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Posts Tagged ‘Palme d'Or winner’

Titane

Friday, October 8th, 2021

TITANE is the ferociously unbridled, Palme d’Or winning second film from RAW director Julia Decournau. It’s bizarre and it’s intense and if you’ve heard anything about it you probly heard about an outlandish thing involving a motor vehicle that happens early in the movie. But regardless, if it’s something you’re expecting to see I recommend not reading anything about it, including this review, until afterwards.

If you should be turning back but haven’t yet, here’s the vague version. I’ve seen it called a horror movie, but it fits existing horror templates considerably less than even RAW did. I would describe it as more like a relationship drama in a surreal world, with a lead character who is intensely flawed, strange, and yet human. It has that transgressive non-literal adult situation that the Bible would be against had the technology existed at the time, some horrific violence, and some nightmarish violations of existing biological function. (I think the term “body horror” has become too much of a cliche so I’m trying to come up with new ways to say it when necessary.) But it settles down (sort of) into a story about extremely broken people finding each other and the miracle of unconditional love.

Seriously, just go watch the movie because if you don’t I’m about to ruin it by giving you the plot in the form of a TV Guide listing. (read the rest of this shit…)

Raw

Friday, October 1st, 2021

RAW is a 2016 French-Belgian movie I’ve been planning to see for years. All I knew is that it was something about cannibalism, directed by a woman (Julia Ducournau), supposedly made people faint at film festivals (haven’t we all?), and is beloved by many horror loving friends and critics, especially women. With Ducournau’s new one TITANE looking very promising even before it won the Palme d’Or (the trailer makes it look like Cronenberg meets Tarantino meets THE FAST AND THE FURIOUS) I figured I better catch up.

This is a great movie. The directorial confidence is immediately striking, but you have to flow with it a while to realize just how original it is, how much it doesn’t follow any existing template. Ducournau told The Guardian “It’s not even a horror movie, even though I love horror movies.” It’s a coming of age story about a young woman starting college, with very relatable emotions painted in extreme, horrific strokes. It definitely doesn’t follow any traditional genre structure. But Justine’s school troubles include some repulsive body horror, some gore, and yes, some munching on flesh. We’re not talking Leatherface style – more like impulsive biting. Snacking, really. The simplicity of it, and the time it takes leading up to it, investing us in the people who do it, is what makes it harder to take than in so many other movies. (read the rest of this shit…)