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Posts Tagged ‘Wesley Snipes’

Boiling Point

Sunday, April 27th, 2008

Some individuals have been writing to me asking for me to “go on record” about Wesley Snipes getting sentenced to three years for not filing his tax returns. I don’t know, man. It seems to me like a bullshit sentence. You can skip down a couple paragraphs to get to BOILING POINT but I’ll say a few things here by request.

I got mixed feelings about taxes. On paper I believe in them strongly. I mean somebody’s gotta pave the fuckin streets so you hot shots can drive around on them. I like having electricity in the street lights. There’s alot of anti-tax sentiment here in Washington, there’s a rich prick who has made himself richer with a for-profit company that every election files a bunch of anti-tax propositions. They usually get shot down as unconstitutional but they’re popular so the state government ends up following them and the next thing you know the fuckin library is closed two months out of the year and the bridges are ready to collapse with no money to even tape ’em up with duct tape and there’s twice as many homeless people sleeping on my street and everybody is confused. WHY is the soccer field by my house closed?! I demand justice! … What’s that? Lower property taxes? Of course, where do I sign? (read the rest of this shit…)

Vern’s DTV Triple Header: LUNDGREN vs. SNIPES/STATHAM vs. SOME DUDE FROM TV I NEVER HEARD OF!!!

Thursday, April 3rd, 2008

I try to watch alot of DTV movies, but I don’t always succeed. Most of you have probaly never watched them, and you may assume that they are very good and enjoyable, and capable of adding meaning to one’s life. However, this is almost never the case. In the world of DTV filmmaking it seems pretty clear that nobody gives a shit. Most of them are trying to just reach 90 minutes and throw the shit on a shelf. You could argue that more effort goes into pornography, since some poor girl has to take it in the ass. That’s elbow grease.

So this is an unusual couple of days because I’ve managed to watch a bunch of DTVs and all of them were actually okay. So okay, in fact, that I was able to watch them in two or less sittings. In this world that’s almost a miracle. Either that or I have somehow increased my attention span overnight. (read the rest of this shit…)

Vern returns to tell you all about the new Wesley Snipes DTV effort: THE CONTRACTOR!!!

Monday, July 2nd, 2007

SPOILER ALERT !!

THE CONTRACTOR, which comes out July 10th, is probaly the best DTV Wesley Snipes picture so far. Sure, it’s got that usual DTV vibe – Avid farts, cheesy electronical music, somber tone, not gonna make you smile or laugh too much, definitely not original in any way. But for this type of movie it’s pretty solid, and it takes advantage of Wesley’s talents. He runs alot, he gets in some shootouts, some car stunts, one quick but impressive fight. But most of all they let him act. He plays the sort of quiet, unfriendly-but-ultimately-kind badass he excels at. He gets to communicate what’s going on with facial expressions and posture more than with words, which is his thing. He gets some good bonding moments, including with his adversary after he mortally wounds him. In a DTV movie if there’s anything other than black and white/good and evil, any grey area at all, it deserves a shiny star on its sticker chart. I like that kind of shit.

When I got a screener for THE CONTRACTOR I got kind of nervous because I hadn’t seen his last one, THE MARKSMAN. And since the front cover for THE CONTRACTOR calls him “the world’s greatest marksman” I thought this might be an unadvertised sequel like Seagal’s BLACK DAWN was to THE FOREIGNER. (read the rest of this shit…)

Vern explores the bizarre mystery that is Wesley Snipes in HARD LUCK…. and the Snipes-less BLADE tv series!

Sunday, August 13th, 2006

Hey folks, Harry here – with the latest from Vern. This time, Vern tackles the ever evolving career of one, Wesley Snipes. I miss Wesley Snipes. He was never just the muscle action guy and I kinda hate that THAT is what he’s becoming in these cheap straight to DVD flicks. Snipes is a dramatic actor of an immense amount of range. He just needs to calm down and begin straightening out a lot of the bad press he’s had – and just do the work. Put himself in some independent films – showing his range and humility and getting back to where filmmaker’s won’t be taking a “chance” directing him, but taking the OPPORTUNITY to use him. He’s incredibly talented, I just want to see that back on screen again. Here’s Vern to tell us if we see any of that talent in HARD LUCK…

HARD LUCK

Well boys, time for another chapter in the ongoing drama THE MYSTERY OF WESLEY SNIPES, where we explore why a talented individual who starred in the three hit BLADE movies keeps doing nothing but straight to video. This new one, HARD LUCK, comes to video in October. While it’s not a particularly good movie, and it definitely shouldn’t be released theatrically, it’s at least a step up from the generic and sometimes horrible DTV action movies he’s been doing lately. It’s kind of a quirky crime movie with some occasional funny touches and an unorthodox (but not revolutionary) structure. The big news is that it reunites him with NEW JACK CITY’s Mario Van Peebles, who is director, co-writer and co-star of HARD LUCK. (read the rest of this shit…)

Vern returns to deliver the good word on Wesley Snipes direct-to-video flick 7 SECONDS!

Sunday, May 8th, 2005

Ahoy, squirts! Quint here with everybody’s favorite outlaw, Vern, a bloke that has a certain way about him… a certain quality in his written adoration of action stars and their direct-to-video adventures. I can’t get enough of this guy. You tell me Steven Seagal or Van Damme or now Snipes has a new direct-to-video actioneer out I don’t think I’d bother to read the whole title, but damned if I wouldn’t read a 2,000 word review on it if it were written by Vern. I have a feeling that Vern’s reviews (negative or positive) are better than most movies he’s reviewing. Anyway, here’s the man himself. Enjoy!

Dear Quint –

Or whoever’s home. I got an important dispatch for you from direct-to-video land. This one is regarding one called 7 SECONDS which I only care about because it stars Wesley God Damn Snipes.

That’s right, Wesley’s gone DTV. This is actually his second. The first one was called UNSTOPPABLE which is a good title for a Wesley Snipes film, except in that one his character really was pretty stoppable. Or at least nobody was really trying to stop him from doing anything, as far as I could tell.

[Before I go any further, I want to say upfront that this is gonna be an essay about Wesley Snipes as much as a review of 7 SECONDS. So I don’t want to see any wiseasses asking where the review is. But I probaly will.] (read the rest of this shit…)

King of New York

Sunday, April 17th, 2005

In this movie Christopher Walken plays Frank White who is the King of New York. He is not literally a king but actually some sort of crime boss of New York. He’s fresh out of the joint and unlike certain heroic individuals who choose to turn their life around and follow a path of Positivity, making the world a better place through art and culture, he decides to be king of new york. But he says he’s gonna build a hospital so that makes it okay.

The director is Abel Ferrara, an asshole director who I sort of like. I mean I never met the guy obviously but he’s one of those greaseballs like Vincent Gallo where, before you even see an interview with the guy, you just get the feeling he’s an asshole. In his movie DRILLER KILLER I didn’t even realize he was the star (he used a pseudonym) and I kept thinking this star really thinks he’s hot shit, it’s not just the character. What a fuckin asshole. But then I listened to the commentary track and heard Ferrara say the same exact thing about himself. So I had to like him. (read the rest of this shit…)

Unstoppable

Wednesday, December 29th, 2004

First, a haiku:

Enormous talent
Piddled away on this shit
Why, Wesley Snipes, why?

Wesley Snipes IS Unstoppable. And by that I don’t mean that he stars in some crappy straight to video action movie called UNSTOPPABLE, although that is also true. What I mean is, no amount of cinematic crappiness can completely extinguish Wesley Snipes’s fire. The guy is great in everything he does, from Spike Lee dramas to vampire movies. He’s great in all 3 BLADE movies, even though the third one isn’t as good. He’s great in that movie where he played a drag queen named Noxzema Jackson. He’s great in his cameo as a crackhead in ZIG ZAG. He’s great in the bad Walter Hill prison boxing movie UNDISPUTED (see above). And he’s great in this terrible straight to video action movie where he’s a traumatized veteran who gets injected with a drug that makes him think he’s back in the shit during the Bosnia conflict. (read the rest of this shit…)

Blade: Trinity

Sunday, December 12th, 2004

Man I tell you, I wish it was possible for lightning to strike 3 times in the same spot. It would be useful for many things including meteorological research and movie trilogies. But it’s not possible. Never happened. Not once. Only once has it hit the same exact place twice. And that place was the exact spot where Blade was standing at the time. Both times.

What I’m saying obviously is that BLADE III – and I will not call it BLADE TRINITY because what the hell kind of name for Blade III is BLADE TRINITY – is no BLADE or BLADE II. And there are many reasons why. The most immediate thing you notice: it just doesn’t look as good. Steve Norrington and Guillermo Del Toro were both so careful and artful. BLADE felt so exact and carefully composed, II was so spooky atmospheric with shiny gold tinted edges. III (directed by the guy Dave Goyer who wrote all the other ones but only directed the small indy drama ZIG ZAG) tries hard to imitate some of both of those looks. It has the same cinematagraphist as the last one, and I mean it’s not an ugly movie. But you can tell it’s not quite real. Not it’s own look, not quite capturing the previous looks. I think I read this was more expensive than the others but to me it feels cheaper. Almost like a really damn impressive TV version of the Blade universe. But not quite the real Blade universe. (read the rest of this shit…)

Undisputed

Friday, August 23rd, 2002

I decided a long time ago to stop reviewing prison movies. People always ask me what I thought of this prison movie or that. They recommended ANIMAL FACTORY and that was a real good one, but I don’t want people to take me more seriously about prison than they would other film writers like the guy from Entertainment Weekly or the guy from People Magazine and etc. Plus, why would I want to sit around and watch movies about a place like that anyway.

I made an exception for UNDISPUTED though because I been looking forward to this ever since I saw the trailer before BLADE II. The BLADE pictures made me love Wesley Snipes and I try to see any movie he does now, even if it looks like some asinine remake of ROCKY, but in prison. (read the rest of this shit…)

ZigZag

Wednesday, July 10th, 2002

Leguizamo, and Snipes, the box says. The Star & Writer of Blade & Blade II Reunite, the box says. For the first time in months, I think.

I don’t know, this is only a screener, maybe they’ll change the cover, which is colored like THE ROCK or TRAFFIC and just shows giant closeups of John and Wesley’s faces, lookin real serious. You have no fuckin clue what kind of movie this is. “One’s good. One’s bad. An innocent boy is caught in the middle.” Where’s the boy, then?

See, this movie is not a Wesley Snipes movie at all. He plays a crucial role but he’s only in a handful of scenes. Leguizamo is more important but the actual star is Sam Jones III. This young man plays a 15 year old autistic kid who’s bein looked after by Singer (Leguizamo), who named him Zig Zag and convinced him his talents were super powers. Wesley is great as Zig Zag’s dad, an abusive crackhead. The story is about how Zig Zag steals money from work, and then his dad steals it from him, but Singer doesn’t want Zig Zag to get in trouble so he tries to steal it back from the dad so he can give it back to the work and I mean, you know, complications happen. Not real spectacular complications, really, but complications. (read the rest of this shit…)