I watched EMILIA PÉREZ before the Golden Globes, because it was the movie with the most nominations. I figured that was a Globes-specific Netflix-is-good-at-marketing situation, because I’d only ever seen it trashed online, and not a single non-critic I talked to had even heard of it, even though it had been available on Netflix for months. But this morning the Oscar nominations were announced and it’s in the lead with 13 nominations, tying OPPENHEIMER, among others. Only ALL ABOUT EVE, TITANIC and LA LA LAND ever got 14. So oh jesus, I better finish this review and get it over with before The Discourse™ gets even dicier.
See, this is a touchy subject because it has made history by earning its star Karla Sofía Gascón a Best Actress nomination – the first ever for a trans woman – so I imagine as we speak word is spreading among bigots that they have always cared deeply about the fairness of women’s arts awards. And yet much of the criticism I’ve heard comes from trans critics. Note that it also tied most movies throughout history for the least GLAAD Awards nominations (zero). (read the rest of this shit…)
Well, unlike my first reviews of UNDISPUTED and UNDISPUTED II: LAST MAN STANDING, I’m perfectly happy with what I wrote when 
