CANDYMAN in: FAREWELL TO THE FLESH and CANDYMAN in: DAY OF THE DEAD
Last week I watched this CANDYMAN movie. The review is above but maybe somebody is too lazy to read it so I’ll just say it was surprisingly good and classy for a slasher movie about a guy with bees in his stomach that likes to gut people with a gorey hook hand. Anyway I decided as a completist and foolish optimist I should give these two other Candyman adventures a shot. Maybe lightning strikes three times, you know.
Well truth be told, number 2 is not all that bad. It’s just not all that good either. This one is directed by Bill Condon, who went on to do GODS AND MONSTERS and KINSEY and write some musicals. So it’s not just a random hack, although nobody knew it at the time because this was 1995, it was before they had time travel. Anyway it treats the material as seriously as the first one does, but it’s less dreamy and more literal. The setting is moved to New Orleans which we find out is Candyman’s birthplace. (read the rest of this shit…)
THE SQUID AND THE WHALE meets THE WEATHER MAN
Ahoy, squirts! Quint here with my man Vern and his opinion of the newest cheesefest from Mr. Steven Seagal. If you know Vern, you know you’re in for a treat. If you don’t, then shame on you, but you’ve still got a chance to redeem yourself! Read below brother! Vern’s got the gospel for ya’!
This movie surprised me. Everything about it is classier than I expected. From his reputation you’d think this Candyman guy is just a B-list Jason or Freddy type. But it turns out he’s more a classic movie monster like Dracula or the Phantom of the Opera. And his movie has more subtext than all of Freddy and Jason’s pictures put together, including
Well as you know I am always searching for straight to video movies that don’t suck. And even I sometimes forget why that is my mission, so let me put it down in writing here as a reminder. See, in the old days you had b-movies, you had exploitation movies, etc. And the idea of these movies was low budget, lowbrow, easy investment quickie moneymaker. Like squeezing out sausages. And there was alot of disposable garbage made, because that was the whole point. But within that world there were people like Roger Corman, William Castle, Jack Hill etc. who sometimes made movies that transcended just being a product, movies that some people still watch and hold dear today. Lots of directors like John Sayles, John Demme and maybe one or two other guys got their start working on cheapo Roger Corman movies about women in prison or giant alligators. Also unfortunately Ron Howard but that doesn’t count. And people like George Romero and Sam Raimi started with low budget independent movies made for the drive-ins, movies that nobody would expect to still be considered great all these years later. 
In the type of acting tour de la force that everybody loves unless they’re some kind of a dick, Philip Seymour Hoffman plays Truman Capote, the famous writer and weirdo. Although the use of only his last name as the movie’s title seems to imply that it will tell the entire story of his life and maybe even the entire story of the life of everybody with the last name Capote, this is actually not a full on biography. The story is narrowed down to the 4 or 5 years when he was working on his famous book IN COLD BLOOD, starring Robert Blake.
SPOILER ALERT !!
For those of you out there who enjoy smart, politically relevant, historically based black and white newsroom dramas directed by charming movie stars who used to be on Roseanne, today’s your lucky day motherfucker. Mr. George Clooney is about to climb down your chimney.
