June 19,1998
Here’s another last minute addition to the ’98 series in acknowledgment of the summer’s abundance of significant indie movies. I suddenly realized that HENRY FOOL being a Cannes-Film-Festival-best-screenplay-award-winning film from lauded (once lauded?) auteur Hal Hartley meant it fit right in with the other stuff I was writing about, and shouldn’t be skipped. All I really know about Hartley is my vague memories of liking THE UNBELIEVABLE TRUTH, TRUST and SIMPLE MEN when I saw them almost 30 years ago. I never saw this one until now, but I’ve read that it is his biggest box office success.
That’s surprising. HENRY FOOL is a very dry, often ponderous two hour seventeen minute sort-of-comedy that takes its sweet time getting to what it seems to be about before abruptly switching to something else for the last part. It’s raw, seems to be intentionally lacking in style or energy, at times slightly amateurish, even feeling in moments like a parody of indie movie pretension. Its two leads are an obnoxious prick with a sort of reverse charisma and a passive, inscrutable peon who barely talks, except to occasionally parrot some dumb bullshit that the other guy said that he should know better than to believe.
I kind of liked it though. (read the rest of this shit…)
Hey look, here’s a minor gem that I found via video store browsing. I never heard of it and it seems to have gotten not-great reviews and little mileage for its rookie director (despite having the audacity to have “a film by Oren Shai” not only on the cover, but the DVD menu). But it’s a solid and great looking little neo-noir kind of in the vein of 
