SCANNERS is a story about mutants with psychic powers, a generation of babies messed up by a medicine their mothers took, now grown and finding their brains too powerful, causing them to hear other people’s thoughts, and giving them dangerous powers like they can drop you to the ground with a nose bleed just by thinking about you too hard. If you get a greeting card from a scanner that says “Thinking of you,” take that as a threat. (read the rest of this shit…)
Posts Tagged ‘David Cronenberg’
Scanners
Thursday, June 3rd, 2010The Dead Zone
Monday, December 3rd, 2007
Revisiting THE DEAD ZONE for the first time since the ’80s is kind of a trip. I didn’t know who David Cronenberg was back then so I didn’t know it was one of the most commercial movies he’d ever make. No weird phallic lumps, all vaginas presumably in the right spots. It’s an eery thriller with a cold, wintery atmosphere and a good idea from Stephen King. If you don’t remember, Chris Walken is a guy who gets into a car accident, wakes up from a coma and soon starts having premonitions. Sometimes when he touches somebody he finds himself in some traumatic future event. So he uses this to save children, catch a killer, etc., and becomes a local hero.
Walken of course is real good. He’s such a weirdo, but he gets to joke around, be kind of a charmer, and also be pissed off at this turn of events that people tell him is a “gift” even though it’s ruined his life. Cronenberg plays up the tragic love story. Walken and his old girlfriend still love each other, but while he was in the coma she got married and had a kid. So it’s tough. Not much you can do there that’s gonna make you happy in the long run. (read the rest of this shit…)
Rabid and Fast Company
Sunday, November 11th, 2007
I always wanted to watch all of Dave Cronenberg’s movies in order, or at least the ones I haven’t seen or don’t remember very well, and I’m finally giving that mission a shot. This is only #2 and #3 here though so don’t start congratulating me yet. But here’s a look at some early Cronenberg.
RABID is typical of Cronenberg’s early work, because it’s about a girl who gets all worked up and bites people to death with the vagina she has in her armpit. FAST COMPANY is the least typical of all Cronenberg movies because it’s about funny car racing. That wouldn’t be a surprise if they were funny cars shaped like vaginas, but these are just regular funny cars with wheels and seats and everything. Driving fast. On race tracks. Etc. (read the rest of this shit…)
Shivers
Tuesday, October 30th, 2007
I cannot in good conscience recommend SHIVERS to everybody. In fact, I saw it a long time ago and didn’t get into it, but recently I felt like watching the early Cronenbergs again and this time around I enjoyed it. It’s Cronenberg’s first feature film and it is also known as THEY CAME FROM WITHIN, but should be called ZOMBIE PERVERTS or even FUCKED BY ZOMBIES.
Well, they’re not technically zombies. It’s about a sexually transmitted disease. I didn’t do this on purpose, but this is yet another apartment complex based horror. It takes place at this upscale complex called Starliner Estates, which is actually on an island so it’s isolated and has its own medical facilities and armed security. The lead is not your typical horror movie lead. He’s a middle aged doctor, head of the Starliner Medical Department, and he has some of the mannerisms of Gary Shandling. When the movie starts the infection in the apartments has already began: a former teacher of the doctor is attacking a woman in a school girl outfit. And he kills her and burns her with acid. Not cool. (read the rest of this shit…)
Eastern Promises
Friday, October 5th, 2007
Viggo Mortensen is a damn contortionist of the face. He stretches and twists that motherfucker from regular Viggo face into badass Russian gangster face. His eyebrows and the lines on his forehead turn into an arch. His mouth twists and curls into an arrogant smirk. The slash-like lines on his cheekbones suck extra deep into his skull. I could’ve sworn the motherfucker even created a dimple on his chin somehow, like through some weird breathing technique, but I checked photos and it turns out he already had that. But it fits his character well. That’s just the chin dimple a Russian gangster like that would have.
After all those years of great supporting performances, and then hitting the lottery by being the king that returned in RETURN OF THE KING, now he is getting the roles he was born for. A HISTORY OF VIOLENCE is my favorite of his movies so far, so I’m glad he’s reteaming with Dave Cronenberg here. Hopefully they will continue to collaborate for at least one more movie, it could be known as “the Viggronenberg Gangster Trilogy.” (read the rest of this shit…)
Crash (1996)
Sunday, January 29th, 2006
Since I recently watched that movie CRASH that Roger Ebert said was the best movie of 2005, I decided to finally go back and watch the original David Cronenberg version, which in my opinion is pretty fucking different.
This is the courageous story of a movie producer (James Spader) and his wife (Debora Kara Unger from STANDER and PAYBACK and THE GAME) and all the people they like to fuck from behind (various). The movie opens with Ms. Unger in an a hangar rubbing her nipple against an airplane while some dude licks her ass. And you can imagine where it would go from there (perverted car crashes, etc.). Very predictable, standard stuff. (read the rest of this shit…)
Brace yourselves! Vern reviews Cronenberg’s A HISTORY OF VIOLENCE!!!
Friday, September 23rd, 2005SPOILER ALERT !!
Ahoy, squirts! Quint here with our own Vern who tells ya’ straight about David Cronenberg’s A HISTORY OF VIOLENCE, a film I was scheduled to see last night, but I ended up sneaking into a test screening for a much anticipated horror flick instead. I figured I can see HISTORY OF VIOLENCE much sooner than I’d see this other film, so I ditched out of the screening. I’m dying to see it, though!
Now Vern’s review doesn’t go into any deep spoilers, but he talks about a little bit of stuff not in the trailer, so I went ahead and smacked a spoiler warning for the purists out there. As always, Vern did a bang-up job and wrote a piece that had me laughing along. Enjoy!
Harry and friends,
First of all Moriarty, to finish up that debate we were having over in your talkback, porn is not boring. At least not if you’re jerkin off to it. And if you’re not jerkin off to it you’re not giving the picture the respect it deserves. That’s like doing a crossword puzzle during a subtitled movie and then saying the movie didn’t make any sense. I know Alberto Gonzales recently declared a “war on porn” one of the administration’s highest priorities, but don’t write off the merits of hardcore porn without giving it a fair chance. Let’s show some class here, bud. That’s first of all. Second of all, I got a review of David (JASON X) Cronenberg’s excellent new picture A HISTORY OF VIOLENCE starring Viggo Mortensen. (read the rest of this shit…)
Jason X
Saturday, April 27th, 2002
JASON X is the future of slasher franchises left over from the ’80s, and not just because it’s about Jason Voorhees being frozen and defrosted in outer space 450 years later. No, this is the future because it finally figured out a good approach to keeping these stupid characters going. This isn’t trying to update things by infusing the same old crap with last month’s stale gimmicks. See for example the upcoming Blair Witch/webcast Halloween picture you see advertised before JASON X (although I do like seeing Buster Rhymes say “Trick or treat motherfucker!” – wouldn’t he make a better Dolemite than LL Cool J?)
No, this one works because it works as a genuine dumb slasher movie, as a parody of one, and as some weird pop culture accident where a familiar series got thrown into the wrong genre unexpectedly. It’s a more consistent attempt at the BRIDE OF CHUCKY approach to modern slasher sequels. Take the character and cliches from the earlier sequels, put them in a way more ludicrous situation (and it really is WAY more ludicrous in this case) and have fun. (read the rest of this shit…)
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