Well chances are by now you motherfuckers’ve heard about the new hit comedy Meet the Parents. This movie is sweeping the nation. All the sudden everybody loves to laugh. It is the new big thing. People are telling their friends about it. “This is a picture where you laugh.” There is already talk of a sequel even though, I mean how in fuck do you do a sequel to this picture. You can’t.
So let me give you my take on it. The Vern take. In case you’ve been in the can or something and haven’t fallen into Parentmania, what this is is the type of picture where Ben Stiller has to meet his girlfriend’s parents for the first time. In fact he wants to propose to the gal but first he has to ask the father’s permission. Only problem is the father is the King of Comedy himself, Robert DeNiro. Robert’s character is a crazy ex-CIA maniac obsessed with surveillance. So Ben tries his damndest to make a good impression, but every fucking thing possible goes wrong.
Okay so you’ve probaly seen the ads and think, yeah okay we know everything that happens. Truth is out of context that stuff may not seem funny but I would argue that in the movie, yes, it is funny. Because this Ben Stiller is a very special individual. He is the world’s only Human Humiliation Sponge. He will soak up any indignity known to man. And make it funny. (read the rest of this shit…)
Well the votes are in. We got like 11 or so experts on the films of Badass Cinema rating over 300 quality Badass pictures. We got these points all added up and averaged and what not to determine their true Badass quality levels. The mathematicals are all calculated and tabulated something fierce. And what better way to celebrate the 50th VERN TELL’S IT LIKE IT IS column than with the long awaited list of the 100 Most Badass Movies of All Fucking Time?
So the big movie right now is Almost Famous. A nicely crafted ’70s epic about a 15 year old kid named William who writes music reviews, and ends up having Rolling Stone magazine foot the bill for him to go on tour with a major rock band, to write an article. Written and directed by Cameron Crowe, for whom most of this shit REALLY went down, it is obviously a movie that is very close to his heart.
This was my final destination for VERN’S DOCUMENTARY WEEK, the BBC series that got so much attention a few months back when it played on the discovery channel. But who the fuck watches discovery channel, how was I supposed to know.
Hey folks, Harry here with a look at THE EXORCIST: THE VERSION YOU’VE NEVER SEEN BEFORE that has opened up in over 600 screens across the country…. Now, some of you good folks are concerned that it will never play in your little neck of the woods… Well, this rerelease is being handled in a ‘platform’ manner. What this means is this… between now and the middle of October, you will see THE EXORCIST open on more and more screens nationwide… the word has it, that it’ll be on around 2000 screens when all is said and done. Meanwhile, the reports I’m getting from this release thus far is that all nighttime screenings in San Diego have already sold out (according to ‘surfbrat’) I just got back in Austin from the World Premiere of this version… Which is actually a bit different than the test marketed film that played in Austin. But more on that later… Here’s Vern… now be really afraid… he’s scary…
In 1995, those of you who were living in the free world first discovered a talented young group of filmmakers who seemed to come out of nowhere with the phenomenally popular crime movie The Usual Suspects. I don’t think anybody thought the movie was profound, but it was a fun novelty, obviously made by a couple of film school whiz kids. If something with this much attention to detail and audience manipulation is their first movie (well, not counting the god awful Public Access, which at the time had only played film festivals) – what will they be doing, say, five years from now?
You know what, I got me a new theory. Look out people. If this theory pans out its gonna be in the textbook for Badass Cinematical studies for now on. It is about the difference between ’70s Badass filmmakers and ’90s Badass filmmakers.
(released overseas as Soapdish 2000)
that I am, I decided to go see it BEFORE this week’s Badass release, Way of the Gun. I would like to apologize right now for my lapse in judgement and lack of support for the Badass movement. What in fuck’s name was I thinking. I must have been suffering from temporary trauma induced delusions like the gal of the title.
