Somewhere in the blue-colored upper left corner of the map, under a horrible black cloud, we find Vern, chewing on his fist.
Well, shit.
Let me start by saying to the rest of the world, IT WASN’T ME, MAN. I had nothing to do with this. I can’t justify this but please don’t think this is all of us. It’s nobody I know, none of my friends, none of my family. It’s nobody that writes to me. Whoever these people are who are rewarding that type of behavior, who saw 4 years of horror and corruption and said, yeah, give me more of that… I seen some of them on TV but that’s it.
You know, I was really hoping to travel to other countries some day in my lifetime without having to look over my shoulder thinking, is that guy looking at my head? Does that guy want to cut off my head? And now these people go and make it look like America approves of Bush. It’s like when you’re sitting at a bar (not me, I don’t drink anymore) and you’re making small talk with the guy next to you, somebody you never met before. And you’re having a good conversation, then all the sudden the guy throws in some joke about jews or koreans or something, maybe uses the N word, talking real loud. And everybody thinks this guy’s your buddy, so you get real uncomfortable and try to either end the conversation or talk loudly about how great it is to meet the guy for the very first time ever. That’s what these Americans are doing. Guilting us by association. Thanks alot, assholes. (read the rest of this shit…)

Okay, let me take a deep breath and explain this shit. You remember the movie THE RING, directed by Gore Verbinski, starring Naomi Watts. It was a remake of the japanese movie RINGU (or RING) directed by Hideo Nakata. (You may remember I reviewed THE RING on THE AIN’T IT COOL NEWS and also was the first motherfucker on the internet to reveal it was being made back when I reviewed RINGU and RINGU 2 for them.) The movie by Hideo Nakata came after a TV series and both were based on a novel. At the same time Nakata’s movie came out there was another movie called RING 2 or RASEN which means SPIRAL but is not to be confused with the Japanese horror movie UZUMAKI which is about spirals but is completely unrelated to rings. Well RING 2 is also not to be confused with RINGU 2 which is directed by Hideo Nakata. See, RINGU was a huge hit but RASEN (even though it was based on the sequel book) was not, so they pretended it never happened and made a new sequel. Soon after in Korea, they made a remake of the original RINGU, known here as THE RING VIRUS and I haven’t seen that one but I heard it has stuff that was ONLY in the movie version but also stuff only from the book. In the US Gore Verbinski made THE RING which is sort of the same story as the Japanese movie but now in seattle with horses and a girl named Samara instead of Sadako. That one now has a sequel coming out which is directed by, holy shit, Hideo Nakata himself, director of the original RING movie and the second attempt at the first RING movie sequel. So now he’s directing the sequel to the remake of his original, which is apparently a direct sequel to the remake, not a remake of either his original sequel or the sequel that was adapted from the book sequel that he did not direct and nobody liked.
For serious movie watching individuals like you or me, movies start to be like a drug after a while. You know how potheads and acidheads are always experimenting with their drugs? Dude, I wonder what the produce department is like on acid. Dude, I wonder what Disneyland is like on acid. Dude, I wonder what Knott’s Berry Farm is like on acid. Dude, I wonder what Police Academy 2 is like on acid.
TEAM AMERICA is pretty much your typical moronic jingoistic action nonsense. The ultimate big budget, small brained hollywood summer action July 4th blockbuster. The movie you saw and couldn’t believe anybody liked but somehow everybody liked it and it made a bazillion dollars and the next summer everybody pretended it was somebody else who liked it. It’s pretty much that movie, except sarcastic, and done entireley with creepy looking marionettes like on that old TV show THUNDERBIRDS. That might be a comment about the wooden characterization and emotion in big action movies, and the way they treat sometimes respectable actors as props to move around and set up in front of explosions. But more likely it’s just because puppets are funny. It’s funny to watch them do stuff, because they’re puppets.
Like ROLLING THUNDER and FIRST BLOOD, but before both of them, this is a genre movie about what happens to soldiers when they come home. Andy is a soldier who dies in Vietnam (well, they never actually say it’s Vietnam). And his family gets a letter and they cry and they deny it and his mom says it’s a lie and wishes it wasn’t true and sure enough that night they find him downstairs, back from the dead.
I don’t know if you remember this movie, it’s about a haunted car. In other words, it’s based on a Stephen King book. And that also means it’s a 50’s car that plays old Little Richard songs and crap while it kills people. I know the filmatists today are bad, they gotta put references to all the TV shows and movies from their childhood, but Stephen King is the original. This guy has been cannibalizing his childhood for decades. And also he’s been making up stories about inanimate objects killing people. Killer laundry machines and shit like that. Remember in the TV movie version of THE SHINING, there was a haunted fire hose that killed a guy? It’s alot like that only a car.
I’m not 110% sure but I think there may be a new movement poking its head out from over the Hollywood hills. Only a few years ago it was unimaginable that a Hollywood studio would make an entertainment-oriented movie with recognizable stars but also with a premise so weird and convoluted that it is hard to even explain. Then all the sudden there was this movie starring John Cusack and Cameron Diaz and it was about how there’s a door hidden inside an office building that you can go through and you will be able to control John Malkovich and make him quit acting to become a puppeteer. Then also there was the movie by the same director and writer where Nicolas Cage played twin brothers who try to write a movie based on a non-fiction book about collecting rare orchids but they can’t do it and instead write the movie that you are actually watching about twin brothers who try to write a movie based on a non-fiction book about collecting rare orchids but they can’t do it so instead they write the movie that you are actually watching.
I gotta question I was wondering about. If you had to choose one Scott brother that was better (or not as bad), which would it be, Ridley or Tony? On one hand, Tony has never made a truly great movie like ALIEN or, you know, BLADE RUNNER is a good one too in my opinion. Both by Ridley. Tony’s got nothing on that level. But on the other hand, Tony has a couple okay movies: TRUE ROMANCE and CRIMSON TIDE are both pretty okay. I’m looking on IMDB here and– okay wait a minute, Tony Scott did TOP GUN? I forgot about that one. Never mind. I guess I choose Ridley. Congratulations on this great achievement, Ridley. I remember you seemed pretty pissed off that you didn’t get the best director Oscar for that corny gladiator movie you made. Maybe this great honor will cheer you up. Way to go, champ.

















