martin Scorsese (Michael Jackson’s BAD), based on the memoir of scumbag fraudulent stockbroker Jordan Belfort (executive producer of SANTA WITH MUSCLES), adapted by Terence Winter (writer of a 50 Cent video game and 2 episodes of The Cosby Mysteries). Leonardo DiCaprio (POISON IVY) plays Belfort in the saga of his meteoric rise from innocent Wall Street rookie to multi-millionaire cokehead innovator in greed and callous thievery. After THE GODFATHER and all these other classics that show how organized crime operates like a business, here Scorsese flips it around to show how business acts like gangsters.
Man, we take it for granted after so many big, showy movies with great directors – or we don’t want to admit it ’cause he’s still got kind of a baby face and we remember when he made the teenage girls faint in their pants – but jesus, DiCaprio sure has turned into a good actor. WOLF is Scorsese picture #5 for him, and it seems for a while like he’s mostly doing his usual moves. He’s got the intensity, the energy, the accent that’s old timey and not very naturalistic but he goes so all-in that I buy it, the face that teeters between boyish and Benicio Del Toro. Early in the movie he even crash-lands a small aircraft and stumbles away, as if he’s doing callbacks to THE AVIATOR. He should do that in all his movies, it could be his “I’ll be back.” (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.