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Posts Tagged ‘Denzel Washington’

The Mighty Quinn

Thursday, February 21st, 2013

tn_mightyquinnTHE MIGHTY QUINN is a 1989 Denzel joint where he does a Jamaican accent. Or maybe it’s a Jamaican-ish accent, because it takes place on a fictional Caribbean island, where Denzel’s character Xavier Quinn is the chief of police.

One day a white guy at the rich white people resort gets his head chopped off, and the white guy in charge blames it on Quinn’s irresponsible childhood best friend Maubee (Robert Townsend). All the authorities are convinced except Quinn, who’s a little unsure at first and alot unsure the more he investigates and uncovers a conspiracy.

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Flight

Sunday, February 17th, 2013

tn_flightI wish FLIGHT was called BAD PILOT and marketed as an outrageous comedy. It kinda follows the BAD SANTA and BAD TEACHER model by showing this guy (Denzel Washington, RICOCHET) who is in this occupation (commercial airline pilot) and ruffles alot of feathers with his irresponsible drinking and drugs and being an asshole. In fact, he ingests almost a BAD LIEUTENANT worthy amount of intoxicants. And like Bad Santa, who liked to buttfuck plus-sized ladies in the dressing rooms, or Bad Teacher, who seduced Justin Timberlake into a wild dry-sex romp, this guy is fuckin around, but just with a super hot flight attendant (Nadine Velazquez, BLAST) who gets listed first in “in order of appearance” credits because one of her breasts is the first thing we see in the movie.
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Crimson Tide

Friday, September 21st, 2012

What more high pressure situation could there be than two men in a submarine arguing over whether or not to launch a nuclear missile? I guess the only thing that would make it more tense would be if they also had to get home in time for a kid’s birthday party. Luckily the birthday party happened at the beginning of the movie, right before they were deployed to take part in “the worst standoff since the Cuban Missile Crisis.”
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Unstoppable (2010)

Tuesday, February 15th, 2011

tn_unstoppableAfter the one-two Avid fart punch of MAN ON FIRE and DOMINO, I swore off Tony Scott for life. Or, it turns out, for five years. Those two movies sounded up my alley but they were brutally murdered by Scott’s reckless disregard for visual storytelling. I just couldn’t trust him anymore, even if the movie sounded good, which his last couple have not, even if everybody said he calmed down a little.

Now, through the combined magic of blu-ray technology, boredom and Christian forgiveness, I have given Tony Scott another shot with the Denzel Washington-Chris Pine-speeding train motion picture UNSTOPPABLE. The bad news: I didn’t like the movie enough to justify ending my boycott. The good news: at least he’s curbed his instincts to mark his territory by stylistically peeing all over every frame of film.
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Book of Eli

Thursday, January 21st, 2010

tn_bookofeliEverybody loves Denzel Washington, including me, but I’m not 100% sure why. I mean, he’s a real good actor. Shoulda got an Oscar for MALCOLM X. Was good at chewing it up in TRAINING DAY when he did get the Oscar. He’s just so great at playing intelligent, strong, capable. But the weird part for someone as popular as him is that he’s not so big on playing likable heroes. His usual character is intense but mostly humorless. Kind of self righteous. Kind of a dick, if you think about it.

So it was pretty brilliant to cast him as a lone samurai walking through a post-apocalyptic wasteland on a mission of faith. The Denzel persona is much more endearing when he doesn’t just give verbal beatdowns, but full-on swordsman massacres. Actually he’s a little different in this one too – quiet and kind of crazy from being alone. (read the rest of this shit…)

Malcolm X

Friday, November 28th, 2008

The first actor you see in MALCOLM X is not Denzel Washington, or even a kid playing a young Denzel Washington. It’s Spike Lee getting his shoes shined, then strutting across the street in a zoot suit. As if to say, “Yep, after a long fight to be hired by the producers, struggling to shoot the movie, fighting the studio for the 3 hour running time, gathering donations from black celebrities for completion funds, here I am. Playing Malcolm X’s best friend Shorty. Welcome to my movie.” The audacity makes me laugh, but oh well, it works.

This is by far Lee’s most Serious and Important film, but there’s some fun to be had early on. In his youth Malcolm went to dances, tried to look good and pick up women, and Lee couldn’t resist an epic lindy hop sequence that’s incredible to watch. Hard to believe people used to know how to dance like that. I wonder how many people landed on their heads? (read the rest of this shit…)

Ricochet

Wednesday, July 23rd, 2008

I think I saw this movie back when it came out and I remember it just being ridiculous, but seeing it again I thought it was a good ridiculous. The movie begins with a melodramatic Hitchcock style credit sequence, but then cuts straight to Denzel Washington, Ice-T and Kevin Pollack playing very aggressive basketball on a playground. As far as I know this one is one of only a handful of movies in all of cinematic history that begin with those three guys playing street ball.

I like this scene because it very quickly sets up most of the major players in the movie while also establishing just why the movie is cool. For one thing, the director is Russell RAZORBACK Mulcahy, video director turned movie director who is fond of fancy hotshot camerawork. But this is 1991, still firmly in the naive days when a director followed a code of honor that they were expected to provide visual clues to the audience to understand what the fuck is going on. For some of you younger individuals it’s probaly hard to imagine, but the camera is flying around in such a way that it enhances your enjoyment of the movie, instead of pissing you off. This starts in the basketball scene with the camera somehow following right behind Denzel as he weaves through the other players and slam dunks. (read the rest of this shit…)

American Gangster

Monday, February 18th, 2008

I haven’t been big on Ridley Scott post-ALIEN, but when I saw he was doing the real-life gangster epic starring Denzel Washington – the one I already wanted to see when it was Antoine Fuqua that was supposed to direct it – man, I was excited. And the trailer looked great. And then it came out and without exception everybody I knew who saw it said “yeah, it was… pretty good.” Suddenly there was less urgency to see it, and I watched other movies, wrote some stuff, maybe took some naps, ate some food, and then it was gone.

Well, maybe it was for the best. Now I watched it with lower expectations, in its 20-minutes-longer UNRATED EXTENDED CUT (4 minutes shy of 3 hours) and I have to say I really enjoyed it. I see your “yeah, it was… pretty good” and raise you a “it was… pretty fuckin good.” I am proud to review it alongside such other great American films as AMERICAN PIMP, AMERICAN PSYCHO and AMERICAN NINJA. (read the rest of this shit…)

Inside Man

Sunday, March 26th, 2006

INSIDE MAN has gotta be Spike Lee’s most mainstream joint ever. It’s a gimmicky bank robber thriller, not the type of story and characters he as a jointmaker is known for. You can go down his entire jointography and he’s never done this type of movie – it’s not as gritty and realistic as CLOCKERS, it’s not as meandering and novelistic as THE 25TH HOUR or SUMMER OF SAM, it’s not something he seems to be as passionate about as say MALCOLM X or the Jackie Robinson movie he’s been talking about doing for about 500 years that now is gonna be a Robert Redford Joint. (Yeah right Robert Redford, you had no idea Spike Lee wanted to do a Jackie Robinson movie. Who would’ve ever known Spike was interested in that sort of thing?)

So it’s not pure 100% grade A Spike Lee Joint which accounts for its lack of greatness, but I think it’s also kind of a good thing for Spike. He’s never made a movie completely lacking in merit (well, I haven’t seen SHE HATE ME yet) but he seems to get less and less focused as he gets older. Maybe doing one mainstream thriller will get him back in the mode of telling a somewhat concise story. I don’t know. (read the rest of this shit…)

Man on Fire

Wednesday, October 13th, 2004

I gotta question I was wondering about. If you had to choose one Scott brother that was better (or not as bad), which would it be, Ridley or Tony? On one hand, Tony has never made a truly great movie like ALIEN or, you know, BLADE RUNNER is a good one too in my opinion. Both by Ridley. Tony’s got nothing on that level. But on the other hand, Tony has a couple okay movies: TRUE ROMANCE and CRIMSON TIDE are both pretty okay. I’m looking on IMDB here and– okay wait a minute, Tony Scott did TOP GUN? I forgot about that one. Never mind. I guess I choose Ridley. Congratulations on this great achievement, Ridley. I remember you seemed pretty pissed off that you didn’t get the best director Oscar for that corny gladiator movie you made. Maybe this great honor will cheer you up. Way to go, champ.

So I guess that makes Tony the underdog here, and he had one this year called MAN ON FIRE that seemed to show some promise as a film of Badass Cinema. Academy Award Winner Denzel Washington (“You shot me in the ass!”) plays an alcoholic ex-CIA killer guy who’s hard up for work so he becomes a bodyguard for a little girl in South America. People get kidnapped there more often than they don’t get kidnapped, so next thing you know she gets stolen and this motherfucker stops at nothing to get her back and/or torture, maim and murder the people responsible. And I don’t know if you ever saw the poster for this one but it was real good. No collage or nothing, just one giant picture of Denzel wearing a suit and sunglasses, looking real tough. Behind him you see nothing but fire and smoke, and he’s standing half way in front of this little girl, holding out one hand in front of her, and she’s wearing a private school uniform and hugging a teddy bear. (You know, for emphasis.) It’s like Chow Yun Fat with the baby on the HARD BOILED poster, only 9 years later. (read the rest of this shit…)