"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Asia Argento’

The Ogre/The Church

Thursday, October 24th, 2024

This DVD I rented is labelled DEMONS III: THE OGRE, but I knew that wasn’t really a thing. That’s just how video labels chose to promote THE OGRE, a 1989 TV movie that Lamberto Bava went off to do after giving up on a third DEMONS.

THE OGRE opens in Portland, Oregon, where a little girl wakes up and wanders into a dungeon/wine cellar and finds a bizarre, pulsating cocoon on the ceiling. It’s like a giant spider egg sac except it glows yellow, drips fluid and beats like a heart. She sees a spindly monster inside, and it reaches a hand out for her, then chases her. Eventually she wakes up. Yes, it was only a dream, but she dropped her teddy bear in the dream, and now it’s gone. (read the rest of this shit…)

Demons 2

Wednesday, October 23rd, 2024

Until now I had never seen DEMONS 2, really didn’t know anything about it, and considering its provenance it could’ve been a sequel-in-name-only. So I was excited when the opening narration described the events of the first film: demons unleashed from a movie theater. But it says that was followed by “days of terror that convinced the world demons can exist.” Days. So the war between the survivors and the monsters implied by the ending has already wrapped up, I guess. Things seem to be back to normal.

You could say it’s a DAWN OF THE DEAD type sequel – new set of characters later in the same apocalypse – but really it’s more of a do-over, a different take on the same rough idea. I think that’s a pretty cool approach, and they chose good elements to remix. Instead of a movie theater, the specific structure it focuses on is a high-rise apartment building called The Tower. Instead of the meta element of a movie about demons showing in the theater, they have one broadcast on TV, and various people in the building are watching it. They also have another part where suddenly it cuts to some punks driving around, although in my opinion they don’t really do much of interest with it. On the other hand they do one-up the iconic people-with-glowing eyes scene by doing it with a bigger mob of demons and then again looking up a staircase as they run down it. (read the rest of this shit…)

Dark Glasses

Wednesday, October 5th, 2022

Every once in a while the streaming service Shudder does a “secret screening” – a one time only showing on their live feed of a movie they’re not gonna have available until later. I think this is a really cool idea, and something they can do specifically because they’re one of the more lovingly put together services, run by actual programmers trying to curate horror movies they think their subscribers will be excited about.

I caught what I believe was the first time they did it, when it was a time loop thriller called LUCKY. I was into it but something about the ending that I don’t remember anymore fell flat with me and I never actually reviewed it. (Others thought more highly of it.) But I happened to be free last Saturday when I saw they were doing another one, so I gave it a shot again.

When the credits started in Italian I admit that my limited horror brain did immediately think “Is this an Dario Argento movie?” But I didn’t specifically remember he had a new one called DARK GLASSES (Occhiali neri) until his credit and the title came on after the ominous opening scene. If there’s a giveaway, it’s the swaggeringly aggressive use of electronic score by Arnaud Rebotini (a French musician from a band called Black Strobe). It sounds John Carpentery at first, then a little Gobliny, and by the end you’re at some evil rave. (read the rest of this shit…)

Land of the Dead

Wednesday, June 22nd, 2005

Hi, everyone. “Moriarty” here with some Rumblings From The Lab…

I’m working on my review for this one now, having seen it earlier tonight. For now, I’ll leave it in the always-capable hands of Vern:

Fellas –

Well the Batman fans have their good Batman movie to get excited about, the Star Wars fans have their good Star Wars movie to complain and make rape metaphors about*, and now comes the actual, genuine most anticipated movie of the summer. In my opinion.

[*and no, this is not a license to talk about Star Wars in the talkbacks. you even THINK about mentioning Hans shooting whatsisdick the hutt or what have you, even in a relevant comparison to the works of George Romero, you’re fuckin fired]

There’s not much of a rumbling in the media, there doesn’t even seem to be as much excitement on the internet thing here as you’d think there’d be. But some of you out there know what I’m talking about. We’ve been waiting for this movie a long god damn time. I mean how many false alarms can you live through over the years, the guy saying he almost has the money to make another Living Dead movie? It starts to seem like a pipe dream. How many Resident Evils and 28 Days and Haunted Mansions can go by with us saying “fer chrissakes you morons, just give George Romero some money for a living dead picture and make the world a better place for all creeds, colors and stripes.” (read the rest of this shit…)

xXx

Friday, August 9th, 2002

Well you know me, I’ve been talking about the badass presence of Vin Diesel just as long as anyone has, anyone except for him. I’ve been looking forward to this moronic concept of a Vin Diesel star vehicle, figuring anything this stupid starring Vin Diesel would have to be a good time. You saw my epic dissertation on THE FAST AND THE FURIOUS so you know how I enjoy Vin’s egomaniacal charisma combined with Rob Cohen’s pathetic zeitgeist-chasing high conceptualism.

XXX is completely asinine. And I loved that about it. For about half an hour. Then it just got boring in the exact same way all the modern James Bond movies are boring. It takes a special type of standard lowering to enjoy ANYBODY driving around dreary european villages on motorcycles shooting machine guns and blowing things up in the usual ways. You can only watch a henchman shot into the air by an explosion so many times before you start to ask for more from your badass cinematists. I don’t care if you had a young Clint Eastwood riding piggyback on Steve McQueen, you’d still get bored with this movie before it got to the climax. (read the rest of this shit…)