“I’m Paul Barlow, and this is my daughter Jo.”

“Malone.”

“You got a first name?”

“Yeah.”

Posts Tagged ‘Chris Miller’

Spider-Man: Into the Spider-Verse

Thursday, January 3rd, 2019

SPIDER-MAN: INTO THE SPIDER-VERSE is the 7th motion picture starring Spider-Man (not counting unauthorized Turkish ones), the second Sony In Association With Marvel movie of 2018, and probly only the third biggest Marvel Comics movie of its year. But I honestly think it’s revolutionary. Not necessarily for super heroes – its story of colliding alternate dimensions is clever, but built on familiar comic book traditions – but for animated features. Somehow Sony, who had been considered so clueless about what to do with Spider-Man that they had to farm him out to Marvel, found people who knew how to celebrate the vast history, meaning and potential of the character in a completely new cinematic way.

So much has been done in computer animation since TOY STORY. There have been many great achievements in the form, including two funny super hero movies in the INCREDIBLES series. But the kineticism and print-inspired graphic playfulness of SPIDER-VERSE feels completely new. The Spider-men-and-women run and flip and swing and glide in exaggerated splash page poses true to the history of cartooning but rarely possible in computer models. They’re (mostly) rendered in three dimensions, but with line art details and outlines and Zip-a-Tone dot shading. Some shots or characters are done in traditional hand drawn animation. Backgrounds sometimes have spray paint coloring in honor of the movie’s graffiti writer protagonist. Comic book description boxes, sound effects and motion lines – most importantly Spidey-Sense wiggle lines – appear on screen. The filmatism includes split screens, pseudo time lapse, jump cuts and hotshot flying camera moves that seem more at home in this cartoony animation than in the special effects movies where they have to pass for live action. (read the rest of this shit…)

Solo: A Star Wars Story

Friday, May 25th, 2018

Note: I believe I’ve seen the Mario Van Peebles version, but I don’t remember it at all, so I won’t be able to make a comparison.

SOLO: A STAR WARS STORY is the movie about Han Solo when he was a little younger than in STAR WARS. This is a generalization, but I’m gonna go ahead and say that no one in their right mind wanted to see a movie about young Han Solo. The only exception is George Lucas, who actually had Lawrence Kasdan writing this before he sold everything to Disney. I’m guessing it was his idea of what the fans who hated his prequels wanted to see.

The trouble is that if there was one Star Wars character who would be the MOST difficult to recast, it would definitely be Han Solo. This is a character that’s all about the specific charisma of Harrison Ford. If Kurt Russell or somebody had gotten the part then it might’ve still been a cool character, but it would not be the same. And you can’t re-create that. You can’t reverse engineer it.

So, with that in mind Alden Ehrenreich (the funny cowboy actor from HAIL, CAESAR!) has done as good a job as one could hope in an impossible task. He only looks a little like him and only sounds a little like him, but he gets some of his mannerisms, some of his attitude, some of his charm without ever seeming like he’s doing an impersonation. (If there’s one area in which it’s an uncanny reproduction I’d say it’s in his gun poses, which always look ready for a promotional poster.) (read the rest of this shit…)